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THE PYTHAGOREAN SOURCEBOOK AND LIBRARY

FIGURES

FRONTISPIECE. PYTHAGORAS (From Stanley's History of Philosophy, 1687)

FIGURE 1. UNlTY, DUALITY AND HARMONY

FIGURE 2. THE PYTHAGOREAN TABLE OF OPPOSITES

Limit
Odd
One
Right
Male
At rest
Straight
Light
Good
Square
Unlimited
Even
Plurality
Left
Female
Moving
Crooked
Darkness
Bad
Oblong

FIGURE 3. SQUARE NUMBER

FIGURE 4. OBLONG NUMBER

FIGURE 5. THE MONOCHORD. String, sounding box and moveable bridge.

FIGURE 6. THE HARMONIC NODAL POINTS AND OVERTONE SERIES ON THE MONOCHORD. The above figure illustrates the reciprocal relation which exists between string length and vibrational frequency. By stopping the string at the geometrical nodal points the harmonic overtones may be individually emphasized.

FIGURE 7. THE HARMONIC PROPORTION

FIGURE 8. THE TETRAKTYS.

FIGURE 9. THE THREE LIVES

THE THREE LIVES THE "PLATONIC DIVISION"
TYPES OF HUMANITY
 
HUMAN DESIRES
 
PARTS OF
THE SOUL
CORRESPONDING
VIRTUES
Curious Knowledge "Rational" Wisdom
Ambitious Honor "Spirited" Courage
Covetous Profit "Desirous" Temperance

FIGURE 10.  IAMBLICHUS

FIGURE 11.  COIN FROM CROTON

FIGURE 12. THE PYTHAGOREAN Y

FIGURE 13. THE MUSIC OF THE SPHERES

FIGURE 14. THE MUSIC OF THE SPHERES. Shown in this engraving from Renaissance Italy are Apollo, the Muses, the planetary spheres and musical ratios.

FIGURE 15. A TABLE OF TONE NUMBERS. There is evidence that this table of tone numbers is a later addition to the text. The abbreviations I. and ap. represent the two types of semitones, the leimma and the apotome respectively.

1 (1) 384 (2) 432 (3) 486 (4) 512 1. (5) 576 (6) 648 (7) 729  
2 (8) 768 1. (9) 864 (10) 972 (11) 1024 1.        
3 (12) 1152 (13) 1296 (14) 1458          
4 (15) 1536 1. (16) 1728 (17) 1944 (18) 2048 1. (10) 2187 ap. (20) 2304 (21) 2592 (22) 2916
8 (23) 3072 1.              
9 (24 3456 (25) 3888 (26) 4374 1. (27) 4608 1. (28) 5184 (29) 5832 (30) 6144 1. (31) 6561 ap.
          (32) 6912 1. (33) 7776 (34) 8748 (35) 9216 1.
27 (36) 10368              

FIGURE 16. THE REGULAR SOLIDS. The regular solids, also known as the Platonic solids, were first described by Plato in his Timaeus. Plato identified the dodecahedron with the cosmic sphere (later identified with aither), and the four other solids with the four elements. Each one of the elemental "molecules" is constructed out of the triangular "atoms" shown below. The five regular solids are the only polyhedra that can be constructed out of the same regular polygons. The archetypal ratios and geometries with which they are associated underlie the structure and divisions of three-dimensional space.

DODECAHEDRON: Aither / 12 Sides
TETRAHEDRON: Fire / 4 Sides
CUBE: Earth / 6 Sides
OCTAHEDRON: Air / 8 Sides
ICOSAHEDRON : Water / 20 Sides

FIGURE 17. THE PLATONIC LAMBDA

FIGURE 18. THE DIVINE MONOCHORD. This particular monochord is tuned in the key of G, while the examples on the right and in the introduction use the key of C. The three top notes on this monochord are incorrectly placed.

FIGURE 19. THE RATIOS OF THE PYTHAGOREAN SCALE

Notes
 
"Musical Proportion" Tone Numbers Tone Ratios Tone
 
Fractions
 
String Length
c 24 768 4 4 4 .25
b   729 3.796875 243/64 3-51/64 .2633744
a   648 3.375 27/8 3-3/8 .296296
g 18 576 3 3 3 .3333
f 16 512 2.6666 8/3 2-2/3 .375
e   486 2.53125 162/64 2-34/64 .3950617
d   432 2.25 18/8 2-2/8 .4444
c 12 384 2 2 2 .5
B   364.5 1.8984375 243/128 1-115/128 .5267489
A   324 1.6875 27/16 1-11/16 .5925925
G 9 288 1.5 3/2 1-1/2 .6666
F 8 256 1.3333 4/3 1-1/3 .75
E   243 1.265625 81/64 1-17/64 .7901234
D   216 1.125 9/8 1-1/8 .8888
C 6 192 1 1 1 1

FIGURE 20. MAP OF THE ANCIENT WORLD

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