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Altruistic World Online Library 2015-12-12T01:07:43+00:00 http://rapeutation.com/sbb-bak/app.php/feed/forum/11 2015-12-12T01:07:43+00:00 2015-12-12T01:07:43+00:00 http://survivorbb.rapeutation.com/sbb-bak/viewtopic.php?p=13755#p13755 <![CDATA[Still Videos and Transcripts • Re: Necessary Evil: Super Villains of DC Comics, by DC Comic]]> We Had Women Photoshopped Into Stereotypical Comic Book Poses And It Got Weird: The poses were bad, but the photoshopping made it even worse.
By Kristin Chirico, Kirsten King, Sheridan Watson, Nina Mohan, Allison Bagg, Candace Lowry, Macey J Foronda, Charlotte Gomez (BuzzFeed Staff), Caitlin Cowie (BuzzFeed Contributor)
December 10, 2015

NOTICE: THIS WORK MAY BE PROTECTED BY COPYRIGHT

YOU ARE REQUIRED TO READ THE COPYRIGHT NOTICE AT THIS LINK BEFORE YOU READ THE FOLLOWING WORK, THAT IS AVAILABLE SOLELY FOR PRIVATE STUDY, SCHOLARSHIP OR RESEARCH PURSUANT TO 17 U.S.C. SECTION 107 AND 108. IN THE EVENT THAT THE LIBRARY DETERMINES THAT UNLAWFUL COPYING OF THIS WORK HAS OCCURRED, THE LIBRARY HAS THE RIGHT TO BLOCK THE I.P. ADDRESS AT WHICH THE UNLAWFUL COPYING APPEARED TO HAVE OCCURRED. THANK YOU FOR RESPECTING THE RIGHTS OF COPYRIGHT OWNERS.


Warning: This post contains photoshopped images of bodies that some may find triggering.

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WE GOT PHOTOSHOPPED TO LOOK LIKE FEMALE COMIC BOOK HEROES AND IT GOT REALLY WEIRD

While everyone knows that comic books are fantasy, many of the poses that female characters are drawn in look a little painful:

Image Image Image
Marvel Comics / DC Comics / Marvel Comics

Many people, such as Ami Angelwings who runs the Tumblr Escher Girls, or these people attempting to sit in the impossible Mary Jane position, have drawn attention to the uncomfortably contorted positions that female comic book characters often find themselves in, in order to make sure they are showing ~MAXIMUM BOOBS AND BUTTS~.

So, a group of us ladies (of various shapes and sizes) decided to try out some of these poses to see juuuuust how funcomfortable they really are:

object

It was, uh, interesting!

Afterward, we had the photos of our poses photoshopped so that they resembled the actual characters.

Because we wanted to see what our bodies would look like if we could ACTUALLY get them in these positions.

Nina tried one of Spider-Woman’s poses:

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How doing the post felt: I thought it would be fairly easy to rest on my forearms and knees and just pop my butt up a little but it was HARD AF. Everyone kept telling me to adjust myself in impossible ways to match the picture. I legit broke a sweat!

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Photo: Macey J. Foronda/BuzzFeed / Photoshop: Charlotte Gomez/BuzzFeed

Changes made to Nina’s photo: Lengthened and slimmed thighs, lengthened back, slimmed back, exaggerated butt, enlarged butt crack.

Nina’s reaction to the photoshopped photo: BEHOLD MY HEART BUTT. It’s like my ass is saying “I love you” to the world. Also my thighs are about a foot longer. I guess this is how I’d look if I were 6’3”. The top half of the photo just isn’t me at all. They might as well have just put my face on a cartoon body, because that’s what it is. I don’t look human.

Kirsten tried one of Wonder Woman’s poses:

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DC Comics / Macey J. Foronda for BuzzFeed

How doing the pose felt: MAN, did my pose hurt. I used muscles in my body I never knew I had (or maybe don’t have and that’s the issue?). I was in major pain and at one point my leg cramped up. If someone was actually charging at me, I wouldn’t have time to pop my ass out beforehand.

ImageImage
Photo: Macey J. Foronda/BuzzFeed / Photoshop: Charlotte Gomez/BuzzFeed

Changes made to Kirsten’s photo: Enlarged and pushed up breasts, slimmed waist, enlarged butt, exaggerated hip, slimmed and lengthened thighs, slimmed and lengthened lower leg

Kirsten’s reaction to the photoshopped photo: My stomach looks like it has room for exactly two peas in it. And that is the absolute maximum capacity. I don’t know who that lady is, but she is nottttt me. The weird thing is, I didn’t THINK I looked large in the original until I saw it side by side with the other one.

Allison tried a pose belonging to Black Widow*:

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Marvel Comics / Macey J. Foronda/BuzzFeed

How doing the pose felt: This shit is physically impossible if you have bones, muscles, and organs. Without those things you might stand a chance. Maybe if I go to yoga every day for a decade, I might be able to get it half right? I expected it to be a damn mess, and it was. It really was. Pretty sure I need to see a chiropracter now.

*This is the Yelena Belova Black Widow, not Natasha Romanov!

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Photo: Macey J. Foronda for BuzzFeed / Photoshop: Charlotte Gomez

Changes made to Allison’s photo: Enlarged and pushed up breasts, shortened and repositioned lower legs, lengthened torso, slimmed waist, added and enlarged right buttcheek.

On seeing the photoshopped photo: Look at that booty! But why didn’t they photoshop my toes to make them look normal?

Sheridan tried out one of Red Sonja’s poses:

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Marvel Comics / Macey J. Foronda/BuzzFeed

How doing the pose felt: I never went back after the free introductory yoga class, but for some reason, I thought posing as if I was taking a standing-up dump would be my second calling. It was not. I couldn’t understand how all of my body parts were supposed to come together and effortlessly pose like a sexy cartoon superhero. You see my hand? I’m trying to stop hell from coming for me.

Image Image
Photo: Macey J. Foronda/BuzzFeed / Photoshop: Charlotte Gomez/BuzzFeed

Changes made to Sheridan’s photo: Enlarged and pushed up breasts, slimmed waist, enlarged butt, exaggerated hip, slimmed and lengthened thighs, slimmed and lengthened lower leg.

Sheridan’s reaction to her photoshopped photo: Well, I learned something new today: rib cages — who needs ‘em? I think I look like Kim Kardashian when she gets a little too trigger happy with the photoshopping on her Instagram pics. It’s just so laughable to me. My boobs, however, have never been so perky. Seriously not even two push-up bras could get me that sort of lift on a normal day. Huzzah!

Candace tried out one of Storm’s poses:

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Marvel Comics / Macey J. Foronda for BuzzFeed


How doing the pose felt: I thought I would just be chillin’, waiting to save the day, but that hip pop was hard for a basic girl like me. My knees were killing me, but I’ll tell you this right now, I would not be adorned in a red lip and push-up bra if I was fighting crime.

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Photo: Macey J. Foronda/BuzzFeed / Photoshop: Charlotte Gomez/BuzzFeed

Changes made to Candace’s photo: Rounded shoulders, curved and pushed arms back, enlarged and pushed up breasts, slimmed waist, slimmed thighs, exaggerated hip, moved and restructured pelvis.

On seeing the photoshopped photo: WOWOW I look like Sofia Vergara and a Barbie gave birth to me TBH, but my vagina looks like a FUPA meets a balloon. Now I know what I look like with big boobs so I guess that’s a plus?

Kristin tried one of Psylocke’s pose:

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Marvel Comics / Macey J. Foronda/BuzzFeed

How doing the pose felt: I was pretty sure the legs would be the hardest part of this pose. THAT WAS FALSE. As it turns out, my torso is actually too short. So in order to show everyone my boobs and butt at the same time, I had to bend my back in half, like a really annoyed taco who hates you.

Image Image
Photo: Macey J. Foronda for BuzzFeed/Photoshop: Charlotte Gomez/BuzzFeed

Changes made to Kristin’s photo: enlarged and pushed out breasts, slimmed and lengthened thighs, separated right thigh, pulled leg out, created a composite butt, pulled butt out from underneath body.

Kristin’s reaction to the photoshopped photo: I look like someone grafted a Barbie onto a busted pair of hot dogs. Like my right thigh is literally so angry that it is just flipping people off, and frankly, I don’t blame it.

FINAL THOUGHTS:

Nina (Spider-Woman): I get that comics are stylized and that’s fantasy. But why does so much of the fantasy revolve around half-naked women contorted to show off their boobs and butts? It feels like a way to take away their power. Like “Oh yea, she’s strong and powerful, but she’s definitely fuckable too, don’t worry.” We should be able to celebrate our power and strength without needing to worry if we’re sufficiently “hot.”

Kirsten (Wonder Woman): Seeing myself and the other ladies in these poses looks unnatural AF. I would prefer to see all of us in strength poses, especially since we’re supposed to be emulating superheroes. Heroines are supposed to fight crime and save the world, not twerk while they’re rescuing humankind.

Allison (Black Widow): This bums me out to see how ridiculous the poses are for every single female superhero. It would be really cool to see powerful, nonsexualized poses that don’t objectify women be the norm instead of this crap.

Sheridan (Red Sonja): I just find everything so hilariously awful. I know a lot of people will say “it’s just a cartoon” or “it’s not real” but what people don’t realize is how these images can actually affect women — and men alike. We’re perpetuating an image that is physically impossible to attain. Is there something wrong with having women with rib cages fight crime? Or do they HAVE to have heart-shaped bums in order to succeed?

Candace (Storm): Man, we all look so crazy, and have such an unrealistic expectation to look incredible. This pretty much goes for men in comics too. I mean, yes, I would be ripped if I was tearing through the city skyline but would that also call for rapid boob growth and my clothes to disappear? Nah. I didn’t realize how insane the proportions were until we were actually photoshopped.

Kristin (Psylocke): Unless you completely lack object permanence, you can deal with not seeing both boobs and butt at the same time. Like, give readers some credit: When a character turns around, it’s not like we all go “BUT WHERE DID THE BOOBS GO? ARE THE BOOBS GONE FOREVER? I NEED ASSURANCES THAT THERE ARE STILL BOOBS HERE.” In fact, the only people who actually think this way are real-life babies, and they can’t read comics, anyway!

Statistics: Posted by admin — Sat Dec 12, 2015 1:07 am


]]>
2015-09-18T12:31:00+00:00 2015-09-18T12:31:00+00:00 http://survivorbb.rapeutation.com/sbb-bak/viewtopic.php?p=10980#p10980 <![CDATA[Still Videos and Transcripts • Re: McLIBEL: THE STORY OF TWO PEOPLE WHO WOULDN'T SAY McSORR]]>
[DAY 194]

[Helen Steel] The McLibel Spot Campaign was set up and run by volunteers on a shoestring from someone's bedroom. And they coordinated publicity and protests against McDonald's throughout the trial.
Well, the campaign has raised about 30,000 pounds so far, all from donations from the public. And that gets spent on witness airfares, and legal costs, and really, whatever other expenses come up. I mean, it might sound a lot until you find out that McDonald's has spent about 10 Million pounds.

[Dave Morris] During the time of our trial, McDonald's have made 3.6 Billion dollars profits.
They've opened a new store every four hours, and expanded into 31 new countries.
It's not just what goes on at McDonald's itself that is the problem, it's that key practices that they've pioneered over the last 50 years are spreading throughout society, and becoming the norm.


[Eric Schlosser, Author of "Fast Food Nation"] And those key characteristics would be uniformity, conformity, and control. Control over the worker, control over the consumer, and a very homogenous culture that tries to stamp out genuine iconoclasm, and tries to control what can be said about these companies publicly.

[Dave Morris] We've invested our lives, especially the last three years have been just constant pressure of administration, of the paperwork, preparations, and questioning, and all kinds of legal complexities, all down on us all the time.

[DAY 229]

[Helen Steel] After court on Friday, I went to the doctors and got a certificate saying that I'm totally exhausted, and that I need a break. I just felt totally burnt out. And I wasn't really able to carry on. And so we're going to be making an application for the court to be adjourned for two weeks. There's so much stress, really, that we ended up taking it out on each other.

[Dave Morris] As the case goes on, it's even more difficult just to do the basics in looking after him, because I'm just getting exhausted. And he picks up with it when he's in the way, just being at home and being himself.

[Interviewer] Are you glad your dad did the court case then, or do you wish he didn't?

[Charlie] I'd be doing more things. Have more things as well.

[Interviewer] What more things do you mean?

[Charlie] I'd have a bit more toys, as well, I think. And more time to get the toy.

[Helen Steel] The doctor recommended that I should have a two-week rest rate, but the judge basically ignored it and ruled that the trial had to continue.
1st of November, 1996. McLibel is now the longest trial ever in English history. It certainly feels like it. Nearly 2-1/2 years already. A bit longer than McDonald's original estimate of three to four weeks. But at least the end is in sight now.

[292 DAYS
LONGEST EVER TRIAL
McWORLD UNDER THE GRILL
SAME McDONALD'S. SAME McLIES.]

[292 DAYS
LONGEST EVER]

[Richard Rampton QC, McDonald's Barrister] My Lord, the rearing and slaughter of animals is next. Here, I express the issue in this way: "Are the methods by which animals to make McDonald's food are reared and slaughtered cruel and inhumane?"
Would you summarize for us what is your attitude to the welfare of animals which are used to produce food for human consumption?

[David Walker, Meat Supplier to McDonald's, Witness] My conceptions are that no animal will put on weight or grow unless it is healthy and contented. You can't force an animal to increase its weight.
Though I definitely think we have consideration for animals and their well-being -- I do -- both in terms, or arbitrage, and in terms of farming.

[Howard Lyman, Former Cattle Rancher, Witness] On my farm in Montana, I had 7,000 head of cattle, 12,000 acres of crop, 30 employees, 7 columbines, 20 tractors, 30 trucks. I was buying 1 Million dollars worth of chemicals a year. We'd eliminated the birds, killed the trees. My brother had died of Hodgkin's disease, which we found is caused by [Inaudible], and by the weed spray we were using, 2-4-5-T, better known as Agent Orange in Vietnam. The doctor told me I had a tumor on my spinal cord, and if it was inside of the cord, I had less than one chance in a million. Now, when somebody gives you the odds of one in a million, it really gets your attention. And I had to admit that I had done some things on that farm that were not very good. Well, I'm sure that a lot of the meat that I sold ended up in McDonald's.

[Paul Preston, McDonald's UK President, Witness] Our standards exceed minimum legal requirements, and if those legal requirements need to be adjusted, that's really a matter for government, it's a matter for agriculture. But I want to know about it.

[Helen Steel] We've been sent some great footage taken secretly inside one of McDonald's chicken supplies. It's pretty grim. We're going to show it in court today.
The conditions for the poultry are outrageous.
Every day, about 1,300 adult birds have their throat cut while still fully conscious ...
and about 1,000 unwanted chicks are gassed every week.


[Eric Schlosser, Author of "Fast Food Nation"] These creatures have lived for millennia one way, and in a few decades we have transformed how they live, what they eat, how we eat them, and where we eat them.
So BSC and E-Coli, or 0157A7, and now maybe even avian flu, is a logical result of fundamental transformations in how we treat animals, how we have transformed animals from sentient beings into industrial commodities and units of production.


[Howard Lyman, Former Cattle Rancher, Witness] Most people have no understanding at all that animals are being fed to animals.
They have no idea that we are feeding arsenic to chickens, that we end up recycling manure back through the animals, that we feed them cement dust. Most of us have no idea in the world who produced our food, or what they used on it, what it will do to us, the environment, or the animals.


[Helen Steel] The point I was making was that Mr. Walker seemed to be accepting that as a result of the meat industry, the suffering of animals is inevitable. Is that correct?

[David Walker, Meat Supplier to McDonald's, Witness] Are you asking me a question? Sorry.

[Helen Steel] As a result of the meat industry, the suffering of animals is inevitable?

[David Walker, Meat Supplier to McDonald's, Witness] The answer to that must be yes.

[Helen Steel] 17th of July, 1996. Evidence finished. Yes!!
Now, somehow we have to condense all of the evidence into a coherent closing speech to convince the judge to rule in our favor.

[Dave Morris] We've got 40,000 documents, 20,000 pages of testimony. It's impossible without a trained team of, you know, ten lawyers, to even read a tenth of it. It's just too much for us. I mean, we're so exhausted, and we're just losing concentration now at this crucial time. And it's quite possible, you know, that we could fail at the last hurdle in this case.
It's just got to the point where I don't have any time for Charlie anymore, and communication has broken down between us, and I just end up shouting at him. I've just got to say to Charlie, "Just go off and play, because I've got work to do." I mean, it's already 2:00 in the morning, and I'm completely knackered. And yet tomorrow morning I've got to stand up, and we've got to speak for six weeks nonstop in our closing speeches. It's just an impossible task, really.


[Dave Morris] Libel laws are being used in this country as a draconian form of mass censorship which is largely carried out in secret, largely self-censored.

[DAY 309]

[Richard Rampton QC, McDonald's Barrister] The allegations in the leaflet are false. The picture of working life at McDonald's painted by the leaflet is a grotesque ...

[Helen Steel] Ronald McDonald is one stranger parents certainly should warn their children about. We know he has ulterior motives.

[McDonald's Witness] There may be a causal relationship between diet and cancer of the breast and bowel; on the other hand, there may not be.

[Helen Steel] Bearing in mind the similarity between the passage in the fact sheet, and McDonald's own pamphlet, it was extremely ...

[Dave Morris] ... promotion by McDonald's of beef consumption, the huge advertising budget as the world's largest user of beef ...

[Helen Steel] ... is just because they do not like groups such as London Greenpeace drawing these problems to the attention of the public of the ways in which the fast food industry harm their customers and animals and the planet.

[Eric Schlosser, Author of "Fast Food Nation"] One of the reasons the fast food industry grew so quickly, and is still the food of the poor and ordinary working people, is that it's cheap. But it is very similar to smoking and tobacco. The real cost, and the real consequences, doesn't come in the moment. It comes 10 or 20 years later. When you look at the cost to people's health, when you look at the cost to the environment, when you look at how our labor system has been transformed, and on and on and on, this is not cheap food. This is extremely expensive food. This food is too expensive for our societies to pay for.

[Helen Steel] Because wealthy people. and corporations. can control all the media, it's very easy for them to shape the way we see the world: buy this product and you'll be happier. And for them to convince us that there is no point in fighting back, and actually everything's okay, and just leave it in their hands ...

[Dave Morris] Human beings are amazing. Look at all their inventiveness, and creativity, at all the great things: art, music. Surely we could come up with something better than this current economic system which allows a few people to get obscenely rich, while half the planet have to live in poverty.

[Eric Schlosser, Author of "Fast Food Nation"] For me, the most important thing is to just be awake and alert and alive and conscious, and not just kind of a captive of these corporate marketing campaigns.

[Howard Lyman, Former Cattle Rancher, Witness] Right now we have governments that are doing the bidding of multinational corporations. And they are in fact the government of the world. Can they totally intimidate individuals? Can they remove our rights and freedoms? That's what this trial is all about. The trial will not be decided in high court, the trial will be decided in the court of public opinion.

[Helen Steel] 19th of June, 1997, Judgment day! The 314th and final day in court.

[Dave Morris] I think I should wear this, even though I look like a vicar. Do I?

[19th June, 1997]

[now read the leaflets and ... JUDGE FOR YOURSELF]

[Judge] My conclusions are as follows: It has not been proved that a diet high in fat and animal products and low in fibre leads to a very real risk of cancer of the breast or cancer of the bowel, although it is possible that it increases the risk to some extent. The leaflet's message of a very real risk of heart disease simply from eating at McDonald's more than just occasionally is not justified. I do find that various of McDonald's advertisements have pretended to a positive nutritional benefit which McDonald's food did not match. The sting of the leaflet, to the effect that McDonald's exploits children by using them as more susceptible subjects of advertising to pressurize their parents into going to McDonald's, is justified. It is true. The blame for litter, which has left McDonald's restaurants as packaging in customer's hands, lies firmly on the inconsiderate customer. Although the expansion of beef cattle production has led to the destruction of rainforests, there was no evidence that McDonald's has taken any active part. McDonald's UK does pay its workers low wages, thereby helping to depress wages for workers in the catering trade. McDonald's are strongly antipathetic to any idea of unionization, but they do not have a policy of getting rid of pro-union workers as the leaflet alleges. I do not judge McDonald's conditions of work other than pay to be generally bad. McDonald's are culpably responsible for cruel practices in the rearing and slaughter of some of the animals which are used to produce their food. That leaves the question of the amounts of damages to be awarded to McDonald's. I assess the damages at 60,000 pounds.

[Dave Morris] We appealed the verdict later, and managed to overturn two of the key rulings. The appeal court ruled that it is fair to say that working conditions are bad, and crucially, eating too much McDonald's food is linked to heart disease. And then they reduced the damages to 40,000 pounds.

[Helen Steel] This is really weird! Hold your bag up.

[News Person] Are you prepared to go to jail?

[Dave Morris] We're prepared to do anything it takes to defend the public's right to criticize multinational corporations.

[Helen & Dave's Press Conference]

[Helen Steel] As far as we are concerned, what would have been a loss is if we hadn't fought this case, and people are being intimidated into silence.

[McDonald's Press Conference]

[Paul Preston, McDonald's UK President, Witness] We are, as you can imagine, broadly satisfied with the judgment given this morning. It's my responsibility to protect our reputation, and that's exactly what we've done. Very serious allegations were made about our Company. They were proven to be false.

[Keir Starmer, Barrister] They had the libel team, the expert team of lawyers, working for the last five years behind the scenes, and in court for them. That's where the victory lies, in the fact that Dave and Helen won almost half this case with those odds stacked against them.

[News Person] But he said you exploit children by using them as more susceptible subjects for advertising to pressurize their parents into going to McDonald's.

[Paul Preston, McDonald's UK President, Witness] Well, I don't remember the exact words. When I have a chance to read the specifics, I'll be able to comment.

[News Person] What's your response to that?

[Paul Preston, McDonald's UK President, Witness] I don't know that he said that in that context. I'll have to look at the complete document.

[Dave Morris] A judge has ruled in our favor on all those counts. What action is the legal system going to take against McDonald's? That's the question we ought to be asking.

[Paul Preston, McDonald's UK President, Witness] Well, this wasn't a matter of cost. It wasn't a matter of damages. It was a matter of establishing the truth. That's what we set out to do. That's exactly what we did.

[Helen Steel] We're not going to pay the damages, because McDonald's doesn't deserve a penny. And in any event we haven't got any money.

[Crowd] HIP HIP HOORAY! HIP HIP HOORAY! HIP HIP HOORAY!

[two days later]

21st of June, 1997. Today is mass defiance day. There's going to be protests outside over 500 of McDonald's UK stores, and lots around the world, too. They haven't seen the last of the leaflet.

[seven years later]

[McDonald's to Shut in 10 Nations]

[Huge Profits Dive at McDonald's]

[Eric Schlosser, Author of "Fast Food Nation"] Well, McDonald's had a rough time because of McLibel. And McDonald's experienced its first loss, I think, in 2002. I think in a long-term sense, they're in big trouble. And I think that McLibel had a great deal to do with that in terms of unleashing this torrent of criticism.

[Super size me song] Super size, super size
The American way
Going down, throwing down
All day, every day
Super size, super size
The American way
Getting fat, getting broke
Either way you're gonna pay
Super size me
Super size me
Super size me
Super size me

[Eric Schlosser, Author of "Fast Food Nation"] It's not as though people are setting out to tarnish their image, it's just the reality of their business practices are becoming known.

[Keir Starmer, Barrister] Some of the issues that Dave and Helen were raising, such as junk food and advertising to children, were not widely debated 10, 15, or 20 years ago. But now they are mainstream. The case appears to have altered McDonald's tactics. Since the case, I don't think McDonald's has even threatened anybody with libel proceedings in similar circumstances.

[Book cover] Fat Land, The International Bestseller, by Greg Critser

[Book cover] 50 facts that should change the world, by Jessica Williams

[Book cover] Hard Work – Life in Low-Pay Britain

[Book cover] Fast Food Nation, by Eric Schlosser

[McDonald's] Grilled chicken salad only 3.6% fat. I’m lovin’ it.

[Helen Steel] Well, I didn't want to go to jail, but I would have been prepared to do it just because otherwise the alternative is to give in to their intimidation. And I think they just realized it would be a complete PR disaster to have us jailed. And it's all about publicity to them, so they gave up. And then on top of that, they've never collected a penny in damages. I mean, obviously we weren't going to pay any, but they haven't even tried to come after us. After the trial finished, I carried on work in a nightclub for several years. And then I spent a couple of years training as an electrician, and qualifying as an electrician. I'm also involved in a housing coop. A group of us got together so that we could have more affordable rents, and more control over our own housing.
And we're in the process of trying to buy a bit of land, and then build our own houses.

[Dave Morris] Excuse me, Fossie. Excuse me. Thank you.
In some ways, McLibel was a bit of a sidetrack for me, because my main activity has always been in my local community.
This is something that we were successful in, getting 1 million pounds for traffic calming throughout this whole estates, so the kids can play in the street, and people can cross safely.

[Charlie] Actually, I'd like to be an actor, because I enjoy acting, and just being creative.

[Helen Steel] 5th of September, 2004. Train to Strasbourg with Dave for the European hearing.

[5th of September 2004]

[Helen Steel] We've beaten McDonald's, now it's the UK Government's turn.

[Keir Starmer, Barrister] Dave and Helen are now taking their case to the European Court of Human Rights, which is the most important court in all of Europe. And we'll seek to argue that UK law is in breach of the European Convention of Human Rights. So the stakes could not be higher. The European Court is going to have to consider a number of fundamental issues about English libel law. The first is the obvious unfairness of a system that allows one party to have huge amounts of resources and lawyers, and the other to have none, without any legal aid. It's only in libel proceedings that you can't get legal aid. In every other kind of legal case, legal aid is there to achieve the balance that's required for justice.

[Eric Schlosser, Author of "Fast Food Nation"] For me, the significance of the McLibel trial is really about this worldwide movement now to oppose entrenched corporate power and corporate wrongdoing. There's no one person responsible, but there's no question that when Helen said "No," it really fueled the fire. I'm not going to bet you money that McDonald's will vanish tomorrow, or that we will suddenly transform our society into a compassionate and caring and humane one tomorrow. But when I was born, there was segregation in the south, and black people couldn't ride the same buses, or sit at the same tables with white people. And Nelson Mandela was in prison when I was a kid. And so things absolutely can change.

[News Person] Okay, so we know you don't like corporations, but what's the alternative?

[Dave Morris] The alternative is basically taking control of our own lives, our own communities, our own workplaces, and making all of the decisions that affect our lives and affect the environment. You know, deciding what happens with the resources, deciding what work needs to be done.


[Helen Steel] People say, "Oh, it could never work. You would just have people going around and murdering, and stealing, and things like that." But actually, that's what happens in this society now. You've got corporations and wealthy individuals that own vast areas of the planet, and deny other people access to them. And it's basically stolen from everybody else.

[Dave Morris] Obviously, there's always going to be problems in any kind of group of people, society, or whatever. But you want to remove all the unnecessary problems. For example, poverty in the midst of plenty. Or some people owning 50 houses, and other people don't have a home to live in.

[Helen Steel] Most so-called antisocial behavior is actually people fighting over the crumbs thrown from the table. The real people who are behaving antisocially are those that control all of the resources, and deprive other people of what should be shared amongst us all.

[Dave Morris] If we remove corporations and governments, who care only about profits and power, and take things into our own hands, obviously that's basically transforming society. That's a revolution. But not just on a single day, over a period of years. But building up strong grass roots movements until one day, we can take over all the decision-making ourselves, and look after our planet.

[Helen Steel] 7th of September, 2004. European hearing this morning. Kind of ironic that we finally got legal aid. So now we've got a whole legal team with us. Keir has to do all of the talking. We're not even allowed to speak.
This is Parisa Wright, our assistant solicitor.
This is Keir Starmer, our wonderful QC.
And this is Anthony Hudson, our junior barrister.
And this is Mark Stevens, our solicitor.

[Keir Starmer, Barrister] I've put in all the additional bits we discussed last night. I've cut out in order to make it 30 minutes. The bits I've had to cut out are Professor Nicholson in its entirety.

[Dave Morris] I don't think that matters. All those facts and comments that were repeated six times.

[Keir Starmer, Barrister] I never understood that anyway. So we'll leave that out.

[The European Court of Human Rights]

[Keir Starmer, Barrister] It's long been recognized that it would be wrong for central and local government to be able to sue for libel, because it restricts free speech. We're questioning before the European Court whether that rule should be extended to multinationals. They often have more power and wealth than small countries around the world. They can get their message across through the television, through other medium, through advertising. And they don't need to go to court through ancient and unfair libel proceedings.

[News Person] So?

[Helen Steel] Don't start asking me questions.

[News Person] How was it Dave?

[Dave Morris] It was great. I thought the Government was totally on the defensive. Certainly on the lack of legal aid, which they now recognize should be available in defamation cases in exceptional circumstances.

[Helen Steel] The Government referred to that protection of freedom of speech should require that campaigners should put the balance in their leaflet, and put the response of McDonald's, for example. Well, there's no requirement on McDonald's to put the balance in their adverts and say, "Well, actually, our food isn't healthy. You're really better off not eating it."

[Dave Morris] The campaigners are the balance, and we will continue to campaign until there is a just world.

[five months later]

[Helen Steel] 15 of February, 2005. European court verdict arrives today. Hopefull,y this is the very last day of the McLibel legal battle. No court hearing, though. Just notified by email. A bit of an anticlimax after 15 years.

[Dave Morris] Hi there.

[Helen Steel] This is such a welcome.

[Dave Morris] It's great to see you!
We're just trying to prepare two press releases so we can get it out as quickly as possible, rather than writing it from scratch. We've got one in case we lose on all points, and another one in case we're victorious.
Control C.

[Helen Steel] Oh, for God's sake, you and your Control C! You're obsessed with it.
We might as well find out now. It's 9:30.

[Dave Morris] No, we're just checking it right now. Hang on a second. What was that?

[Helen Steel] No, it's spam, actually. How can you get so much spam in one second? Who are these spammers?

[Dave Morris] 25 till 10 and they haven't sent it yet. I'll phone up the court.

[Helen Steel] I think that might be a little bit impatient.

[Dave Morris] Stop. You see it's coming in.

[Helen Steel] Don't shut that! Don't shut it!

[Dave Morris] I'm going to phone the court and see if they've sent it.

[Helen Steel] Just don't! They're probably trying to sort it out. And you making endless phone calls is not going to help.

[Dave Morris] No, you're saying there is a technical problem? ... Okay, go on, here we go. Here we go.

[Helen Steel] For someone who doesn't care about the European Court verdict, he's extremely excited.

[Dave Morris] I'm not excited, I just want to get it over with, for God's sake. Actually, I've got an extension, we can...

[Helen Steel] It's here!

[Dave Morris] Good!

[Helen Steel] DA DA DA!

[Dave Morris] It'll take a half an hour to download.

[Helen Steel] I know it will.
European Court of Human Rights, press release issued by the registrar.
The European Court of Human Rights has today notified in writing a judgment in the case of Steel and Morris vs. the United Kingdom. The Court held unanimously that there had been a violation of Article 6, rights to a fair hearing of the European Convention of Human Rights, and that there had been a violation of Article 10, freedom of expression, of the Convention.
YEAH!

[Victory for McLibel 2 Against UK Government]

[Dave Morris] There's tons of media interest, so I'm not sure we can get to everybody. So 11:30 at the Strand. Yeah. The email's going out in three or four minutes. We're just doing it now, and then we're going to rush down there.

[Helen Steel] We've actually got to get our press release out on this phone, so ...

[Dave Morris] Well, McDonald's pulled out all of the stops, and brought all of their big guns into the courtroom. You know, heads of departments, and members of their board of directors. They had a full legal team. They spent about 10 million pounds trying to pull the distribution of public criticisms, leaflets, and so on. It actually backfired on them completely.
That was World Service, BBC, which is great. It will go all over the world.
Hello, Keir! Okay, excellent! Good news, then. ... Hi Charlie, listen. Just leaving a message on your answer phone: We won our case, okay? I know you're having a good time. Everything's going well. And I'll speak to you later. Okay, bye.
Okay.

[produced & directed by Franny Armstrong]

[McLibel Case, Sky Reporter Robin Powell, SKY News] He's a single parent, she used to be a gardener. Between them, they secured a landmark legal ruling against one of the world's most powerful companies.

[McLibel Ruling, Paul Davies Reporting] Still protesting after all these years. But today, Helen Steel and David Morris have something to celebrate. So they went back to the pavement outside the fast food store where it all began, to hail what they are calling a landmark legal victory for the little man.

editors: David G. Hill and Gregers Sall

[BBC News] The Government says it is studying a court ruling in favor of two environmental campaigners who successfully challenged English libel laws after being sued by McDonald's.

Executive producer: Peter Armstrong; Drama director: Ken Loach.

[Channel 4 News] McDonald's, and any other multinational company, will think very carefully before launching a legal action like it again.

[Channel 4 News] Good evening. They lost to McDonald's, but today they won against the entire English legal system.

Assistant producers: Lizzie Gillett and San Davey; Assistant Editors: Andrew Depledge and Justin Badger.

[News Person] Underneath those golden arches outside the central London branch of a company that must wish it had never taken on these two campaigners, David Morris and Helen Steel said they had no regrets.

Original music: Chris Brierley, Alfie Thomas, Johny Brown, Guy Jackson, Luminous Frenzy, Band of Holy Joy, The Playthings.

[Sky News] Suing over this leaflet cost McDonald's an estimated 10 million pounds. Even before today's ruling, it's been described as the worst corporate PR disaster in history.

[News Person] Appropriate then that two people who would probably never go inside a McDonald's, hold their press conference outside the fast food chain. They say the resistance will continue.

camera: Franny Armstrong, Peter Armstrong, Neve Cunningham, Mick Duffield.

[Helen Steel] The important thing is that people should all stand up and fight for what they believe in, and make the criticisms of the way that society is currently being run.

[News Person] In the David and Goliath situation, you vs. the multinational, despite all those findings against them, fundamentally they won.

[Dave Morris] I don't think so. I think fundamentally they lost. It has been a David and Goliath battle, but not in the way the media has portrayed it. The reality is, it's the public that are the giants in this battle. There's billions and billions of us, and corporations like McDonald's are just a small elite acting in their own interests. When the public begins to stand up, and get organized, and speak out about injustices, then nothing can stop us.


© Spanner Films Ltd., 2005
http://www.spannerfilms.net

Statistics: Posted by admin — Fri Sep 18, 2015 12:31 pm


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2015-09-18T12:30:38+00:00 2015-09-18T12:30:38+00:00 http://survivorbb.rapeutation.com/sbb-bak/viewtopic.php?p=10979#p10979 <![CDATA[Still Videos and Transcripts • Re: McLIBEL: THE STORY OF TWO PEOPLE WHO WOULDN'T SAY McSORR]]>
Screenplay:

[transcribed from the movie by Tara Carreon]

A long time ago there was a company that made lots of money selling bits of meat between two bits of bread.
Many people were employed to put the meat between the bread, and many animals were killed to be the meat. A friendly clown persuaded children to love the Company.
Some decades passed and all was well. The Company became very, very rich. Richer even than many countries.
And then some people wrote in their newspapers that eating lots of the meat and bread could make people ill. Other people said on television that too many trees had been cut down, and that the workers were unhappy.
This made the Company very angry.
The Company looked around the world and saw that in England there existed a special law that could stop people saying things the Company didn't like.
And make them say sorry.

[Barrister for Guardian Newspapers, Ltd.] My Lord, on behalf of Guardian Newspapers, Limited, I endorse all my leaned friend has said. My clients now appreciate that the allegations made in their article were incorrect, and through me wish to express their sincere apologies to McDonald's for the damage done to the Company's reputation.

[Barrister for Today Newspaper] The publishers of Today newspaper accept that their defamatory allegations against the plaintiff were unfounded, should never have been printed, and consequently they withdraw them.

[Barrister for Channel 4 News] On behalf of the defendant, I accept everything my learned friend has said. I would add that Channel 4 welcomes this opportunity to apologize to McDonald's.

[Apologee] We apologize to McDonald's for any embarrassment ...

[Apologee] We apologize for the allegations against McDonald's ...

[Apologee] Their practices and policies are beyond reproach ...

[Apologee] The past statement is unfair and untrue ...

[Apologee] We ask you to accept our apologies ...

[McLibel] Two people who wouldn't say sorry.

[Dan Gallin, Intl. Union of Food Workers, Witness] What they've actually done is to hold McDonald's accountable to society on behalf of society. And I think they are heroes of our time.

[Helen] Hold your bag up.

[JUDGE FOR YOURSELF]

[Eric Schlosser, Author of "Fast Food Nation"] It really began with one person, with Helen just saying, "I can't apologize." Just one person saying, "No, I won't bow down."

[Helen Steel] When I was quite young, there was a boy at the end of our street who used to basically bully everyone around. And everyone used to go crying to their moms and their dads. And I think my mom eventually got sort of fed up with it and just said, "Well, hit him back." So I did. And after that, he didn't hassle me anymore.
Well, it's the same with McDonald's, really. If somebody's trying to make you do something you don't believe in, then you have to stand up to them and say, "No, I'm not going to do it. I'm not going to give in to your intimidation and bullying."

[Dave Morris] When Charlie was two, I split up with his mom, and really for about the last four years, I've been looking after Charlie on my own, which is obviously a job in itself, full-time, and a big responsibility. I have a responsibility to encourage him to question things for him to be himself, and not just be obsessed with the next power ranger toys. He is growing up in a very hostile environment, and all the images forced on kids from advertising and the media, it's all bombarding him, telling him the way the world should be.

[Helen Steel] Well, me and Dave have been friends since the '80's. I was working as a gardener, and Dave used to be a postman. We share a lot of the same beliefs, and we also both feel it's important to stand up for what you believe in.

[Dave Morris] It's not a personal battle between me, and Helen, and McDonald's. This is about the public's right to know what the most powerful organizations in the world, which are multi-national corporations, are really doing.

[Helen Steel] 7th of January, 1988. I started going regularly to a local campaign group, London Greenpeace, unrelated to well-known Greenpeace.
We meet once a week in North London to arrange protests on various social and environmental issues. ...
There have been lots of groups campaigning against McDonald's around the world on specific issues like, you know, rainforest groups in the States, and Australia. There were trade unionists fighting for better working conditions. There were nutritionists criticizing McDonald's for the junk food. There were animal welfarists campaigning about the way the animals were reared and slaughtered. But I think it was London Greenpeace that really drew all the criticisms together.
The "What's Wrong with McDonald's?" leaflets focused on the unhealthy food, the working conditions, animal cruelty, plus the environmental damage and advertising to children.

[Dave Morris] The McDonald's campaign has picked on a Company that is so much in the public eye, that seems to symbolize a whole system, a whole way of life. To have a link to an educational campaign against McDonald's, is putting out the alternative point of view. But of course I just had no idea what it would lead to, that later it would just completely take over my life.

[Helen Steel] 8th of February, 1990. London Greenpeace meeting tonight. There's been a few new people in recent months who don't seem genuine. Who are they?

[Investigator Agent] Assignment Number L713-89. As instructed, I left the office at 7:00 p.m. on the above date, and traveled to the office of subject group. Pressing the bell push labeled "Greenpeace" resulted in the door being opened by a woman of Oriental extraction. I introduced myself with a fictitious name. She did not ask for any other details, and she appeared to be not much interested in my background.

[Helen Steel] This guy turned up at the meetings who didn't quite seem to fit in, you know. He didn't really say that much about what his politics were, but at the time we just sort of thought, "Well, you know, maybe he's a policeman, but we're not doing anything wrong or illegal or anything. So why worry about it?"

[Dave Morris] I knew that Helen suspected that there were some kind of infiltrators in the group. And I said, "Don't be stupid, that's just something which you read about in books."

[Fran Tiller, Former Private Investigator] My role was actually to notice everything that was happening, where it was being held, describe the place where it was being held in, the people who were there, what they were wearing, what their names were, and everything that was said. And in particular, everything that was said in relation to McDonald's.

[Dave Morris] One of the spies, Allan Clare (Claire), stole letters, broke into the office to take photographs, followed people home. We were infiltrated for about 18 months by seven different spies from two different agencies. McDonald's hadn't told them about the two firms, so they were spying on each other some of the time. And at some meetings, there were as many spies as there were campaigners.

[Fran Tiller, Former Private Investigator] I was asked to introduce another person into the group. Her name was Michelle Hooker. And I believe she was an ex-policeman. I was quite surprised when she came on for the first time, because I thought I had sort of dressed down, wore sandals and sort of hippie-type clothes. But she used to drive up in a black BMW. She used to give me a lift.

[Helen Steel] And she got very heavily involved with the group. You know, she organized meetings, she organized pickets. She even had a six-month relationship with somebody in the group, and stayed with his family over Christmas.

[Investigator Agent] I managed to find in a drawer bank statements for London Greenpeace. They bank with the Cooperative Bank in Islington.

[Investigator Agent] ... while here, the conversation turned to Dave Morris, and I learned he lives in Tottenham. He has a son who is called Charlie.

[Dave Morris] One of them wanted to get my address. And he asked someone in the group what my address was, because he wants to send me some baby clothes for my son Charlie.
And he actually sent these clothes to me which Charlie wore. It wasn't until several years later that we found out the real reason that they wanted our home addresses.


[Helen Steel] 21st of September, 1990. Five of us in the group have received libel writs over the "What's Wrong with McDonald's?" leafets. ...
I think it was dark. And there was a guy standing in front of me as I stepped from the van. And he said, "Helen." And I didn't say anything, because I didn't know who he was. And he just threw this envelope at my feet. And when I picked it up and opened it, it was the Writ.
In with the Writ was a letter saying that there would be a court case unless we apologized.

[Dave Morris] After the writs were served, we had two hours of free legal aid, which effectively meant being told you got no chance.

[Helen Steel] The other three people who had the writs, they felt that they didn't really have any choice but to sort of apologize, because of the odds being stacked against us. But for me, it just sort of really stuck in the throat to apologize to McDonald's. I didn't think that we'd done anything that deserved an apology. I thought it was them that should be apologizing to us. Well, not us specifically, but to society for the damage that they do to society and the environment.

[Dave Morris] Really, when Helen said she was going to go for it, I thought, "I'm going to go for it too, because two is better than one."

[Helen Steel] Even though, you know, we were being told it was a virtually impossible battle, me and Dave decided to carry on and fight it anyway, come what may.

[BBC] The world's largest fast-food business, McDonald's, has begun a libel action at the High Court against two environmental campaigners.

[TV News Announcer] Dave Morris and Helen Steel are accused of claiming that McDonald's' products caused ill health, and destroyed rainforests.

[TRIAL DAY 1]

[Dave Morris] McDonald's argued that we should be denied a jury because a jury would find the issues in the case too complex to deal with.

[Helen Steel] And we just thought that it should be thrown out. It's just so ridiculous. You know, we've got to understand it. We're members of the public. So, you know, why can't a jury understand what's going on? But much to our horror, it wasn't just thrown out. And you know, the judge went along with their argument, and ruled that we wouldn't have a jury.
And basically, that meant we were left presenting the case to a judge on his own, Mr. Justice Bell.

[Dave Morris] McDonald's hired one of the top libel barristers in the country, Richard Rampton, QC. He gets about 2,000 pounds a day. He brought with him a junior barrister, Timothy Atkinson, and also the head solicitor, Patty Brinly-Codd. And a whole team of about seven solicitors and clerks working behind the scenes.

[Helen Steel] And meanwhile, we were defending ourselves.

[TV News Announcer] The fast food Company, McDonald's, has begun a High Court libel action against two environmental campaigners. In Court this morning, counsel for McDonald's said the allegations were totally false.

[Richard Rampton, QC] So far as McDonald's is concerned, anybody is free to express his criticism in whatever form he wishes. McDonald's may not like it, but they will never try to prevent it. They cannot, and do not object to fair and reasonable, and honest, criticism of their business or their products.

[Reconstruction from court transcripts]

[Helen Steel] We just had no idea of the procedure, or what we had to say, or when we had to say it. You know, who spoke in what order.

[Dave Morris] We were just treated like, you know, "What are these people doing in my courtroom?" I mean, at the first hearing we asked the judge to explain the procedures, and he said, "If you don't know the procedures, you should be represented." And we said, "Well, there's no legal aid. What are we meant to do?"

[Keir Starmer, Barrister] We pride ourselves on having a legal system which is the best in the world. And we pride ourselves on the fact that we've all got free speech. But in reality, of course, that simply isn't the situation.

[Dave Morris] You don't get free lawyers for libel cases, so we had to represent ourselves. But luckily, Keir came along early on, and volunteered to help us out with legal advice.

[Keir Starmer, Barrister] I immediately saw that McDonald's had a very strong legal team, and that it was a complicated case, raising all sorts of legal issues. And as soon as I saw the unbalance, I decided that I would do what I could to help them. The libel laws in England were notoriously anti-free speech, because of the burdens they put on defendants to prove so much of the case. So, in this case, David and Helen have to prove the truth of everything that's in the leaflet. McDonald's can sit back and prove nothing. That's a huge and disproportionate burden.

[DAY 3]

[Leaflet] What's so unhealthy about McDonald's food? McDonald's try to show in their "Nutrition Guide" (which is full of impressive-looking, but really quite irrelevant facts & figures) that mass-produced hamburgers, chips, colas, milkshakes, etc., are a useful and nutritious part of any diet. What they don't make clear is that a diet high in fat, sugar, animal products and salt (sodium), and low in fibre, vitamins and minerals -- which describes an average McDonald's meal -- is linked ...

[Richard Rampton QC, McDonald's Barrister] My Lord, the topic is nutrition. The issue as I pose it is this:
Does the plaintiff's food constitute a significant hazard to human health?

[Dave Morris] Dr. Arnott, is it not a fact that many responsible international governmental and academic organizations have said that they consider that there is a link between diet and cancer, although the fact is not known precisely? Would that be reasonable?

[Dr. Arnott, McDonald's Cancer Expert, Witness] I think what is true to say is people have suggested that there may well be a link between diet and various forms of cancer, although one has not been able to show that in scientifically conducted trials. We have conflicting evidence, some of which suggests there is a relationship between certain items in the diet and cancer, and equally convincing evidence from other studies which fail to demonstrate that.

[Helen Steel] One of the first big hurdles we faced was finding witnesses to prove our case, but we soon managed to get a list of about sixty together. Some of the world's top experts on diet and cancer stepped forward to help, including Professor Colin Campbell, who flew over from America to give evidence.

[Professor Campbell, World Cancer Research Fund, Witness] The high fat intake, the high animal protein intake, the lack of these other things, lead into increased risk of cancers of various and sundry kinds, increased risks of various kinds of heart disease, diabetes. And they are the kind of diseases that actually kill upwards of 3/4 of us in Western society before our time. It is clear that the science is really on David and Helen's side. It's not on McDonald's side.

[Helen Steel] The World Health Organization have been saying that people should cut down on the fat in their diet, and eat more fibre, and so on, in order to cut down on their risk of getting heart disease and cancer.
And if bodies such as they are making those statements, then we should be able to say it.
Whether or not you can call some top expert to, you know, prove it conclusively, is irrelevant.

[Eric Schlosser, Author of "Fast Food Nation"] I think worldwide, if you look at the rise in fast-food consumption, it is very closely linked to the rise in obesity. Throughout the Western world, life expectancy is probably going to decline because of the obesity epidemic.
You can point to many causes, complex causes of obesity, but I think there is no question that the amount of fast food and soda that people are consuming, is a major cause of obesity. Everywhere that the American fast-food diet goes, people get bigger.

[DAY 22]

[Dave Morris] Well, I want to ask you about another document about advice to the public. A diet high in fat, sugar, and animal products, and salt, and low in fibre, vitamins and minerals, is linked with cancer of the breast, bowel, and heart disease. Is that a reasonable statement?

[Dr. Arnott, McDonald's Cancer Expert, Witness] It has been linked, yes.

[Dave Morris] So, would that be a reasonable statement?

[Dr. Arnott, McDonald's Cancer Expert, Witness] Well, it depends on whom it is directed.

[Dave Morris] The public.

[Dr. Arnott, McDonald's Cancer Expert, Witness] If it's being directed to the public, then I would say that it is a very reasonable thing to say. But if it's being directed toward the scientific community, then I think one would be a bit more careful in the language that one used.

[Dave Morris] Well, that's actually a direct quote from the London Greenpeace fact sheet, which is the subject of the libel action.

[Helen Steel] Here they were suing us to try and prevent us from saying that diet was linked to heart disease and cancer, and their own expert was saying it's a very reasonable thing to say. I mean, to me that should have been the end of it, and the judge should have said, "Right, well, we don't need any more on this."

[Keir Starmer, Barrister] The cross-examination was devastating as far as McDonald's were concerned, and many top lawyers would have been proud to have got the answers that Dave and Helen managed to get out of McDonald's' experts.
And as a result, Mr. Rampton had to move the goal posts of his case. Instead of saying the particular phrase meant one thing, he now argues that it means something completely different.

[Helen Steel] I'm really exhausted. It was sort of fun, though, really. I mean, it was really stressful.

[Dave Morris] They didn't get anywhere.

[Helen Steel] It's quite funny, because the transcripts, sometimes it comes out that me and Dave have said, "Something, something, something ... My Lords." We've never once said "My Lord," because we believe in treating him with respect, as another human being, but don't believe in deferring, or what have you. We do stand up though.

[Dave Morris] I think Helen and me have a particularly good working relationship, because we have campaigned together on a number of issues for over ten years. We even shared a house at one time with other people as well. But that's about as far as it goes.
There's no sex angle, I'm afraid.

[Richard Rampton QC, McDonald's Barrister] May it credibly be suggested that McDonald's wish to sell food leads them to deceive people as to the composition and the health value of the food?

[Dave Morris] McDonald's spends 2 billion dollars every year creating an image of the Company that's nothing like the reality.

[Sportsgirl] I meant McDonald's.

[McDonald's] I'm lovin' it. The Best Athletes All Hunger For the Same Thing.

[Dave Morris] They are actually selling poor quality food, junk food, but they're advertising it as healthy. We tracked down a witness on this issue who came over from Texas to give evidence.

[Stephen Gardener, Assistant Attorney General, Witness] The point is the entire ad campaign.
Not one little claim, and one little ad, but the whole campaign was intrinsically deceptive.

We didn't mind them promoting their foods. We weren't trying to stop them from selling their foods. Our concern was simply that they would be selling it under a false pretext. That they would be telling people, "Don't worry about eating at McDonald's, because you're really eating healthy food." And I do believe that for McDonald's to call its food nutritious is a lie to the public, whether the British public, or the American public.

[Leaflet] How do McDonald's deliberately exploit children? Nearly all McDonald's advertising is aimed at children. Although the Ronald McDonald 'personality' is not as popular as their market researchers expected (probably because it is totally unoriginal), thousands of young children now think of burgers and chips every time they see a clown with orange hair.

[DAY 28]

[Richard Rampton, QC, lawyer for McDonald's] Do the plaintiffs aim, and I quote, "nearly all their advertising at children"?

[Ronald McDonald] Let's teach everyone the new McDonald's song.

[Eric Schlosser, Author of "Fast Food Nation"] It was realized pretty early on that people's eating habits are formed in childhood, and that if you've got people eating this food young, they would eat it for the rest of their lives. The average American child sees 20,000 junk food ads per year on television. And that is their nutritional education. That is how children are being taught about food.
There is no aspect of children's conscious life that they haven't tried to infiltrate.
In the home through television, the schools through advertising in schools, from marketing in schools, movies, sports, you name it.
You can't market guns to kids. You can't market alcohol.
And yet these fast food chains, and McDonald's in particular, are targeting children with food that is going to have long term, unhealthy impact on their lives.

[Dave Morris] Because I'm in court every day, I can't pick Charlie up from school. I can't get back in time. So I booked him into a play center after school. Charlie was quite excited about the play center organizing a fun day with the parents and children taking part.
And suddenly, though, I walked into the Center, and there was a poster of Ronald McDonald on the window. McDonald's, of all people, were taking over my son's fun day. So on the day that Ronald McDonald, and twelve minders, turned up, bringing with them a so-called "donation" of 500 pounds -- but it was obvious it had nothing to do with the community, it was just about great publicity for them.
I don't think I've seen so closely just how pernicious their tactics are in invading the minds of children, and hyping them up, and effectively brainwashing them.

[McDonald's] No videoing.

[Helen Steel] Sorry.

[Ronald McDonald] The magic word that we'll use today is Ronald McDonald.
Now, when I count "1, 2, 3," I want you all to shout as loud as you can.
"One, two, three."

[Children] Ronald McDonald.

[Ronald McDonald] Call that a shout?
Try again. "One, two, three."

[Children] Ronald McDonald.

[Dave Morris] What happened today only further convinces me that we've been absolutely right to spend five years of our lives fighting to get over the truth about McDonald's, because they are so dangerous when they target vulnerable children.
And now I'm only angrier, and more determined, to see this case through to the end. For McDonald's to try and justify themselves, to bring in all of their big guns into the witness box, researchers, paid consultants, heads of department, top executives, members of the board of directors ...

[Paul Preston, McDonald's UK President, Witness] We comply with all legislation, all regulatory agencies in our advertising practices.
And I stand by those.

[Helen Steel] Normally, if you're campaigning against a multinational, if you ever get to speak to somebody, it's a PR person, and they can just trot out their glib answers. Whereas, when you've got an executive in the witness box, they can't walk away. They have to answer your questions.

[Sid Nicholson, McDonald's UK Vice President, Witness]

[DAY 44]

[Dave Morris] Why is it necessary for the McDonald's corporation to have that constant bombardment of young children with commercial advertising?

[David Green, McDonald's Head of Marketing, Witness] First of all, I would not agree with your characterization of "bombardment." It is certainly a large marketing effort, and if the children enjoy these activities, we would want them to participate in them. Obviously, we want them to remember McDonald's, and by remembering McDonald's, the next time they have a chance to go out to eat, they might select that over one of our competitors.


[Ronald McDonald] For lots of fun ...

[Boy] Lots of fun for everyone.

[Ronald McDonald] For everyone.

[Sue Dibb, The Food Commission, Witness] Advertisers like McDonald's are very aware of "pester power." "Pester power," as any parent will know, is the ability children have to pester them for something that they want. And they can exert a tremendous amount of influence. And this is being recognized by marketers.

[Helen Steel] One of the biggest battles that we had throughout the trial was getting McDonald's to hand over the relevant documents.
It took literally years before they handed over their operations manual, or "The Bible" as they call it.

[McDonald's Operations and Training Manual] Remember, children exert a phenomenal influence when it comes to restaurant selection. This means you should do everything you can to appeal to children's love for Ronald and McDonald's.
Birthday parties are an important way to generate added sales and profits.
Offering toys is one of the best ways to make children loyal supporters.


[Sue Dibb, The Food Commission, Witness] McDonald's gives away gifts and collectible items with many of their meals, particularly happy meals, which are targeted towards younger children.
And of course, if you want to collect the whole set, you have to go back week after week.

[Ronald McDonald and Child] At the sign that says, "You're welcome," a visit to McDonald's makes your day.

[Geoff Guiliano, Former Ronald McDonald, Witness] "Hi boys and girls. How you doing today? It's Ronald McDonald, your friend. And boy, gosh-by-golly, we're going to have a lot of fun today." I was like, who is the guy in the Third Reich who was the propaganda minister?That's what I was, you know. Ronald McDonald. Kids love him. And they don't know why they love him. They love him because they were told to love him, and somebody paid somebody to make them love him. These are adults trying to manipulate little kids to get their parents to spend money in a certain way. And if they were selling the most wonderful health food, maybe you could justify it. But that much time and energy and effort to manipulate children to do something unhealthy is pretty appalling.

[Boy] I'm drinking cola coka!

[Geoff Guiliano, Former Ronald McDonald, Witness] I mean, anybody can really manipulate a child. This is not that difficult. And I just went home one night and I said, "No, no, no, I cannot do this. I can't live with myself if I continue to do this."

[Helen Steel] 19th of August, 1994. McDonald's wants to settle the case out of court. They must be worried. We're not going to let them off the hook, though. Don't want anyone else to have to go through this ordeal.

[Dave Morris] We got a note out of the blue that McDonald's wanted to meet us any place, any time. And they would fly over members of their board of directors, which they did, because they wanted to settle the case. And they flew over to have secret talks with us, me and Helen.

[22nd August, 1994.]

[Secret recording]

[Mr. X] I think it would be a prerequisite to any settlement we make that we agree on how it would be portrayed.
Because you're good at this press stuff. And I don't want to get involved in that. I don't want to have to worry that you're going to go out and say, "This guy flew over from America with a bag full of money." Or "privately acknowledged that this is a stupid lawsuit" or something. I can't take a chance on being stung twice. You've got principles. You believe what you did. We're just as highly principled as you are. Whether you believe it or not.

[Mr. Y] Our main motivation, I think, is not to interfere with Freedom of Speech, but to prevent total untruths and irresponsible things from being said.

[Dave Morris] Like that the wages are low.

[Mr. Y] We can ...

[Dave Morris] Minimum wage is low pay. Trying to stop people from saying that in this country, to make it illegal speech -- why shouldn't we say things in the UK that people can say in America?

[Mr. X] Because you choose to live in a country where maybe you can't say those things. They are caning people in Shanghai too. That doesn't mean we're going to go cane you.


[Dave Morris] We made it absolutely clear that we would only consider allowing them to pull out of the case if they apologized to all of the people they had sued in the past who had made similar criticisms to us, and guaranteed not to sue people in the future.

[Mr. X] We won't agree not to file suits against other people. We will not discuss our going back and apologising, or paying compensation to anybody not in this room.

[Helen Steel] It's quite serious to say to someone "You can't hand out any leaflets full stop."

[Mr. X] I don't think you ought to hand out leaflets about McDonald's. I think you've played that card, Helen. You've done it. You've had your day in the sun.
And I'm insisting that any comments you make about McDonald's has to be private.

[Helen Steel] We wrote back a letter saying, you know, we would consider that if they agreed not to run any more advertisements about McDonald's, and said, "Of course this agreement wouldn't prevent you from privately recommending McDonald's to your friends and neighbors." They didn't reply to that one.


[Mr. Z] I've sat through almost as many court days as you have. And I must say that I've admired your tenacity, your strength, your courage, and strength in cross-examining.
But I'm afraid my interpretation of the way it's going is that you're taking a beating.

[Helen] Is that what?

[Mr. Z] You're taking a beating, and you're going to lose.

[Mr. X] But if we win this case, and you go out and distribute that pamphlet out on the street again ...
you'll go to jail.


[Dave Morris] Do you think that would be of benefit to the McDonald's Corporation?

[Mr. X] No, but it's not going to be a benefit to you either. And that's what I don't understand.
Why you're screwing around like this.

[Dave Morris] In some ways I feel sorry for the McDonald's Corporation. Not really, but in some ways I feel that Burger King, Pizza Hut, and everyone else should be getting equal attention. Because we are criticising what corporations in general are doing.

[Mr. X] So why did you have to say those things about us? Say them about Burger King.


[Dave Morris] Well, we want people to be able to say them about anybody.

[Dave Morris] There was really such a gulf between the two sides, they just couldn't bear to accept any of our demands, really. And so it was back to court.

[DAY 56]

[Helen Steel] Good morning.

[Dave Morris] So are you doing the cross-examinations today, or am I doing it? Who's starting?

[Helen Steel] You start. I'm not ready.

[Richard Rampton QC, McDonald's Barrister] I state the issue in this way, and I hope the Lordship will consider it a fair way of stating it:
Is the plaintiff's use of resources significantly detrimental to the environment?

[Charles Secrett, Friends of the Earth, Witness] Any company as large as McDonald's is bound to have a huge, and usually very bad, impact on the environment.
When one thinks of all their tens of thousands of stores worldwide, and the demand that McDonald's as a corporation creates for wood and paper pulp and chemicals and metals, the environmental impact of these production processes is huge.


[Paul Preston, McDonald's UK President, Witness] We take our environmental responsibility very seriously. We take the goals of reduce, recycle, re-use, and apply them wherever practical across the entire business.
McDonald's has absolutely nothing to do with the rainforest in terms of beef production. We never have, and we never will.

[Dave Morris] We always knew it would be an uphill struggle to get evidence of direct involvement by McDonald's in tropical forest destruction.
After all, all the witnesses, and the official documents and so on, were on the other side of the world. And we didn't have the resources to track them down and bring them to court.


[Keir Starmer, Barrister] When you sit back and think about some of the witnesses that could have come on behalf of David and Helen, but didn't because nobody could pay their airfare, the verdict pales into insignificance. It's meaningless. If both sides had had all the witnesses they wanted there, then a true verdict might have been possible. But with the best will in the world, the judge can only give the verdict according to the evidence. And the evidence costs money.

[DAY 61]

[Dave Morris] Isn't it a fact of life that virtually every main street has a great amount of McDonald's packaging.

[Ed Oakley, McDonald's Head of Purchasing, Witness] It is not a fact of life.

[Dave Morris] Dozens, if not hundreds of items ...

[Ed Oakley, McDonald's Head of Purchasing, Witness] Not a fact of life! I walked through Paddington this morning, I found one McDonald's package, which I disposed of. So I think that is a gross overstatement.

[Judge] There were two on Waterloo Bridge this morning. But I didn't dispose of them, I'm afraid.

[Ed Oakley, McDonald's Head of Purchasing, Witness] I would have done.

[Helen Steel, January 1996] During the summer last year, I really felt like I needed to get away from the case, and get away from McDonald's as well. And I went up to Scotland, and I climbed up Ben Lomand one day. You expect that everywhere you go in London, you see their litter and so on. But I climbed up to the top of this mountain, and it was the last place I expected to be reminded of McDonald's.
And there you are: there's someone sitting at the top with a McDonald's t-shirt. You can't get away from them.


[Helen Steel] The campaign is going to continue.
McDonald's has completely failed to silence the critics.
I'm normally quite a private person, and I actually find it quite hard talking to the media. I feel absolutely fine speaking in court, but put me in front of the camera, and I just want to curl up.

[Dave Morris] We think we've already won, whatever the verdict ...
because McDonald's efforts to intimidate and silence its critics ...

[Helen Steel] ... have completely backfired. Effectively the tables have been turned ...

[Dave Morris] ... and it's McDonald's and their business practices ...

[Helen Steel] ... that are on trial. ...
McDonald's has had every conceivable advantage that money can buy in this case.

[Dave Morris] The one thing that we believe that we've got that they haven't ...

[Helen Steel] ... is the truth on our side.


[Dave Morris] That's why it's going on so long.

[Helen Steel] It's particularly frustrating when you spend a couple of hours talking to a journalist about all the issues in the case, and then two weeks later you see the article, and it's sort of about your haircut, and what jumper you've got on.

[Dave Morris] We got more and more frustrated with the mainstream media ignoring the real issues.
But then, out of the blue, a solution came along. Some newfangled invention called the Internet.


[Helen Steel] 16th of February, 1996. We're launching the new website in Lester Square this morning. Finally, the public will be able to get the real story, the complete story.

[16th of February 1996]

[Dave Morris] This McSpotlight website is a library of information about the McDonald's corporation. All the things they don't want you to know, and all the things they've now failed to stop the public finding out about.

[Jungleburger by Peter Heller

This Quicktime Movie is a 30-second extract from an interview in 1982 with Sergio Quintana, the Marketing Director of Co-op Montecillos, a huge meat processing factory in Costa Rica - a country whose tropical forests have been devastated in the last 40 years by cattle ranching for export. Co-op Montecillos has been the sole supplier for McDonald's local stores in Costa Rica since the early 1970s. (See transcript of the full, uncut interview)

The clip is an extract from the prize-winning, pioneering documentary 'Jungleburger' made by the German film-maker Peter Heller and widely broadcast since 1983. By interviewing and filming key personnel involved in all links of the chain, it adds up to a devastating expose of how Central and South American tropical forests are being destroyed to be replaced by cattle production for export to the USA and other industrialised countries. There the beef is mixed in with locally raised beef and put on the market for use by the fast food industry. (In the USA, once any beef consignment has entered the country and passed official inspections it is recategorised as 'US beef').

International campaigns in the 1980s by environmentalists and others put the hamburger corporations, banks and governments on the defensive about tropical forest destruction. The clip flatly contradicts McDonald's own propaganda of the 1980s and 90s. In 1989 for the first time the Corporation produced a written 'policy' against the use of ex-rainforest beef. Whether or not this 'policy' is genuine, enforced in reality or even enforceable at all, they remain the world's largest user of beef and they irresponsibly promote increased beef consumption through their annual $1.5 billion global advertising and promotions budget. It is this massive overconsumption of beef and the consequently huge and unnatural overproduction of beef which is responsible for the destructive pressure on forests, rainforests and soils throughout the world. The cutting down of tropical forests is frequently due to landless peasants and small ranchers being displaced from nearby regions where large scale ranching for big companies has taken over the land.

McDonald's have tried to suppress the showing of 'Jungleburger' in the UK and abroad. However it continues to be broadcast and the clip has been played as evidence in the McLibel trial.

Distribution

(The following info was found wandering about on the Internet, and as such may be out-of-date.)

"Jungleburger" and its sister-video "McProfit" are available in the USA in VHS format tapes. Unfortunately the price is pretty steep, in fact prohibitive, almost guaranteeing that the movie will not be distributed by video rental places.

To buy both videos with rights to *show* the video to audiences the cost is $390.00 (for both) plus $10 shipping.

To rent the videos as a school, or non profit or other organization the price is $75.00 each plus $10 shipping. You need to fax them details of your organization, when and where it will be shown. It might be worth asking your local video store to get or find a copy.

First Run - Icarus International Films
153 Waverly Place
New York NY 10014
Phone 800-876-1710
FAX 212-989-7649


[Charles O'Leary, McSpotlight] We've taken what Helen and Dave did one stage further, and made this available internationally for all time, never to be censored again.
Now you can have the original leaflet in many different languages, and print it out and distribute it.

[Dave Morris] We are now launching the site.

[Helen Steel] It's coming now.

[Dave Morris] I don't know if you can see it, but it's coming up on the screen. McSpotlight.

[Crowd] YEAH!

[McSpotlight: McDonald's, McLibel, Multinationals.]

[The Full Story]

[Dave Morris] We see what we're doing as enabling society to have the information it needs so that people can choose whether they want multinationals, whether they want junk food, whether they want McJobs, because they've got the full information to decide for themselves.

[McDonald's International Expansion
Freedom of Speech / Libel Laws
Multinationals & Global Trade
Capitalism & the Alternatives]

[Nutrition
Advertising & Promotions
Environment]

[Animal Welfare
Employment]

[STOP PRESS
20 March '96
McSpotlight: 1,000,000 accesses in the first month!!
No Love lost: "We're not planning any course of action as far as McSpotlight is concerned."]

[Eric Schlosser, Author of "Fast Food Nation"] You do not see, for the most part, strong, outspoken criticism of McDonald's by the major television networks. Because they are so dependent on McDonald's and the other fast food chains for the advertising dollars. This was an incredible new way to get around the stranglehold that the corporate media had on information.

[Dave Morris] McSpotlight really pushed things up a year for us. More publicity, more donations, and lots of people coming forward wanting to tell us their experiences with McDonald's.

[This Week in Court
This Week in the Media
This Week's Campaigning
This Week at McDonald's]

[Dave Morris] Sarah! It's about ten past eight.

[DAY 116]

[Dave Morris] We've had a lot of witnesses coming from all over the world, and we had to find a place for them to stay. We couldn't afford hotels, so quite a few of them stayed in this house, upstairs in my spare room.

[Sarah Inglis, McDonald's Worker, Witness] It's been a bit of a culture shock. The first day I got here, and he showed me where the bathroom was, I said, "Where is your shower?"

[Dave Morris] I've met so many people, from eminent scientists, to ex-workers from McDonald's from Norway, and it's just been a fantastic experience.

[Sarah Inglis, McDonald's Worker, Witness] A lot of my friends and family think I'm a bit crazy for coming over here, right in the middle of exams almost. A lot of people don't understand my passion about this.
To be able to stand up to a corporation, and let them know what they've done to people like me, a lot of them think I'm sort of an extremist. But I'm not, really.

[Leaflet] What's it like working for McDonald's? There must be a serious problem: even though 80% of McDonald's workers are part-time, the annual staff turnover is 60% (in the USA it's 300%). It's not unusual for their restaurant-workers to quit after just four or five weeks. The reasons are not hard to find. NO UNIONS ALLOWED.

[Richard Rampton QC, McDonald's Barrister] Then I pass to employment.
The issue I pose here is, "Do the plaintiffs cynically exploit their workforce for the sake of a fast buck? Are the plaintiffs hostile to trade unions?"

[Protest Sign] McDonald's GUILTY OF Exploiting workers, destroying the environment, murdering animals. FIGHT BACK NOW.

[Protest Sign] McProfits EXPLOITS WORKERS.

[Protest Sign] BIG MAC BURNT IN TWO YEAR LONG GRILLING.

[Dan Gallin, International Union of Food Workers, Witness] We believe companies should be profitable, but profit cannot be the only consideration. And in the case of McDonald's, it seems to be absolutely the overriding consideration.
The type of work organization promoted by McDonald's, its breaking down of simple repetitive operations and so forth, it is essentially dehumanizing.


[Eric Schlosser, Author of "Fast Food Nation"] The McDonald's kitchen is deliberately designed to control workers, and have as little initiative, and creativity, and voice to the worker as possible. They are basically treated like cogs in a machine.

[Dan Gallin, International Union of Food Workers, Witness] It enables the worker to be extremely replaceable.

[Eric Schlosser, Author of "Fast Food Nation"] ... interchangeable workers ...

[Dan Gallin, International Union of Food Workers, Witness] .. extreme exploitation of the workforce ...

[Eric Schlosser, Author of "Fast Food Nation"] ... cheap workers ...

[Dan Gallin, International Union of Food Workers, Witness] ... low scale, low pay ...

[Eric Schlosser, Author of "Fast Food Nation"] ... high turnover ...

[Dan Gallin, International Union of Food Workers, Witness] ... high stress ...

[Eric Schlosser, Author of "Fast Food Nation"] ... no benefits ...

[Dan Gallin, International Union of Food Workers, Witness] ... exhausting and unstable jobs.

[Eric Schlosser, Author of "Fast Food Nation"] That's why these are called "McJobs."

[McDonald's Manager] I love the way you turn it. It's great.

[actual speed]

[Eric Schlosser, Author of "Fast Food Nation"] A skilled worker would have to be paid a decent wage. So by having so much elaborate, high-tech machinery in the kitchen, the knowledge is being built into the operating system, and you're not relying on the knowledge of any individual worker. And you can get rid of whomever you want.

[Paul Preston, McDonald's UK President, Witness] People want to be part of a winner. They want to be part of something successful. Hard work doesn't frighten youth today. Not at all. They want to be part of something that's victorious. Something they can see as The Shining Light.

[HERITAGE OF EXCELLENCE]

[McDonald's Robot] Good morning! Welcome to Hamburg[er] University.

[Eric Schlosser, Author of "Fast Food Nation"] It's no surprise to me that as many as two-thirds of the fast food robberies are inside jobs, either by worker,s or former workers, or friends of workers. When you're happy with your job, you don't generally try to hold up your employer at gunpoint.

[Sarah Inglis, McDonald's Worker, Witness] Well, in Ontario, there's two minimum wages. There's one for under 18, which is lower than the over 18's,
and McDonald's seems to hire huge amounts of under 18's, because their wage is a lot lower.

[Eric Schlosser, Author of "Fast Food Nation"] The minimum wage in the United States right now, adjusted for inflation, is the lowest it's been in more than 50 years. So this is a pay cut for the poorest workers in the United States. The fast food industry has played a large role in insuring that the poor get that pay cut, and the ripple effect you can see throughout society.

[Sarah Inglis, McDonald's Worker, Witness] How many billions of dollars do they make profit in a year? I think if they could give maybe half of that back to their employees, it might be better.

[Helen Steel] When we argued that in court, the judge kind of intervened and said, "The Company's owned by shareholders, and if the shareholders don't keep getting these profits, then they won't be shareholders. And then the company will close down." He seemed to be sort of completely judging it on their terms. We are entitled to put forth a different view, and argue that we want a society that's not run for the benefit of shareholders, but that's run for the benefit of everybody.


[Dave Morris] When I was a postman, I was secretary of our trade union branch, and very involved in trying to improve conditions at work. I remember delivering letters to a McDonald's store, and when I saw how they used to treat their workers, that's when I first thought that there was something really dodgy about The Company.

[DAY 120]

[Dave Morris] If somebody amongst the crew was a member of the union, or wished to be a member of the union, they would not be allowed to collect subscriptions, would they, from other people in the store?

[Sid Nicholson, McDonald's Head of Personnel, Witness] No, no.

[Dave Morris] They would not be allowed to put any notices on the notice boards.

[Sid Nicholson, McDonald's Head of Personnel, Witness] No.

[Dave Morris] They would not be allowed to inform the union about conditions inside the stores.

[Sid Nicholson, McDonald's Head of Personnel, Witness] Well, I don't know how we could stop that, but if we found out about it, yes.

[Judge] Can I summarize it this way? They would not be allowed to carry out any overt union activity on McDonald's premises?

[Sid Nicholson, McDonald's Head of Personnel, Witness] That's absolutely correct, sir.

[Judge] Can you do better than that?

[Helen Steel] I got sort of to the stage where I just felt I was going on a twist, continuously thinking about McDonald's. And believe me, it does get mind-numbing thinking about McDonald's the whole time. It had the effect on me that I ended up dreaming about them as well, which was really horrible. I mean, it's more like nightmares.
I got a job working in a nightclub, which is quite a release from the case, because it's so busy in there. I worked there on Fridays and Saturdays, from ten at night until three in the morning. And I get paid 64 pounds per week. And that's basically what I live on.

Statistics: Posted by admin — Fri Sep 18, 2015 12:30 pm


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2015-09-18T12:29:05+00:00 2015-09-18T12:29:05+00:00 http://survivorbb.rapeutation.com/sbb-bak/viewtopic.php?p=10978#p10978 <![CDATA[Still Videos and Transcripts • McLIBEL: THE STORY OF TWO PEOPLE WHO WOULDN'T SAY McSORRY]]> McLIBEL: THE STORY OF TWO PEOPLE WHO WOULDN'T SAY McSORRY -- ILLUSTRATED SCREENPLAY
directed by Franny Armstrong, starring Helen Steel and Dave (David) Morris
© Spanner Films Ltd., 2005

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CLICK HERE TO SEE "McLIBEL: THE STORY OF TWO PEOPLE WHO WOULDN'T SAY McSORRY" -- ILLUSTRATED SCREENPLAY

Statistics: Posted by admin — Fri Sep 18, 2015 12:29 pm


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2015-07-31T11:36:02+00:00 2015-07-31T11:36:02+00:00 http://survivorbb.rapeutation.com/sbb-bak/viewtopic.php?p=10346#p10346 <![CDATA[Still Videos and Transcripts • Re: Necessary Evil: Super Villains of DC Comics, by DC Comic]]>
[Jim Lee, Co-Publisher of DC Entertainment] At that point, he kind of loses his frame of reference, ...
and decides to create almost a totalitarian state, ...
where he's the ultimate authority. And so again, in his mind, ...
he is trying to prevent what happened to Lois and his unborn child ...
from happening in the world, by becoming, ...
you know, the enlightened dictator.
But, you know, you can see sort of the holes in logic of that.
You know, ultimately, you are creating a greater evil ...
by trying to do some small sense of good.

It is now clear that we are facing an implacable enemy whose avowed objective is world domination by whatever means and at whatever cost. There are no rules in such a game. Hitherto acceptable norms of human conduct do not apply. If the United States is to survive, longstanding concepts of fair play must be reconsidered. We must develop effective espionage and counterespionage services and must learn to subvert, sabotage and destroy our enemies by more clever, more sophisticated and more effective methods than those used against us. It may become necessary that the American people be made acquainted with, understand and support this fundamentally repugnant philosophy.

-- WWII Lieutenant Gen. James Doolittle


[Geoff Johns, Chief Creative Officer of DC Entertainment] There have been a few stories where heroes go villainous for some time, ...
and I think probably the most famous one is Hal Jordan, when Coast City, ...
the city he called home, was attacked.
And many people were killed and destroyed. And he wanted to bring them back.
And he went to the Guardians and said, "Give me this power so I can do it."
And they said no. And he ultimately killed them, ...
and became, ...
went crazy, became this big villain in the DC universe.

[Marc Guggenheim, Executive Producer of Arrow] You know, they say that power corrupts, and absolute power corrupts absolutely.
Usually, when a hero falls from grace, it's because they've succumbed ...
to their own power. Like when Hal Jordan became Parallax.
It was Hal Jordan overreaching, ...
and trying to use his power as the Green Lantern to recreate an entire city.
And he kept wanting more and more power.
And he basically got corrupted by his own, ...
you know, by his own super power.
And I think that is usually the path down -- you know, down darkness.

[James Robinson, Writer of "Earth 2"] Through becoming the Spectre, ...
and ultimately becoming Green Lantern, again, he found redemption.
But it took years, and it was a great hero's journey that we got to witness.

John came forward and said: "My Lord, suppose a sinning and a law-breaking man is replete in all iniquities, and he hath ceased from these for the sake of the kingdom of heaven and renounced the whole world and the whole matter therein, and we give him from the beginning onwards the mysteries of the Light which are in the first space from without, and if he receiveth the mysteries, and after a little while again if he returneth and transgresseth, and thereafter again if he turneth and ceaseth from all sins and turneth and renounceth the whole world and the whole matter therein, so that he cometh again and is in great repentance, and if we know truly in truth that he longeth after God, so that we give him the second mystery of the first space which is from without; -- in like manner if he turneth anew and transgresseth and is again in the sins of the world, and again if he thereafter turneth and ceaseth from the sins of the world and again renounceth the whole world and the whole matter therein and again is in great repentance, and we know it with certainty that he is not a play-actor, so that we turn and give him the mysteries of the beginning, which [are] in the first space from without; -- in like manner, if he turneth again and sinneth and is in every type [of sin]; -- desirest thou that we forgive him unto seven times and give him the mysteries which are in the first space from without, unto seven times or not?"

The Saviour answered again and said unto John: "Not only forgive him unto seven times, but amēn, I say unto you: Forgive him unto many times seven times, and every time give him the mysteries from the beginning onwards which are in the first space from without. Perchance ye win the soul of that brother and he inheriteth the Light-kingdom.

-- Pistis Sophia: A Gnostic Miscellany, translated by G.R.S. Mead


[Geoff Johns, Chief Creative Officer of DC Entertainment] Hal Jordan was always about overcoming fear, and I thought, "Well, ...
if he's all about overcoming fear, there's gotta be a moment that he gave in to fear.
And when was that weakness?" That weak point was when he was worried ...
something else was gonna happen, once Coast City was destroyed.
And in that moment, he let fear kind of take hold of his heart.
That's when Sinestro unleashed Parallax, who was this --
we created this entity of terror that could possess his soul, and corrupt his body.
And essentially turn him into Parallax.
And by having Hal still make a mistake, and give in to fear, ...
it was still on point, and gave him a point of failure.
But at the same time, ...
adding Parallax allowed for an easier redemption.

[Mike Carlin, Creative Director of Animation, DC Entertainment] So if a hero does cross the line, ...
does he just go back to work the next day? The idea was no.
It was a 10-year problem for him.

[Marv Wolfman, Writer of "The New Teen Titans"] Comic books by, I think, their basic nature, is about wish fulfillment. Therefore, the concept of second chances ...
is actually built into the very concept of the type of material we do.
So the idea that a hero or a villain could be redeemed, ...
is exactly what comics have to be about.
We can take bad and turn it good.
And we can make good even better.
And that's what comics and fantasy storytelling is all about.

[James Robinson, Writer of "Earth 2"] Cry for Justice began with a bunch of heroes trying to track down Prometheus.
Prometheus has actually taken the identity of one of the heroes.
So he actually is amongst them the entire time.
At the end of it, ...
Prometheus has worked out a way to destroy most of Star City, ...
which is Green Arrow's home.
He also maims Arsenal, ...
and then ultimately Arsenal's daughter is killed.
What happens at the very end is the one moderate person, ...
Green Arrow, then tracks down Prometheus on his own, and executes him.
And that then led to a long arc for Green Arrow, where he had to redeem himself.

[Mike Carlin, Creative Director of Animation, DC Entertainment] Green Arrow crossed the line, and took the life of a villain.
He did not just come back from that adventure ...
and say, "Oh, well, I'm never gonna kill people again."
He had a mental breakdown. And we did a year, ...
a year and a half long story, where he lost it.
And it was to show that there's consequences for this kind of stuff.
I do think that in modern comics it's okay for the heroes to fail.
You just got to have it mean something.
And not just teach them something, ...
but have them suffer, because they did something wrong.

[Peter J. Tomasi, Writer of "Batman and Robin] Taking someone's life, you know, you take away all they're ever gonna have, and all they ever will be.
And it stays with you, even if you do it for the right and proper thing.
So, you know, killing in comics is -- when the hero pulls the trigger, ...
I think it's not done a lot, but I think when it's done, ...
it has to be done in a real big way, ...
that has an emotional punch to the hero's psyche and soul.

[Narrator] After we've witnessed such heinous crimes, ...
after we've experienced firsthand ...
pure evil in the face of villainy, can the evildoer be redeemed?
In this comic book world, where heroes often get second chances, ...
can the villain ever be forgiven?

[Paul Levitz, President of DC Comics (2002-2009) It's a lot harder to figure out how somebody who spent years ...
taking what they wanted, killing people, ...
whatever set of misdeeds, will suddenly turn around ...
and find God, and become moral the rest of their lives.
Does it happen?
It probably does in reality, but it's a real tough story to tell.

[Geoff Johns, Chief Creative Officer of DC Entertainment] Black Adam is an interesting character. He was chosen by the wizard Shazam, ...
given powers back in the ancient Egyptian days.
He was a slave in Kahndaq.
He took these powers, became Black Adam, the champion, and he was a hero.
And over time, he was corrupted by that power.
He went back to Kahndaq and he said, "I'm leading Kahndaq now; you are free.
I'm here." And then he found someone he fell in love with. Isis was born, ...
and then Isis' brother, Osiris. Like, we kind of created a Black Adam family.
And then that family was torn apart, and they were killed.
And Isis, who had been such a great presence for Adam, who had preached peace, and this and that, ...
as she's dying in his arms, the last words she says is, "Avenge us."
And that sends Black Adam off.
And he kills an entire country out of rage.
And obviously, it's hard to redeem somebody after that.
He believes in doing the right thing.
He just goes about it in such a barbaric and awful way.

[Doug Mahnke, Artist of "Green Lantern"] Pete Tomasi wrote a fantastic story wrapped around a character everybody should hate, ...
and made him, you know, made him a hero ...
in a very, you know, from a very villainous past.

[Peter J. Tomasi, Writer of "Batman and Robin] It's a weird spot to be in when you're a writer, when you have to say:
"I just committed genocide, but I have to make this character relatable, ...
and in a weird way, have people understand where he was coming from at that point."
So it's a tough line to walk when you're a writer writing a character ...
who's as three-dimensional as Black Adam, ...
because he really is one of those great three-dimensional characters ...
that you could horribly understand why he does something.

[James Robinson, Writer of "Earth 2"] With villains, though, when you try and turn them into heroes, ...
they can lose their, what makes them special.
So it's a very rare case where a villain is better as a hero.
Most of the time, most readers just can't wait for them to be villainous again.

[Andrea Romano, Voice Director of DC Animated Titles] Recently, when we worked on Dark Knight Returns, ...
where we have Doctor Wolper ...
trying to bring the Joker back, and trying to work with him, ...
and now Doctor Wolper also has an enormous ego.
And so you've got Joker's ego, and Wolper's ego.
It doesn't work out well. It doesn't work out well for Wolper.
But the Joker absolutely was all about:
"I am rehabilitated. I'm here. I've seen the error of my ways."
And he really just used that as a matter to get himself out of Arkham, ...
so he could commit tremendous crimes.

[Dan Didio, Co-Publisher of DC Entertainment] I think some of them can be redeemed, but I think what you gotta do ...
is you gotta dangle the sense of redemption in front of them, and then rip it away.
Because ultimately, you show why they were a villain in the first place.

"THE NEW 52" AND BEYOND

[Narrator] As society continues to evolve, so too do our villains.
In September of 2011, ...
DC relaunched its entire line of comics, ...
dubbed "The New 52."

[Jim Lee, Co-Publisher of DC Entertainment] Two years ago, we relaunched the DC universe.
We called that "The New 52." And it was basically a soft reset of the universe, ...
where we basically fixed the things that we felt weren't working, ...
and kept going with the things that were.
We really sat down and thought about, "What do we need more of in the DC universe?"
And one of the things that we wanted to address was the villains.

[Geoff Johns, Chief Creative Officer of DC Entertainment] What is villainy to us in 2013? What is real evil in 2013?
It's horrendous, right? And sometimes, if you get too close to the reality of it, ...
it takes you out of the comic book.
So using super villains as metaphors for whatever that is, ...
and for the brutal attacks that they do, it's gotten darker. It's clearly darker. And it's scarier.
And the attacks come without notice sometimes. And they're personal.

[Marc Guggenheim, Executive Producer of Arrow] I think that's because we live in a very sort of fearful time.
You know, ever since 9/11, the world's been on edge, ...
and no one knows when the next shoe is gonna drop.
Is it gonna be a tsunami? Is it gonna be economic collapse?
And villains that sort of embody that sense of unpredictability, ...
that sense of, you know, doom, can come in any form and at any time.
I think that speaks to everyone's sort of hidden fears.

[Geoff Boucher, Senior Writer of Entertainment Weekly] Instead of characters of good and evil, it became about characters of order and chaos.
It became about anarchy.
[Mike Carlin, Creative Director of Animation, DC Entertainment] We are artists, and we're trying to reflect what's going on in the world.
That's what all art does. It's a mirror.

The glorification of violence receives some of its strongest reinforcement from the traditional image of the military as a unique noble and honorable enterprise. Within this tradition, killing of the enemy is elevated from the status of a necessary evil to that of a commendable good; productivity and proficiency in its performance are among the marks of the military hero. In the United States, this traditional adulation of the military has suffered some setbacks during the Vietnam War. The elaborately staged homecoming of our prisoners of war was aimed, among other things, at reviving popular enthusiasm for the military by casting these men in the traditional roles of returning heroes. The men deserve our fullest sympathy, respect, and support as human beings who have been subjected to extreme suffering and who have shown a high degree of personal courage. We must also remember, however, that most of these men were not only victims, but also victimizers -- active (and in some cases enthusiastic) participants in the massive bombardments of the people of Vietnam. To treat them as military heroes is to honor them in their roles as victimizers and thus to support our political and military authorities in their efforts to glorify mass violence.

At the other end of the political spectrum, some of the revolutionary rhetoric of recent years has made its own contribution to the glorification of violence (Arendt, 1969; also Kelman, 1968, Chapter 9). Terrorist acts have in some quarters been romanticized and their perpetrators elevated to the status of revolutionary heroes. A revolutionary mystique has evolved in which violence is not merely a means of struggle used as a last resort by oppressed people but a valued end in its own right. Some of the writings of Fanon (1963), in particular, are often cited as intellectual justification for the idea that violence on the part of oppressed people is in itself a vital part of the struggle, serving as a cleansing and creative force.

The glorification of violence among the rank and file -- whether in a military or a revolutionary context -- may well be a response to the dehumanizing experiences to which they themselves have been subjected. Both regimentation and oppression create a feeling of powerlessness, a loss of personal agency, a deprivation of the sense of identity. Violence can offer a person the illusion that he is in control, that he is able to act on his environment, that he has found a means of self-expression. It may be the only way left to him to regain some semblance of identity, to convince himself that he really exists. The sad irony is that violence is a response to dehumanization that only deepens the loss that it seeks to undo; it is an attempt to regain one's sense of identity by further destroying one's sense of community.

The appeal of doctrines (on the right or the left of the political spectrum) that glorify violence can be understood more readily if we recognize their close relationship to commonly held stereotypes of masculinity. In our culture, as in many others, violence is often taken as evidence of the toughness and aggressiveness, the lack of sentimentality, and the emotional stoicism that males are expected to demonstrate. Thus the readiness to proclaim or endorse the glories of violence is often a response to the perceived requirements of the male sex role; to shy away from violence is to fail a challenge to prove one's manliness. Similarly, those who feel particularly oppressed by their powerlessness and lack of personal agency may resort to violence because they see it as a way of regaining their lost manhood.

To counteract the glorification of violence, we must challenge the concept that killing is a heroic enterprise or a legitimate form of self-expression. We must learn to overcome the reluctance to take a firm stand against the jingoist or terrorist who declares that violence is the only way, even at the risk of appearing insufficiently patriotic or insufficiently radical as the case may be. More fundamentally, we must find ways of counteracting the rigid sex-role stereotypes that are so deeply rooted in our culture and that have a profoundly dehumanizing influence. Just as commonly held notions of the female role tend to undermine women's sense of identity by restricting them in the development and expression of personal agency, so do commonly held notions of the male role undermine men's sense of community by restricting them in the development and expression of empathy toward their fellow human beings.

-- Violence Without Moral Restraint: Reflections on the Dehumanization of Victims and Victimizers, by Herbert C. Kelman


[Narrator] While DC's rogues gallery of villains is already enormous ...
there's always room for a little more evil.
With the advent of "The New 52," the heroes of the DC universe ...
must face new threats and adversaries.

[Marv Wolfman, Writer of "The New Teen Titans"] I have a strange belief about the way one proceeds with comics ...
is to using old characters and introducing new characters.
My belief is if you're gonna use one or two old characters, ...
you have to introduce a new one.
I don't think we should ever be so content to keep riding on the same horse.
If the hero has to survive for 16, 20, 30 years, ...
you wanna know all the different aspects of that character.
And the villain will make them face certain parts about themselves ...
that on their own ...
they may not even think about, or can come up in a storyline.
But a villain will find that, because they're always trying to find something new ...
to use against the hero, ...
which makes you explore your hero even more.

[Zack Snyder, Director of Man of Steel] The goal of any villain is to challenge our hero, right?
Actually, not to challenge him, but to take him to the ragged edge ...
of his existence in every way.

[Scott Snyder, Writer of "Batman"] The idea is to try and think about what the character is most afraid of ...
at that particular moment in his or her life, the hero, ...
and then create a villain that comes right at that thing.
So for "Court of Owls," that story was really about, ...
you know, a moment when Batman was on top of the world.
He felt very confident in Gotham, and it made me realize, ...
Batman might think he knows the city, but he can't know the history of the city.
He can't know everything about it. And so what if the city itself begins to come at him saying, you know, ...
"You don't know me that well." So, with the Court of Owls, ...
they're this group buried and layered into the past of the city in ways that I think are scary to him.
At first he doesn't believe they exist at all.
And then, he sees that they actually have nests for their Talons ...
inside Wayne buildings. And then, in the penultimate scene, ...
he realizes that the person behind the story ...
is actually someone who claims to be a Wayne himself.

[Geoff Johns, Chief Creative Officer of DC Entertainment] The Guardians of the Universe were characters that are ancient beings, billions of years old, ...
that divorced themselves from emotion a long time ago.
Because they thought emotion was dangerous.
They always say the law is supposed to be devoid of emotion.
The First Lantern is the being who got the first ring, ...
who was there to witness the divorcing of the Guardians and their emotional hearts.
And he took that emotional power for himself.
And he had changed who he was, ...
and the Guardians imprisoned him, and they locked him away, like they did with their emotions.
The First Lantern is a metaphor for all the pent up emotion the Guardians have buried.
And that First Lantern is now free.
At one point, the First Lantern says, as he's got them captured, ...
he's turned the tables and he says, "I'm gonna change this universe now.
But before I do, I want you to have your emotions back.
I want you to feel this."
And the Guardians, for the first time in billions of years, ...
have their emotions back. And they feel shame, and fear, ...
and horror about what they've done, and what they've become, ...
which I really enjoyed.
And then that's right before Sinestro wipes them out.
Recently, when I got into Aquaman, and I was launching Aquaman for "The New 52," ...
my attitude was he wants to be on land.
So he made a conscious decision in issue one, "My life is on land here."
And I wanted to have something that was gonna drag him back into the ocean.
So we created, Ivan Reis and I, created this race of sea creatures, ...
humanoid sea creatures, man-eating creatures, ...
that were starving. They are from the trench. And they had eaten all their food down there,...
and they were coming up for something else.
And they come up out of the ocean, and they attack a town.
And Aquaman gets involved with that attack, ...
and has to go back into the water.
And what Aquaman doesn't know is, they're actually another kingdom.
They're actually another underwater kingdom that is one of many, with Atlantis.

[Narrator] Although it was spawned from comics, ...
the DC universe isn't limited to panels and pages.
It has expanded to include all forms of media, and given its villains new worlds to explore.

[Geoff Johns, Chief Creative Officer of DC Entertainment] DC Comics isn't just comics, you know?
It starts in the comics -- all the characters come from the comics --
but then they explode into everything else.

[Ames Kirshen, VP of Production of Warner Bros. Interactive Entertainment] If it wasn't for these amazingly rich, and complex, and multilayered villains ...
that we had to craft our stories around, and what is driving you through the story, ...
what is pushing Batman, you know, to push his limits, ...
to get to the end of the game, is ultimately the plan, ...
and the storytelling, around the villain ...
and the villains' interactions with each other, as they all try to take down Batman.

[Villain] You had your shot, Deathstroke, but you're not the only assassin in town.

[Ames Kirshen, VP of Production of Warner Bros. Interactive Entertainment] There is such rich material here, and such deep, amazing characters, ...
that have such long history and love from the fans, ...
for 50, 60, 70 years, that we wanna tell great stories in our games.
We don't want it to just be about the gameplay and cool visuals.
There's gotta be the meat there of a great story.

[Jim Lee, Co-Publisher of DC Entertainment] To me, as a fan, it's a lot of fun to see that, because it really explores the world of these characters, ....
and it doesn't just give you one flavor, month in, month out.

[Narrator] The future, including the upcoming Forever Evil comic event, ...
will continue to emphasize the villains, and their many diabolical deeds.

[Geoff Johns, Chief Creative Officer of DC Entertainment] As DC celebrates its villainy, we're doing the first "New 52" event series.
I'm writing it. David Finch is drawing it. It's called "Forever Evil."
And the context of this is the Justice League is dead.
The villains have inherited the earth. They've been killed by the Crime Syndicate.

So we create an event that now carries on throughout the rest of 2013 and 2014, ...
that's all about the villains.

For the anti-Semite, what makes the Jew is the presence in him of "Jewishness," a Jewish principle analogous to phlogiston or the soporific virtue of opium. We must not be deceived: explanations on the basis of heredity and race came later; they are the slender scientific coating of this primitive conviction. Long before Mendel and Gobineau there was a horror of the Jew, and those who felt it could not explain it except by saying, like Montaigne of his friendship for La Boétie: "Because he is he, because I am I." Without the presence of this metaphysical essence, the activities ascribed to the Jew would be entirely incomprehensible. Indeed, how could we conceive of the obstinate folly of a rich Jewish merchant who, we are told, makes every effort to ruin his country, whereas if he were reasonable, he would desire the prosperity of the country in which he does business? How could we otherwise understand the evil internationalism of men whom their families, their affections, their habits, their interests, the nature and source of their fortunes should attach to the destiny of a particular country?

Facile talkers speak of a Jewish will to dominate the world. Here again, if we did not have the key, the manifestations of this will would certainly be unintelligible to us. We are told in almost the same breath that behind the Jew lurks international capitalism and the imperialism of the trusts and the munitions makers, and that he is the front man for piratical Bolshevism with a knife between its teeth. There is no embarrassment or hesitation about imputing responsibility for communism to Jewish bankers, whom it would horrify, or responsibility for capitalist imperialism to the wretched Jews who crowd the rue des Rosiers. But everything is made clear if we renounce any expectation from the Jew of a course of conduct that is reasonable and in conformity with his interests, if, instead, we discern in him a metaphysical principle that drives him to do evil under all circumstances, even though he thereby destroy himself. This principle, one may suspect, is magical. On the one hand, it is an essence, a substantial form, and the Jew, whatever he does, cannot modify it, any more than fire can keep itself from burning. On the other hand, it is necessary in order to be able to hate the Jew -- for one does not hate natural phenomena like earthquakes and plagues of locusts -- that it also have the virtue of freedom. Only the freedom in question is carefully limited: The Jew is free to do evil, not good; he has only as much free will as is necessary for him to take full responsibility for the crimes of which he is the author; he does not have enough to be able to achieve a reformation. Strange liberty, which instead of preceding and constituting the essence, remains subordinate to it, is only an irrational quality of it, and yet remains liberty.

There is only one creature, to my knowledge, who is thus totally free and yet chained to evil; that is the Spirit of Evil himself, Satan. Thus the Jew is assimilable to the spirit of evil. His will, unlike the Kantian will, is one which wills itself purely, gratuitously, and universally to be evil. It is the will to evil. Through him Evil arrives on the earth. All that is bad in society (crises, wars, famines, upheavals, and revolts) is directly or indirectly imputable to him. The anti-Semite is afraid of discovering that the world is ill-contrived, for then it would be necessary for him to invent and modify, with the result that man would be found to be the master of his own destinies, burdened with an agonizing and infinite responsibility. Thus he localizes all the evil of the universe in the Jew. If nations war with each other, the conflict does not arise from the fact that the idea of nationality, in its present form, implies imperialism and the clash of interests. No, it is because the Jew is there, behind the governments, breathing discord. If there is a class struggle, it is not because the economic organization leaves something to be desired. It is because Jewish demagogues, hook-nosed agitators, have seduced the workers.

Anti-Semitism is thus seen to be at bottom a form of Manichaeism. It explains the course of the world by the struggle of the principle of Good with the principle of Evil. Between these two principles no reconciliation is conceivable; one of them must triumph and the other be annihilated. Look at Celine: his vision of the universe is catastrophic. The Jew is everywhere, the earth is lost, it is up to the Aryan not to compromise, never to make peace. Yet he must be on his guard: if he breathes, he has already lost his purity, for the very air that penetrates his bronchial tubes is contaminated. Does that not read like a diatribe by a Manichaean? If Celine supported the socialist theses of the Nazis, it was because he was paid to do so. At the bottom of his heart he did not believe in them. For him there is no solution except collective suicide, non-reproduction, death. Others — Maurras or the P.P.F. [4] — are less discouraging. They envisage a long and often doubtful struggle, with the final triumph of Good. It is Ormazd against Ahriman. The reader understands that the anti-Semite does not have recourse to Manichaeism as a secondary principle of explanation. It is the original choice he makes of Manichaeism which explains and conditions anti-Semitism. We must therefore ask ourselves what this original choice can mean for a man of today.

Let us compare for a moment the revolutionary idea of the class struggle with the Manichaeism of the anti-Semite. In the eyes of the Marxist, the class struggle is in no sense a struggle between Good and Evil; it is a conflict of interests between human groups. The reason why the revolutionary adopts the point of view of the proletariat is, first of all, because it is his own class, then because it is oppressed, because it is by far the most numerous and consequently involves the fate of mankind in its own destiny, finally because the results of its victory will necessarily include the abolition of the class structure. The goal of the revolutionary is to change the organization of society. To do that it will no doubt be necessary to destroy the old regime. But that will not be sufficient; above all it will be necessary to build a new order. If by some impossible chance the privileged class were willing to co-operate in the socialist reconstruction and gave clear proofs of its good faith, there would be no valid reason for repulsing it. If it is highly improbable that it will offer its support to the socialists in good faith, it is because its very situation as a privileged class prevents it from doing so, not because of some indefinable interior demon which impels it to do evil in its own despite. In any case, if portions of this class break away from it, they can be constantly assimilated to the oppressed class, and they will be judged by their acts, not by their essence. "I don't give a damn for your eternal essence," Politzer told me one day.

On the other hand, the Manichaean anti-Semite puts his emphasis on destruction. What he sees is not a conflict of interests but the damage which an evil power causes society. Therefore Good consists above all in the destruction of Evil. Underneath the bitterness of the anti-Semite is concealed the optimistic belief that harm only will be re-established of itself, once Evil is eliminated. His task is therefore purely negative: there is no question of building a new society, but only of purifying the one which exists. In the attainment of this goal the co-operation of Jews of good will would be useless and even fatal, and anyhow no Jew could be a man of good will. Knight-errant of the Good, the anti-Semite is a holy man. The Jew also is holy in his manner — holy like the untouchables, like savages under the interdict of a taboo. Thus the conflict is raised to a religious plane, and the end of the combat can be nothing other than a holy destruction.

The advantages of this position are many. To begin with, it favours laziness of mind. We have seen that the anti-Semite understands nothing about modern society. He would be incapable of conceiving of a constructive plan; his action cannot reach the level of the methodical; it remains on the ground of passion. To a long-term enterprise he prefers an explosion of rage analogous to the running amuck of the Malays. His intellectual activity is confined to interpretation; he seeks in historical events the signs of the presence of an evil power. Out of this spring those childish and elaborate fabrications which give him his resemblance to the extreme paranoiacs. In addition, anti-Semitism channels evolutionary drives toward the destruction of certain men, not of institutions. An anti-Semitic mob will consider it has done enough when it has massacred some Jews and burned a few synagogues. It represents, therefore, a safety valve for the owning classes, who encourage it and thus substitute for a dangerous hate against their regime a beneficent hate against particular people. Above all this naive dualism is eminently reassuring to the anti-Semite himself. If all he has to do is to remove Evil, that means that the Good is already given. He has no need to seek it in anguish, to invent it, to scrutinize it patiently when he has found it, to prove it in action, to verify it by its consequences, or, finally, to shoulder the responsibilities of the moral choice he has made.

It is not by chance that the great outbursts of anti-Semitic rage conceal a basic optimism. The anti-Semite has cast his lot for Evil so as not to have to cast his lot for Good. The more one is absorbed in fighting Evil, the less one is tempted to place the Good in question. One does not need to talk about it, yet it is always understood in the discourse of the anti-Semite and it remains understood in his thought. When he has fulfilled his mission as holy destroyer, the Lost Paradise will reconstitute itself. For the moment so many tasks confront the anti-Semite that he does not have time to think about it. He is in the breach, fighting, and each of his outbursts of rage is a pretext to avoid the anguished search for the Good.

But that is not all, and now we touch on the domain of psychoanalysis. Manichaeism conceals a deep-seated attraction toward Evil. For the anti-Semite Evil is his lot, his Job's portion. Those who come after will concern themselves with the Good, if there is occasion. As for him, he is in the front rank of society, fighting with his back turned to the pure virtues that he defends. His business is with Evil; his duty is to unmask it, to denounce it, to measure its extent. That is why he is so obsessed with piling up anecdotes that reveal the lubricity of the Jew, his appetite for money, his ruses, and his treasons. He bathes his hands in ordure. Read again La France Juive of Drumont; that book of a "high French morality" is a collection of ignoble or obscene stories. Nothing reflects better the complex nature of the anti-Semite. Since through fear of standing out from the crowd he has not wished to choose his Good, allowing everybody else's to be imposed on him, his morality is never based on an intuition of values or on what Plato calls Love. It shows itself only by the strictest taboos, by the most rigorous and most gratuitous imperatives.

What he contemplates without intermission, that for which he has an intuition and almost a taste, is Evil. He can thus glut himself to the point of obsession with the recital of obscene or criminal actions which excite and satisfy his perverse leanings; but since at the same time he attributes them to those infamous Jews on whom he heaps his scorn, he satisfies himself without being compromised. In Berlin I knew a Protestant in whom sexual desire took the form of indignation. The sight of women in bathing suits aroused him to fury; he willingly encouraged that fury and passed his time at swimming pools. The anti-Semite is like that, and one of the elements of his hatred is a profound sexual attraction toward Jews.

-- Anti-Semite and Jew: An Exploration of the Etiology of Hate, by Jean-Paul Sartre


[Jim Lee, Co-Publisher of DC Entertainment] When we looked at the whole lineup of characters, it really came down to, ...
"Why does this character exist in the DC universe?
What role does this character fill?
How do we show that function through story, and through character development?"

[Geoff Johns, Chief Creative Officer of DC Entertainment] Seeing all the villains manifest themselves in animation, ...
and television, and film, and videogames from the comic books, that's, ...
I mean, that's the true power and testament to the characters themselves.

[Narrator] The supervillains of DC Comics ...
come in all manners of shapes, sizes, personalities, ...
dark recesses, and eccentricities.
They conquer worlds, eradicate cities, and terrorize the innocent, ...
all while fighting the hero.
And it's this bond between villain and hero that is inseverable, ...
unbreakable, a fusion of soul, a sense of feeling, ...
a deeply rooted connection that cannot be extricated.
Theirs is a war of intellect, of strength, ...
of darkness, and intertwined fate and destiny, to keep doing battle.
They can't give up on each other.
Without the hero, there is no villain.
Without a villain, there can be no hero.

[Man Laughing]

A Warner Bros. Home Entertainment Production
In Association with mOcean
Produced by J. M. Kenny and Scott Devine
Narrated by Christopher Lee
Edited by Ryan Halferty, Shay Thompson
Director of Photography: Adam Biggs
Associate Editor: Brandy Oswald Markovich
Coordinating Producer: Taryn Teigue
Graphics and title treatment creative director: Craig Oelrich
Super-Villains and all characters, their distinctive likenesses, and related elements are trademarks of and copyright DC Comics.
Copyright 2013 Warner Bros. Entertainment Inc.
All Rights Reserved.

Statistics: Posted by admin — Fri Jul 31, 2015 11:36 am


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2015-07-31T11:35:40+00:00 2015-07-31T11:35:40+00:00 http://survivorbb.rapeutation.com/sbb-bak/viewtopic.php?p=10345#p10345 <![CDATA[Still Videos and Transcripts • Re: Necessary Evil: Super Villains of DC Comics, by DC Comic]]>
[Mike Carlin, Creative Director of Animation, DC Entertainment] I think any time you can make the character strong, ...
whether they're male or female, you'll end up with a good villain.

Another statement by a comic-book expert that has gained wide currency is that comic books contain "a strikingly advanced concept of femininity and masculinity." In further explanation of this statement it is said: "Women in the stories are placed on an equal footing with men and indulge in the same type of activities. They are generally aggressive and have positions which carry responsibility. Male heroes predominate but to a large extent even these are essentially unsexed creatures. The men and women have secondary sexual mannerisms, but in their relationship to each other they are de-sexed."

If a normal person looks at comic books in the light of this statement he soon realizes that the "advanced concept of femininity and masculinity" is really a regressive formula of perversity. Let's compare this statement with the facts. One of the many comics endorsed by this child psychiatrist has the typical Batman story, the muscular superman who lives blissfully with an adolescent. Is it so advanced to suggest, stimulate or reinforce such fantasies? The normal concept for a boy is to wish to become a man, not a superman, and to live with a girl rather than with a superheroic he-man. One team-expert has himself admitted that among the three comic-book characters "most widely disapproved" by adults are Superman and Batman -- the prototypes of this "advanced concept of masculinity." Evidently the healthy normal adult rejects them.

As to the "advanced femininity," what are the activities in comic books which women "indulge in on an equal footing with men"? They do not work. They are not homemakers. They do not bring up a family. Mother-love is entirely absent. Even when Wonder Woman adopts a girl there are Lesbian overtones. They are either superwomen flying through the air, scantily dressed or uniformed, outsmarting hostile natives, animals or wicked men, functioning like Wonder Woman in a fascistic-futurist setting, or they are molls or prizes to be pushed around and sadistically abused. In no other literature for children has the image of womanhood been so degraded. Where in any other childhood literature except children's comics do you find a woman called (and treated as) a "fat slut"? The activities which women share with men are mostly related to force and violence. I admit they often use language -- "advanced," I suppose -- which is not usually associated with women. Dr. Richmond Barbour mentions an example: "'Try this in ya belly, ya louse' the young lady says as she shoots the uniformed policeman in his midsection. Scantily dressed, thighs and breasts exposed, she is leading three similar gun-girls. One has been shot, and she is falling. Another girl shoots at the police with a revolver and mutters, 'Here's one fer luck!'"

The prototype of the super-she with "advanced femininity" is Wonder Woman, also endorsed by this same expert. Wonder Woman is not the natural daughter of a natural mother, nor was she born like Athena from the head of Zeus. She was concocted on a sales formula. Her originator, a psychologist retained by the industry, has described it: "Who wants to be a girl? And that's the point. Not even girls want to be girls.... The obvious remedy is to create a feminine character with all the strength of Superman.... Give (men) an alluring woman stronger than themselves to submit to and they'll be proud to become her willing slaves." Neither folklore nor normal sexuality, nor books for children, come about this way. If it were possible to translate a cardboard figure like Wonder Woman into life, every normal-minded young man would know there is something wrong with her.

-- Seduction of the Innocent, by Fredric Wertham, M.D.


[Narrator] It should come as no surprise, no coincidence, really, ...
that the more popular heroes are the ones who typically battle the most sinister ...
and charismatic rogues galleries.
For it's this dynamic roster of villains ...
that bolster and buoy the popularity of our hero.

[Jim Lee, Co-Publisher of DC Entertainment] When you look at the very best characters, the very best heroes, ...
in comic book mythology, they typically have the strongest rogues gallery.

[Paul Levitz, President of DC Comics (2002-2009) I think you develop a better rogues gallery around the superhero ...
if the scale of the superhero ...
is one where it's easy to imagine the villain coming into being.
You look at Batman, Batman ultimately is a human being.
So therefore, you can have villains that face him that are human, plus a little.

[Marc Guggenheim, Executive Producer of Arrow] Batman's rogues gallery, which I actually think, to me, is the best rogues gallery ...
of sort of all the DC heroes, that resonates the most.
And I think those characters are considered, you know, sort of the greater villains.
There's an interesting thing about a lot of Batman's rogues, ...
and here I'm specifically thinking of, like, the Penguin, and Two-Face, ...
and Clayface, and the Joker.
They're all physically deformed in some way.
And that physical deformity actually drives their evil.

[Paul Levitz, President of DC Comics (2002-2009) It's massively more difficult to have villains of scale for Superman.
Character is incredibly powerful.
Who's tough enough to fight him?

[Marv Wolfman, Writer of "The New Teen Titans"] Brainiac felt like a character who could actually fight Superman, and win without superpowers, ...
because he's a computer. He's a computer character.

[Superman] So you must be Brainiac. Okay.

[Michael E. Uslan, Executive Producer of The Dark Knight Rises] Brainiac was an alien, who was collecting cities ...
of different world cultures as he moved throughout the galaxy, ...
throughout the universe.
And he comes to Earth to shrink Metropolis, among other cities, ...
and put it in a glass bottle, ...
and take it in his interplanetary collection back to wherever he may have come from.

[Mike Carlin, Creative Director of Animation, DC Entertainment] We didn't want it to always be Lex Luthor that was fighting Superman, or Brainiac.
But then you start running out of the famous names.
So we kept coming up with new guys, you know.

[Dr. Travis Langley, Author of "Batman and Psychology: A Dark and Stormy Knight"] The Parasite, he becomes this individual who draws power from others.
He draws super power from Superman, or other superheroes he was around.
He draws life force from other people, ...
sometimes even identity from other people.

[Andrea Romano, Voice Director of DC Animated Titles] I think Metallo's a really interesting villain.
And a large part of why I like him is because he was human, ...
but now he's got this Kryptonite heart.
So he still has a heart, but it's a deformed heart.
It's an obscene heart. It's a heart of evil.
And that heart affects what he does. And it has such a massive effect on Superman.

[Dan Didio, Co-Publisher of DC Entertainment] When you run into characters like Superman, and Wonder Woman, the rogues galleries get a lot smaller.
Wonder Woman, in particular, has a very small gallery, ...
because of who she is, and what she represents.
And how she becomes more iconic in her own rights, makes it harder to play off of her weaknesses, ...
because a lot of people don't see perceived weaknesses in the character.
So there's no major villainy that could exploit those weaknesses in her.

[Brian Azzarello, Writer of "Wonder Woman"] We added another layer to Wonder Woman's origin, by making her the daughter of Zeus.
So she has divine blood.
And then we wanted to take it even further.
And it's like, "Well, let's create somebody new, a new god."
And it is -- we created this character called the First Born.
He has no name. He was the first child of Zeus and Hera.
And he was cast out of Olympus, because there was a prophecy ...
that he would take over Olympus.
So here is her original brother, who's been cast out of heaven and hated by all.
So now he's got a major hate-on for his family and the world.

VILLAINS UNITED

[Narrator] Just as heroes will bond together to fight a common enemy, ...
so too will the villains.
The fusion of good is matched only by the unification of evil.
The Crime Syndicate, the Secret Society ...
... The Rogues, the Legion of Doom.
Though their members differ ...
all villain team-ups employ the same battle-tested strategy:
There is strength in numbers.

[Len Wein, Writer of "Swamp Thing"] My favorite aspect of working in this business ...
is when I have created various incarnations of various teams.
Alright, we need one character who can fly; we need one character who's really strong; ...
we need one character who's maybe got some magical powers.
And just putting that together is half the challenge.
The story writes itself more often than not after that.

[Ames Kirshen, VP of Production of Warner Bros. Interactive Entertainment] The opening of The Challenge of the Super Friends, ...
where you've got the Justice League members marching ...
towards the screen, and then the other side the Legion of Doom are all in rank file, marching.
And they're coming at each other. And there's this big explosion when the two sides hit each other.
I mean, you know as a 6-, 7-year-old kid, you know, it blew your mind.

[Ed Boon, Creative Director of Netherrealm Studios-Injustice] Normally, villains are seen as individuals, and they have their own personal plot ...
to, you know, take over the world, or something like that.
But the idea of them combining together, you know, makes their threat that much bigger.

[Marc Guggenheim, Executive Producer of Arrow] Supervillain team-ups, ha, ha, are their own unique animal, ...
because on the one hand ...
there's a huge potential, and disappointment ratio, ...
when supervillains team up.
The potential is, well, ...
it's two great tastes that taste great together;
it's two threats are better than one.
You know, when Lex Luthor and Brainiac team up, ...
you know, when the Joker and the Riddler team up, ...
that's incredibly, you know, resonant and powerful.
The problem is that 99.9 percent of the time, ...
the ability of the superhero to overcome their plan, ...
is usually hidden in the conflict between the supervillains.
The supervillains, they just can't get their act together. A comic book is 22 pages.
They can get their act together for 19 pages, but those last three are just, ugh, ...
they're just falling apart.

[Grodd] I'd like to complete this transaction with as little bloodshed as possible, Lex.
Now put your hands up, and have Toy Man turn us around.

[Woman] Don't look at him, Big Boy.
Grodd is leader.

[Scott Porter, Actor of Hart of Dixie] The Rogues are a little bit different. The Rogues can come together for a common goal.
They're guys that seem silly, at first, but you look at somebody like Mirror Maste,r --
okay, the guy can teleport through any reflective surface, not just a mirror.
He can bend light, illusions.
And there's so many things.
He can make himself appear in multiple places at once.
I mean, there's so many very interesting things that he can do on his own, ...
that when you put him into a group, with a bunch of other villains that are also extremely versatile, ...
you have a really cool set of personalities and powers.

[Brian Buccellato, Writer of "The Flash"] Although they do have, you know, specific rivalries, ...
Heat Wave and Captain Cold don't like each other.
Yeah, one's hot and one's cold, but there are other reasons.
And in our "Flash Run," all the Rogues, ...
they used to have guns, and wands, and mechanical devices dating back ...
to when they were originally created. But we made them have superpowers.
And it's because of Captain Cold.
He made them undergo this transformation that gave them superpowers.
Well, it had negative side effects.
For poor Heat Wave, it burnt off basically all the top layer of his skin, ...
so he looks really gross and messed up. So he hates Captain Cold for making him look that way.

[Geoff Johns, Chief Creative Officer of DC Entertainment] Why do they hang out together?
Well, there's strength in numbers. And Flash is fast enough.
He can fight more than one person at a time.
But there's something about the Rogues.
They just wanna pull their jobs, live their lives, and be left alone.

[Brian Buccellato, Writer of "The Flash"] Like, it's their job to pull off heists and steal stuff. And that's how they make their living. Like, they consider themselves blue-collar guys.
"We're gonna pop a beer, and then we're gonna spend the money that we made by robbing the bank."

[Geoff Johns, Chief Creative Officer of DC Entertainment] What other villains can you think about, like they pull a heist, they escape the Flash, ...
and then they go to a bar to have a beer?

[James Robinson, Writer of "Earth 2"] I think the Suicide Squad is the exception to the rule.
And what makes it interesting is, it's a bunch of villains ...
who are forced by the government to go on missions that are for the good of the people.
And if they fail, if they decide to try and escape, they have devices that will kill them.
So they are forced to do it.
I think the fact that they are forced to be heroes, despite their own instincts, ...
and the fact that they're constantly trying to work out ways to undermine their own missions, ...
and to sometimes betray their teammates, and be villains even while they're ...
forced to do the right thing, is the reason why that team, and that book, ...
is always around, and is always popular.

[Mike Carlin, Creative Director of Animation, DC Entertainment] None of their motivation is theirs.
They're doing the bidding of Amanda Waller, and the government.

[Jim Lee, Co-Publisher of DC Entertainment] Are the people that are planting these bombs ...
on the backs of the Suicide Squad members, ...
are they the heroes?
You know, purportedly they are.
But the way, they're doing it, it really, you know comes down to, ...
it's an extreme form of water boarding I think.

[Bobbie Chase, Editorial Director of DC Comics] They have reason to hate their handlers, who are supposed to be the good guys.
But they're not seen that way in the books.
So it's an interesting study in what makes a villain, and what makes a hero, ...
because it's kind of flip-flopped in that book.

[Mike Carlin, Creative Director of Animation, DC Entertainment] They're not there to personally screw the other guy standing next to them.
They are there just to survive.
And they are -- they don't want it to be their suicide mission.
And I do think that that's a different and new angle.

Many of the people studied in the experiment were in some sense against what they did to the learner, and many protested even while they obeyed. But between thoughts, words, and the critical step of disobeying a malevolent authority lies another ingredient, the capacity for transforming beliefs and values into action. Some subjects were totally convinced of the wrongness of what they were doing but could not bring themselves to make an open break with authority. Some derived satisfaction from their thoughts and felt that -- within themselves, at least -- they had been on the side of the angels. What they failed to realize is that subjective feelings are largely irrelevant to the moral issue at hand so long as they are not transformed into action. Political control is effected through action. The attitudes of the guards at a concentration camp are of no consequence when in fact they are allowing the slaughter of innocent men to take place before them. Similarly, so-called “intellectual resistance” in occupied Europe -- in which persons by a twist of thought felt that they had defied the invader -- was merely indulgence in a consoling psychological mechanism. Tyrannies are perpetuated by diffident men who do not possess the courage to act out their beliefs. Time and again in the experiment people disvalued what they were doing but could not muster the inner resources to translate their values into action.

A variation of the basic experiment depicts a dilemma more common than the one outlined above: the subject was not ordered to push the trigger that shocked the victim, but merely to perform a subsidiary act (administering the word-pair test) before another subject actually delivered the shock. In this situation, 37 of 40 adults from the New Haven area continued to the highest shock level on the generator. Predictably, subjects excused their behavior by saying that the responsibility belonged to the man who actually pulled the switch. This may illustrate a dangerously typical situation in complex society: it is psychologically easy to ignore responsibility when one is only an intermediate link in a chain of evil action but is far from the final consequences of the action. Even Eichmann was sickened when he toured the concentration camps, but to participate in mass murder he had only to sit at a desk and shuffle papers. At the same time the man in the camp who actually dropped Cyclon-B into the gas chambers was able to justify his behavior on the grounds that he was only following orders from above. Thus there is a fragmentation of the total human act; no one man decides to carry out the evil act and is confronted with its consequences. The person who assumes full responsibility for the act has evaporated. Perhaps this is the most common characteristic of socially organized evil in modern society.

The problem of obedience, therefore, is not wholly psychological. The form and shape of society and the way it is developing have much to do with it. There was a time, perhaps, when men were able to give a fully human response to any situation because they were fully absorbed in it as human beings. But as soon as there was a division of labor among men, things changed. Beyond a certain point, the breaking up of society into people carrying out narrow and very special jobs takes away from the human quality of work and life. A person does not get to see the whole situation but only a small part of it, and is thus unable to act without some kind of over-all direction. He yields to authority but in doing so is alienated from his own actions.

-- Obedience to Authority, by Stanley Milgram


[Dan Didio, Co-Publisher of DC Entertainment] Suicide Squad is successful because it has a rotating cast.
Of course you can kill some members off. So there's always that question, ...
of something happening to that cast that could change the status quo.
There's always that anticipation that if a mission goes wrong, ...
somebody could actually die.

[Mike Carlin, Creative Director of Animation, DC Entertainment] It's a gut-level survival instinct.
For the reader, you're just like, ...
"Who's gonna make it through this mission, and how?"
You know, and then, you know, "Are they gonna manage to actually get free, ...
so they can take care of Amanda Waller?" Heh, heh, heh.

[James Robinson, Writer of "Earth 2"] Sometimes it's more exciting to find a villain that's so powerful, ...
the combined might of an entire team can't defeat them.

[Jim Lee, Co-Publisher of DC Entertainment] So the superheroes, and the supervillains, actually have to band together, ...
you know, put aside their differences.
And then you always have that classic shot where they reach out and shake hands with one another ...
and like, "Alright, Let's team up."
And to me, that's like the ultimate odd couple.

Washington, D.C., 25 February 2003 - The National Security Archive at George Washington University today published on the Web a series of declassified U.S. documents detailing the U.S. embrace of Saddam Hussein in the early 1980's, including the renewal of diplomatic relations that had been suspended since 1967. The documents show that during this period of renewed U.S. support for Saddam, he had invaded his neighbor (Iran), had long-range nuclear aspirations that would "probably" include "an eventual nuclear weapon capability," harbored known terrorists in Baghdad, abused the human rights of his citizens, and possessed and used chemical weapons on Iranians and his own people. The U.S. response was to renew ties, to provide intelligence and aid to ensure Iraq would not be defeated by Iran, and to send a high-level presidential envoy named Donald Rumsfeld to shake hands with Saddam (20 December 1983).

--U.S. Documents Show Embrace of Saddam Hussein in Early 1980s Despite Chemical Weapons, External Aggression, Human Rights Abuses, by The National Security Archive


[James Robinson, Writer of "Earth 2"] The problem is, though, that there aren't that many of those kinds of villains.
So it's always a challenge to find one villain that is powerful enough to take out all of them.
It's interesting that someone like Lex Luthor could probably do it ...
just because he has the skill to out-think them.
So it isn't always power. Sometimes it's that X-factor.
But if you can manage to do the right storyline, ...
again, it can be a lot of fun, and a really great challenge.

[Hero] I'm not here to challenge you, Darkseid. Quite the contrary.
I've got something you want. The only thing you want.

[Jim Lee, Co-Publisher of DC Entertainment] I think people can identify with that, ...
because when we're faced with something that endangers ...
our way of life, ...
we can set aside our differences and work together.

In March 1960, President Dwight Eisenhower of the United States approved a CIA plan to overthrow Castro. The strategy was organised by Bissell. Sidney Gottlieb of the CIA Technical Services Division was asked to come up with proposals that would undermine Castro's popularity with the Cuban people. Plans included a scheme to spray a television studio in which he was about to appear with an hallucinogenic drug and contaminating his shoes with thallium which they believed would cause the hair in his beard to fall out.

These schemes were rejected and instead Bissell decided to arrange the assassination of Fidel Castro. In September 1960, Bissell and Allen W. Dulles, the director of the Central Intelligence Agency (CIA), initiated talks with two leading figures of the Mafia, Johnny Roselli and Sam Giancana. Later, other crime bosses such as Carlos Marcello, Santos Trafficante and Meyer Lansky became involved in this plot against Castro.

The strategy was managed by Sheffield Edwards and Robert Maheu, a veteran of CIA counter-espionage activities, was instructed to offer the Mafia $150,000 to kill Fidel Castro. The advantage of employing the Mafia for this work is that it provided CIA with a credible cover story. The Mafia were known to be angry with Castro for closing down their profitable brothels and casinos in Cuba. If the assassins were killed or captured the media would accept that the Mafia were working on their own.

The Federal Bureau of Investigation had to be brought into this plan as part of the deal involved protection against investigations against the Mafia in the United States. Castro was later to complain that there were twenty ClA-sponsored attempts on his life. Eventually Johnny Roselli and his friends became convinced that the Cuban revolution could not be reversed by simply removing its leader. However, they continued to play along with this CIA plot in order to prevent them being prosecuted for criminal offences committed in the United States.

-- BIOGRAPHIES OF MAJOR PLAYERS, by spartacus.schoolnet.co.uk


FALL AND REDEMPTION

[Narrator] A fine line exists between a hero and a villain.
And sometimes the line is crossed.
In essence, the hero becomes the villain.
But when a hero loses their way, is salvation possible?

[Paul Levitz, President of DC Comics (2002-2009) One of the great classic stories of literature ...
is the drama of the good man goes bad.
What is it that can happen to us that puts us through ...
a set of circumstances that drives us to do something we don't morally believe in?
That's a powerful tale.

[Marv Wolfman, Writer of "The New Teen Titans"] Trying to turn a hero, you have to actually figure out how to affect their moral center.

[James Robinson, Writer of "Earth 2"] It's in the face of a planet being blown up, a city being blown up, ...
a wife or a lover dying.
And the idea that, "I wasn't strong enough; I wasn't powerful enough; and perhaps ...
me doing the right thing, or being a hero, was the problem.
If I'd been more vicious, if I'd been more brutal, maybe I could have changed things."
I think every great turn of a hero to a villain, it comes from that.

[Jim Lee, Co-Publisher of DC Entertainment] In Injustice, the storyline is that the Joker has killed Lois, ...
and it's not just Lois' death that drives Superman to almost a level of insanity, ...
but the fact that Lois was carrying his child.
And so it has double significance and impact on him.

[Batman] That's enough.

Statistics: Posted by admin — Fri Jul 31, 2015 11:35 am


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2015-07-31T11:34:32+00:00 2015-07-31T11:34:32+00:00 http://survivorbb.rapeutation.com/sbb-bak/viewtopic.php?p=10344#p10344 <![CDATA[Still Videos and Transcripts • Re: Necessary Evil: Super Villains of DC Comics, by DC Comic]]>
He's "What if Aquaman went down a different path?"
In the case of Flash, it's Reverse-Flash.
Literally, it's a reverse version of the Flash, a mirror of him.
And then the opposite would be Captain Cold.
Because, on first blush you're like, "Oh, it's ice. So what, he slips?"
And you look at Captain Cold, and you analyze him a little bit more.
When they introduced him, he was called "The Man Who Mastered Absolute Zero."
And absolute zero means zero atomic motion.
That means the atoms do not move.
You know, when things are colder, they're slower on the atomic level.
So that's why Captain Cold, to me, always captured ...
the essence of an opposite of the Flash.

Nihilism is the belief that all values are baseless and that nothing can be known or communicated. It is often associated with extreme pessimism and a radical skepticism that condemns existence. A true nihilist would believe in nothing, have no loyalties, and no purpose other than, perhaps, an impulse to destroy. While few philosophers would claim to be nihilists, nihilism is most often associated with Friedrich Nietzsche who argued that its corrosive effects would eventually destroy all moral, religious, and metaphysical convictions and precipitate the greatest crisis in human history. In the 20th century, nihilistic themes--epistemological failure, value destruction, and cosmic purposelessness--have preoccupied artists, social critics, and philosophers. Mid-century, for example, the existentialists helped popularize tenets of nihilism in their attempts to blunt its destructive potential. By the end of the century, existential despair as a response to nihilism gave way to an attitude of indifference, often associated with antifoundationalism.

-- Nihilism, by Alan Pratt, Ph.D.


[Paul Dini, Producer of Batman: The Animated Series] When you look at somebody like Batman, ...
Catwoman is certainly the sexual challenge to him.
Riddler is the intellectual challenge.
Penguin is almost a mockery of what Bruce Wayne is on the social scene.
And the Joker is the horrific version of what Batman is to ordinary people.
Whereas Batman scares criminals, the Joker scares and horrifies the ordinary people.

[Mike Carlin, Creative Director of Animation, DC Entertainment] Black Adam is another good opposite number character.
He's kind of got a costume that's similar to Shazam's costume, but it's black.
He's also another member of a police force that has kind of fallen from grace, ...
the Wizards' Protector Society, which is what Shazam is, and what Black Adam was.

[Geoff Johns, Chief Creative Officer of DC Entertainment] The Crime Syndicate characters that have been around for decades, ...
they come from a version,a parallel Earth, a version of our Earth ...
where everyone who's good is bad, and everyone who is bad is good.
And so you've got an evil Superman in Ultraman.
Then you have Owlman, who is a dark version of Batman.
And Superwoman, who is a dark version of Wonder Woman.
You have Johnny Quick and Power Ring. Power Ring is this twisted Green Lantern ...
who's a coward.
The Crime Syndicate represent the Justice League completely flipped on its head, ...
and if they were horrible, horrible, evil people.

[James Robinson, Writer of "Earth 2"] In terms of what they can accomplish, and who they can defeat, ...
they're on a par with the Justice League. But their goals are so perverted, ...
compared to the honor and the morality that the Justice League have.

[Villain] Which leaves the governments of the world with two choices: bow down to us or die.

[Geoff Johns, Chief Creative Officer of DC Entertainment] The best supervillains that resonate the most, they do it on two levels.
They do it, how they psychologically reflect or challenge your superhero, ...
and then also, in the story, what they've done to affect the superhero's life.

[Jim Lee, Co-Publisher of DC Entertainment] If there is not that personal connection, it just weakens it.
It just becomes another person trying to do something dastardly.

[Claudia Black, "Cheetah-Justice League: Doom] When they are really well-paired, the villain's been able to get inside the superhero's head.
It's almost as if he knows precisely what makes them vulnerable, what their greatest fear is.

[Kevin Shinick, Writer/Co-Producer of Robot Chicken: DC Comics Special] When they make it personal, and when they can make it personal, ...
when the villains have the knowledge to make it personal, and know your inner secrets, ...
that's when things get real.

The experts further claim that comic books are an aid for children in their general adaptation to life and, as one of them puts it, can serve as "mechanisms for personal experimentation with reality." It is not clear how children are supposed to do this. Are they supposed to play the hunters or the hunted? The torturers or the tortured? The rapers or the raped? Are they to fantasy that they stab wild animals or girls in the eye or that wild animals will come to their aid when they need help? Where does the reality of life come in? Adaptation to the reality of life consists in learning to use one's faculties for something constructive, to make an effort to apply oneself, to seek guidance from those who know better, to respect the rights and wishes of others, to learn self-discipline. The reality of life may consist in a struggle, but that does not mean a continual violent physical fight between those who are not allowed to kill and those who are permitted to kill.

-- Seduction of the Innocent, by Fredric Wertham, M.D.


[Andrea Romano, Voice Director of DC Animated Titles] Talia al Ghul, she fell in love with Batman.
And so when it comes to the point of killing Batman, ...
many times, in many stories, she draws the line there.
She will not kill him. She wants him for her own.

[Michael E. Uslan, Executive Producer of The Dark Knight Rises] Star Sapphire was not only Hal Jordan's boss, but also girlfriend.
And when she was manipulated, ...
she did not know consciously that she had become Star Sapphire.
Then you've got this interesting dynamic ...
of when he ultimately finds out that this is his girlfriend, and he's got to battle her, ...
and how does he battle her when she's so smart without hurting her?

[Andrea Romano, Voice Director of DC Animated Titles] That kind of conflict, of people who were once friends and become enemies, ...
you know, it's almost like the Greek tragedies, these enormous stories of betrayal.

Dr. George E. Reed, director of a large psychiatric hospital affiliated with McGill University, in a paper read before the American Psychiatric Association, reported on a study of the effect of comic books on normal children from seven to fourteen. He proceeded in a strictly scientific manner, using among other procedures a "game technique." He determined the latent as well as manifest meaning of the pictures to the child. It is noteworthy that his observations were made before crime comics came to full bloom in the blood-and-bra formula. In contrast to the experts for the defense, Dr. Reed said what the comic books are about: "Violence is the continuous theme, not only violence to others but in the impossible accomplishments of the heroes, heroines and animals." He found undue stress on superdevelopment of hero and heroine: "... any variation from this 'norm' is the subject of suspicion, ridicule or pity." He noted that "distorted educational data are common"; that "direct action" by the hero is "superior to the dumb and incompetent police"; that race hatred is taught: "... foreigners are all criminals"; that "scantily clad females [are] man-handled or held in a position of opisthotonos [exaggerated intercourse-like position]." It was his opinion that juvenile delinquency is in part dependent on environment and that "comic books are of increasing importance as a part of children's environment." With regard to sexual development he drew this important conclusion: "The repeated visualization of women being treated violently by men can do nothing but instill an ambivalent emotional attitude in the child toward heterosexual contacts." In other words, he pointed to a profound disturbance of normal psychosexual development of children through the medium of comic books. As a result of his studies he regarded it as "fallacious" to consider comic books as a substitute for mythology or folklore, or to regard them as a normal emotional outlet for normal children. In vain will you look for any mention of this carefully weighed psychiatric report in any of the writings of the team-experts professing to express both sides and enlighten the public.

-- Seduction of the Innocent, by Fredric Wertham, M.D.


[Geoff Johns, Chief Creative Officer of DC Entertainment] I just ended my run with Green Lantern 20.
And as I was wrapping it up, the story kind of organically revolved around not only Hal, ...
but Hal and Sinestro. And that relationship is really key to Green Lantern to me.
There is this moment where Sinestro, who blames the Guardians of the Universe, ...
who founded the Green Lantern Corp, who have done all these horrible, horrible things ...
against the Corp they created. They tried to destroy it.
They're ultimately the big bad guys of the piece.
And Sinestro vows to destroy them, "I'm going to kill them one by one."
And Hal says, "I can't let you do that." And he grabs him.
And Sinestro says, "You think they can still be saved?
You think that they can be redeemed?"
And Hal says, "This isn't about them, this is about you."
He says, "I wanna save you.
You don't have to lower yourself to this level. You don't have to kill them.
You can be a great Green Lantern."
And he goes, "Because I believe in you."
And Sinestro looks at him and he says, "Jordan, it's too late. I've already killed them."
And you reveal that Sinestro has already wiped out the Guardians, one by one by one.
And Sinestro's like, "I'm leaving forever.
But before I go, you had a question you wanted to ask me."
And Hal says, "You know, were we ever friends, Sinestro?"
And Sinestro, who has never called him by his first name --
he's always called him Jordan --
says, "You know, that's the tragedy of all this, Jordan."
He goes, "Hal, we'll always be friends."

[Narrator] Might is not reserved solely for the just.
While heroes can exhibit incredible strength or skills ...
... villains may possess abilities equal to, or even greater than, their foes.
It's not enough for villains merely to offer a challenge to the heroes, ...
but, rather, they must present the all-too-real possibility ...
that good might not triumph over evil.

[Jim Lee, Co-Publisher of DC Entertainment] You're defined by the height of the mountain you climb.
And so the higher the mountain, the more the epic struggle it is to climb that, ...
the greater the adventure, the greater the hero.

[Villain] If I have the powers of the gods, then am I not a god myself?

[James Robinson, Writer of "Earth 2"] A good villain, you have to believe that he can win.
If you have Superman fighting a common mugger, that's not interesting.
You know that Superman's gonna win.
The idea that Lex Luthor can out-think Superman, that he is smarter than Superman, ...
and no matter what Superman's powers are, Lex Luthor can think of a way to defeat him, ...
makes that dynamic between the pair of them brilliant.

[Neal Adams, Art of "Batman"] It's why we created Ra's al Ghul.
You need a Moriarty for Sherlock Holmes.
If Sherlock Holmes is superior to every criminal out there, ...
what's his value?
So we want Sherlock Holmes to have a Moriarty.
We want Batman to have a Ra's al Ghul.
And we want it to be neck and neck.

[Michael Shannon, "General Zod"-Man of Steel] Superman has all his powers, because he's on Earth, ...
and watching Zod discover that he has those same powers ...
... I think Superman and Zod could fight for centuries.
And basically, it just comes down to, ...
the person who's gonna win that fight is the person who puts the most heart into it.

The learning of aggressive attitudes is facilitated when respected and glorified figures, for example, professional athletes, movie stars, and political figures, engage in various kinds of aggressive behavior for which they reap many rewards. It is easy for a youngster to justify aggressive solutions to problems by referring to norms for such behavior promulgated by the media and others.

--Stability of Aggression Over Time and Generations, by L. Rowell Huesmann and Leonard D. Eron


[Len Wein, Writer of "Swamp Thing"] When I was writing Superman, at one point I created the character called Mongul, ...
who has become very big in the mythos since.
Basically, because I felt, "All right, this is silly.
You've got a guy here who moves planets, ...
and he has to fight a guy he has to outsmart to beat.
What about somebody who can kick his butt?"
So I came up with Mongul, who was bigger, and strong, and taller.
And he gives somebody a physical challenge.
Somebody Superman has to work to beat, just on a hands-on basis.

[Tony S. Daniel, Writer/Artist-"Detective Comics"] Darkseid is a great villain, just because of the amount of power that he holds.
He's godlike, and it's not easy to fight him, and come back alive.
Going up against a character like Darkseid, really proves your hero's worth.

[Bob Harras, Editor-In-Chief of DC Comics] The Anti-Monitor, he's one of those characters like Darkseid, one of our cosmic-level villains.
He's a force of nature, a force of danger.
Darkseid and the Anti-Monitor can literally cross time and space, ...
and they represent a threat that, again, only a hero such as a Superman, ...
or a hero of that level, can face. And that's why they are almost more frightening.
But again, to an earlier point, that's why we need a Superman, ...
because they have to deal with threats that we as common people can't.

[Narrator] In a battle of equals, the outcome always remains uncertain, ...
and on occasion, fortune favors the fiendish.
The villain escapes scot-free.
They get their lucky break, or manage to land the killing blow.
What does it mean when the hero falls in battle and the villain emerges victorious?

[Phil Morris, "Vandal Savage"-Justice League: Doom] If it's all too clean, and too neat, why are we continuing to buy books?
Why are we continuing to read these stories ...
if we don't have the sense that there's a certain danger, ...
or a mortal danger to our hero?

[Dan Didio, Co-Publisher of DC Entertainment] You know, we have a very clear statement. We said, you know, ...
"The hero has to win every time.
The villain only has to win once."

[Jim Lee, Co-Publisher of DC Entertainment] Even though we want ultimate good to triumph over evil, ...
there will be battles along the way where there are setbacks.

[Marv Wolfman, Writer of "The New Teen Titans"] The question of, "Can the villain succeed?" is always a tricky one.
I believe they can, ...
but obviously you have to make certain that you're careful, the extent of it.

[Len Wein, Writer of "Swamp Thing"] There are different kinds of villains, ...
and thus different kinds of impact to what a villain does.
Most of the criminal villains, ...
the guys who are just out there to rob a bank or do whatever, ...
don't leave lasting impact.
The ones like the Joker potentially can affect an entire series.

[The Joker] Don't you just love a happy ending?

[Andrea Letamendi, Ph.D., Clinical Psychology Researcher, UCLA] One of the risks of being a superhero is that the people that you love, ...
whether they're superheroes themselves or citizens, ...
you put them at risk.
And so, with Jason Todd, essentially that is what happened, ...
where the Joker murders him.
And we have one of these rare instances where a primary character was murdered.
For Batman, that meant incredible guilt.
That meant feeling that he was responsible for the death, ...
and that was what the Joker essentially wanted.

[Geoff Johns, Chief Creative Officer of DC Entertainment] I always loved Black Manta. You never knew his real name.
He had that helmet that covered his face. He killed Aquaman's baby.
You have to be a real sick, cold bastard to kill a baby.



It felt so horrific to me that I couldn't do anything ...
but look at this character and go, "This is the coldest guy in the DC universe."

[Bob Harras, Editor-In-Chief of DC Comics] In a lot of ways, I think Black Manta to Aquaman ...
is very much akin to what Bane is to the Batman.
Both characters were very capable, ...
and did cause great harm and pain, to the main characters.

[Michael E. Uslan, Executive Producer of The Dark Knight Rises] When Bane broke Bruce Wayne's back, ...
it was proof positive to all the readers around the world ...
that, yes, you got this right all these years.
This is a superhero who has no superpowers, ...
who, arguably, his greatest superpower is his humanity, ...
who is vulnerable, ...
whom you can identify with, because he has no superpowers.
And now, maybe for the first time, we're taking that one extra step.
We are crossing the Rubicon, ...
and we are showing you, and his back is broken, ...
and Batman is either dead or incapacitated.

[Bob Harras, Editor-In-Chief of DC Comics] And I think readers still remember that. Readers have a visceral reaction to that.
This is someone who could hurt Batman. This is someone, I'm sure Batman, ...
even in his calmest of nights, wakes up and thinks, ...
"This is a guy who once really severely hurt me. This is a guy who's still out there."
So I think that's why Bane still has that kind of attraction to readers.

[Michael E. Uslan, Executive Producer of The Dark Knight Rises] What Bane was to Batman, Doomsday was to Superman, ...
the embodiment of brutal physical force.

[Dr. Travis Langley, Author of "Batman and Psychology: A Dark and Stormy Knight"] This is the great fear Superman has:
having a foe that he cannot find a way to stop, one way or another.

[James Robinson, Writer of "Earth 2"] He was designed to kill Superman.
Every time he dies, he comes back stronger, ...
with whatever killed him now no longer something that can kill him.

[Dr. Travis Langley, Author of "Batman and Psychology: A Dark and Stormy Knight"] Doomsday stirs up massive chaos, ...
and delivers the hero his biggest defeat ever.
Doomsday kills Superman.

[James Robinson, Writer of "Earth 2"] I can't think of another villain, where his appearance on the stage is enough that, ...
you know, the world is shaking.

[Mike Carlin, Creative Director of Animation, DC Entertainment] I would even argue that the death of Superman story itself isn't even a story.
It's just a fight scene.
The story comes from how the world reacts afterwards.
When you get to see the "Funeral For a Friend," ...
you see what Superman meant to the world, ...
which reflected what the real world did a lot ...
when they thought we were really gonna leave Superman dead.
They went crazy sad.

[Jim Lee, Co-Publisher of DC Entertainment] Any time you have that level of tragedy impacting a DC character, ...
we go through and show the repercussions of that act, ...
and how it affects the relationships between all the heroes, ...
and the impact it has on all their friends and family.
And so, to me, it's not done lightly.

[Mike Carlin, Creative Director of Animation, DC Entertainment] We don't have last episodes. We have the next episode.
And we do have to deal with the repercussions.
And, again, if the bad guys are winning too often, ...
then that hero doesn't deserve his own title, and he should probably stop being a hero.

[Geoff Johns, Chief Creative Officer of DC Entertainment] Superman died, but that wasn't what the story was about.
His death was a piece of that story.
It was almost the beginning of the story.
And then Dan Jurgens, and Mike Carlin, all those guys created Reign of the Supermen, ...
which is all about Superman's return.
With Batman breaking his back, it was the same thing.
How strong is Bruce Wayne?
His back's broken, but the city still needs him.
So he heals himself, and comes back as Batman.
He overcomes that. But sometimes the villains do win, ...
but it's only momentarily.

[Jim Lee, Co-Publisher of DC Entertainment] Any general can tell you it's not the battles, it's the ultimate war.
And I think, if you look at the grand scope of the DC universe, ...
it is ultimately good triumphing over evil.
I think the best stories, the stories that kind of last with you, ...
are the ones that even though good wins, there's a price to be had for that victory.

[Dan Didio, Co-Publisher of DC Entertainment] I don't consider the hero having a victory if it doesn't come at a cost.
They have to have something sacrificed, either personal or physical, ...
that occurs every time they win.
They have to be giving up something of what they are in order to help mankind.
They're making a sacrifice every time they put that costume on.
They're making a sacrifice every time they're confronting something, and putting themselves at risk.
So, therefore, there should be something given up in their social life, ...
their personal life, about who they are.
And they should be a little more broken because of what they've done.
And the only thing that keeps them going is the sense they're doing something for the better good, ...
and for helping other people.

But it must be noted that, as I began to say just now, this love is not as a rule felt at first, but only the dryness and emptiness are felt whereof we are speaking. Then in place of this love which afterwards becomes gradually enkindled, what the soul experiences in the midst of these aridities and emptinesses of the faculties is an habitual care and solicitude with respect to God, together with grief and fear that it is not serving Him. But it is a sacrifice which is not a little pleasing to God that the soul should go about afflicted and solicitous for His love. This solicitude and care leads the soul into that secret contemplation, until, the senses (that is, the sensual part) having in course of time been in some degree purged of the natural affections and powers by means of the aridities which it causes within them, this Divine love begins to be enkindled in the spirit. Meanwhile, however, like one who has begun a cure, the soul knows only suffering in this dark and arid purgation of the desire; by this means it becomes healed of many imperfections, and exercises itself in many virtues in order to make itself meet for the said love, as we shall now say with respect to the line following: Oh, happy chance! When God leads the soul into this night of sense in order to purge the sense of its lower part and to subdue it, unite it and bring it into conformity with the spirit, by setting it in darkness and causing it to cease from meditation (as He afterwards does in order to purify the spirit to unite it with God, as we shall afterwards say), He brings it into the night of the spirit, and (although it appears not so to it) the soul gains so many benefits that it holds it to be a happy chance to have escaped from the bonds and restrictions of the senses of or its lower self, by means of this night aforesaid; and utters the present line, namely: Oh, happy chance!

-- Dark Night of the Soul, by St. John of the Cross


VILLAINS CLASSIFIED

[Michael E. Uslan, Executive Producer of The Dark Knight Rises] In the history of comics, DC in particular, ...
there are not hundreds, there are thousands of supervillains.
Thousands of supervillains.
And there's no way we can talk about all of them.
We can only talk about a fraction of them.

[Bob Harras, Editor-In-Chief of DC Comics] I think that the very fact that we have such a wide variety of villains ...
that can be anything from, you know, ...
essentially what is a high-tech bank robber, to someone like Darkseid who is a new god, ...
is something I think strengthens our whole universe.
It gives us, you know, a great spectrum of villainy.

[Narrator] This spectrum of evil is diverse and dynamic, ...
falling into a vast array of villainous categories and characteristics.
Indeed, the tropes and commonalities of villainy are far-reaching.
First off is the uncontrollable beast ...
that rages and rains down destruction on those unfortunate souls caught in its path ...
the monster.

[Scott Snyder, Writer of "Batman"] My favorite monster is my --
the classic monsters, the reason that they're enduring and scary, ...
is because they almost, hey look like people that you love, ...
or that you care about, or that you trust:
your neighbors, your wife, your mother.
And then something infects them, or turns them into something that's an unstoppable, horrifying force.


[Michael E. Uslan, Executive Producer of The Dark Knight Rises] Probably the most illustrious monster of the Golden Age of comics was Solomon Grundy.

[Dr. Travis Langley, Author of "Batman and Psychology: A Dark and Stormy Knight"] He's an animated corpse.
The heroes, even Batman at times, is okay with trying to destroy Grundy, ...
because he's dead already.

[Brian Buccellato, Writer of "The Flash"] I like Bizarro Superman, because he's just so off-the-wall.
I mean, he's like just sort of a crazy, super powerful, ...
almost Frankenstein monster version of Superman.

[Narrator] A villain as old as literature, ...
but only heightened by the advent of the atomic bomb, ...
the mad scientist reflects our mistrust and fear of technology, ...
of advances that could undo us as a people.

[Michael E. Uslan, Executive Producer of The Dark Knight Rises] New inventions come along that could be ...
the most wonderful boon for humanity, ...
or it could mean the seeds of their destruction.
So it figures that mad scientists would be one of the true fears ...
incorporated into the personified forms of supervillains.
Doctor Sivana was a cackling, bald, bespectacled scientist, ...
who usually could be seen in a white coat.
And he was responsible continually for the near demise of Shazam.

[Paul Dini, Producer of Batman: The Animated Series] Before there was a Doctor Sivana, for Lex Luthor, ...
there was the Ultra-Humanite, ...
who was sort of like the very first mad scientist.
He could put his brain into other people's bodies, or his consciousness into other people's bodies.
So I believe, at one time, he was a beautiful woman.
He was different people throughout his history.
And now he's like a white ape-like creature.

[Ultra-Humanite] Charmed, I'm sure.

[Paul Dini, Producer of Batman: The Animated Series] But that just goes to show the power of the mind over the matter.
It doesn't matter what you look like on the outside.
As long as that brain survives, that brain is going to be trouble for you.

You should become serious, and hence take your leave from science. There is too much childishness in it. Your way goes toward the depths. Science is too superficial, mere language, mere tools....

I believe that we have the choice: I preferred the living wonders of the God. I daily weigh up my whole life and I continue to regard the fiery brilliance of the God as a higher and fuller life than the ashes of rationality. The ashes are suicide to me.

-- The Red Book: Liber Novus, by C.G. Jung


[Narrator] A militant general, ...
a despot, a conqueror.
This is a villain not far removed from our world's own tyrants.
We know them as the dictator, or more simply the overlord.

[Zod] I have a duty to my people.
And I will not allow anyone to prevent me from carrying it out.

[Michael Shannon, "General Zod"-Man of Steel] With Zod, it's a pure power thing.
There's something very moving about the fact ...
that this story begins with him, ...
basically seeing his entire planet explode, ...
like his home evaporate into nothing.
I can't imagine a bigger launching-off point for a character, ...

[Arthur Dent] Look, I hate to ask this Ford, but what exactly am I doing here?
[Ford Prefect] Simple. I rescued you from the Earth.
[Arthur Dent] Well, what happened to the Earth?
[Ford Prefect] It's been disintegrated.
[Arthur Dent] Has it?
[Ford Prefect] Yes. It just boiled away into space.
[Arthur Dent] Listen, I'm a bit upset about that.
[Ford Prefect] Oh, well.
[Arthur Dent] All gone? Nothing left? What about the book? Maybe the book's got something!
[WHIRRING]
[Arthur Dent] It doesn't seem to have an entry.
[Ford Prefect] Yes, it does -- at the bottom of the screen. Under Eccentrica Gullumbits, the triple-breasted whore of Eroticon 6.
[Arthur Dent] Oh, yes. What does it say? "Harmless." Just one word? Harmless?
[Ford Prefect] Well, it's the old edition. Listen, there are 100 billion stars in the Galaxy, and not much space in the book. No one knew much about Earth then, of course!
[Arthur Dent] Well, I hope you managed to rectify that a bit!
[Ford Prefect] Well, yes. I transmitted a new entry off to the editor. It's not much, but it's still an improvement.
[Arthur Dent] What does it say now?
[Ford Prefect] "Mostly harmless."
[Arthur Dent] "Mostly harmless"?
[Ford Prefect] Oh, come. I think that's pretty good coverage for a disintegrated pile of rubble!
[Arthur Dent] I see. And that's supposed to make me feel better, is it?
[Ford Prefect] Come on! Let's get down to the teleport.

-- Hitchhiker's Guide to the Galaxy, directed by Douglas Adams


and then knowing that he'll do whatever he can to make a new Krypton, ...
because he can't help himself.
It's the only option he has.
It's what he was born to do.
That's what he's been training to do his whole life.

[Zack Snyder, Director of Man of Steel] He's fighting for Krypton, for his people.
And he's a warrior.
And so he's capable of committing, like, ...
horrific crimes against humanity and/or anything living.

[Michael E. Uslan, Executive Producer of The Dark Knight Rises] Starro, the Conqueror, is an alien starfish, ...
giant starfish that comes down on Earth, and seizes control, city by city.
And then, in terms of seizing their minds, it was right out of Invasion of the Body Snatchers.

[Narrator] Culled from our own Mob-laden underworld, ...
the criminal mastermind is both power-hungry and immoral.
Feeding their insatiable desire for control, ...
they keep the public in fear as they tighten their grasp on their domain.

[Paul Dini, Producer of Batman: The Animated Series] Certainly, one of the great types of villains is the criminal mastermind, ...
the guy who holds an entire city, or town, or village, or whatever, in a grip of fear.

[Dr. Travis Langley, Author of "Batman and Psychology: A Dark and Stormy Knight"] Penguin has what is informally known as a Napoleon complex, ...
the small man who wants to be big.
If he could lose any of that weight, he wouldn't, because it helps him take up more space.
You know, his hat makes him taller.
His umbrella, when extended, helps him take up more area.
From the very first story he appears in, ...
he wants to rise up in high society, and wants to be a crime boss.
A number of stories feature him running for mayor, ...
not because he wants to do something great for Gotham, but because he wants that status.
He wants the power that goes with it, ...
and he wants the status to be the big man over everybody else in Gotham.

[Paul Dini, Producer of Batman: The Animated Series] The criminal mastermind is sort of an extension of the real ...
Mob crime organizations, or crime families, that have been a part of American history, ...
almost since the country was founded. That's a great character for comics, ...
because you can take that into the area of caricature.
Currently, guys like Black Mask --
what's more hideous than a guy in this, you know, ...
awful-looking skull mask, ...
wearing a business suit, commanding a legion of street troopers?
I mean, that's a great foe for Batman.
To guys like Penguin, and Black Mask, they're out to really dominate the city.
They wanna be the distorted, hideous, grotesque face of Gotham City.

[Man] Can we get some girls in here?

[Catwoman] Careful what you wish for.

[Man] Unh!

[Catwoman] Cat got your tongue?

[Narrator] The apple on the tree.
The seductive siren song of the temptress.
The femme fatale.
The femme fatale crystallizes the qualities of both a villain and a love interest, ...
all at the same time.

[Michael E. Uslan, Executive Producer of The Dark Knight Rises] You can find roots in movies.
You can find the actresses ...
who maybe inspired some of the villainesses who were created.
And these were women, who used their beauty to lure the hero in, ...
to get the hero to do their bidding, ...
and that, of course, was reflected in the comics.
It was part of the inherent, popular culture.

Concerning woman, one should only talk unto men....Everything in woman is a riddle, and everything in woman hath one solution -- it is called pregnancy....Man is for woman a means: the purpose is always the child. But what is woman for man? ...Man shall be trained for war, and woman for the recreation of the warrior: all else is folly....Bitter is even the sweetest woman....A plaything let woman be, pure and fine like the precious stone, illumined with the virtues of a world not yet come....Let man fear woman when she hateth: for man in his innermost soul is merely evil; woman, however, is mean....The happiness of man is, "I will." The happiness of woman is, "He will." ...Obey, must the woman, and find a depth for her surface. Surface, is woman's soul, a mobile, stormy film on shallow water. Man's soul, however, is deep, its current gusheth in subterranean caverns: woman surmiseth its force, but comprehendeth it not...."Thou goest to women? Do not forget thy whip!" ...Worthy did this man seem, and ripe for the meaning of the earth: but when I saw his wife, the earth seemed to me a home for madcaps. Yea, I would that the earth shook with convulsions when a saint and a goose mate with one another....Careful, have I found all buyers, and all of them have astute eyes. But even the astutest of them buyeth his wife in a sack....When ye despise pleasant things, and the effeminate couch, and cannot couch far enough from the effeminate: there is the origin of your virtue....Sooner will I believe in the man in the moon than in the woman....And because we know little, therefore are we pleased from the heart with the poor in spirit, especially when they are young women! ...Thus would I have man and woman: fit for war, the one; fit for maternity...Never yet have I found the woman by whom I should like to have children, unless it be this woman whom I love: for I love thee, O Eternity!

-- Thus Spake Zarathustra, by Friedrich Nietzsche


[Andrea Letamendi, Ph.D., Clinical Psychology Researcher, UCLA] Poison Ivy is a great example of a female villain ...
who will actually take advantage, knowing that the male characters, ...
the male heroes, and even the male villains ...
that she's working with, are the ones susceptible to love, ...
to connecting with her.
And she uses those assumptions for her own gain.
She finds that her power is in, essentially, ...
taking advantage of other people's vulnerability to emotions.



[Scott Porter, Actor of Hart of Dixie] She took everything that could be seen as objectification towards women, ...

and then used it as her own power, and turns it around on the guys.

[Dr. Travis Langley, Author of "Batman and Psychology: A Dark and Stormy Knight"] She's very interested in controlling people.

The foundations of early Christian misogyny — its guilt about sex, its insistence on female subjection, its dread of female seduction — are all in St. Paul's epistles.

-- Misogyny, by Wikipedia


Harley Quinn is a case of love gone bad.
The individual who's fascinated with the supervillains, ...
fascinated with their egos, and their qualities. And Joker plays to that.

[Andrea Letamendi, Ph.D., Clinical Psychology Researcher, UCLA] So Harleen Quinzel is a woman ...
who is a psychiatry intern, essentially, at Arkham Asylum.

[Paul Dini, Producer of Batman: The Animated Series] When Bruce Timm and I wrote the origin for her ...
in Mad Love, then we really got into her personality:
that she wanted to write a tell-all book about Gotham's psychotic criminals, ...
and then wound up falling under the sway of one, and becoming one herself.

[Andrea Letamendi, Ph.D., Clinical Psychology Researcher, UCLA] She wants the toughest case possible.
And who is the toughest case? It's the Joker.
And there's this connection that they have together.
And I do think there is an element of manipulation on his end, ...
that he, um, ...
I think he fancies her. But also, that he's realizing that ...
here's an opportunity for him to get out of Arkham Asylum.

[Dr. Travis Langley, Author of "Batman and Psychology: A Dark and Stormy Knight"] Harley's a bit of a social chameleon.
She molds herself to the people around her. When she hangs out with heroes, she's more heroic.
When she hangs out with villains, she's more villainous. When she's with the Joker, she's more murderous ...
than she is at other times.

[Scott Porter, Actor of Hart of Dixie] Some of the villainesses that we have in the DC universe ...
are almost more powerful than the villains.

[Bobbie Chase, Editorial Director of DC Comics] The sky is the limit ...
as far as the female villains are concerned.

[Scott Porter, Actor of Hart of Dixie] See someone like Cheetah, who is just crazy ferocious.

[Geoff Johns, Chief Creative Officer of DC Entertainment] With the Cheetah, I wanted to create somebody ...
who resonated with Wonder Woman, with Diana.
And we added kind of a back-story that they were friends, ...
and then ultimately she became the Cheetah.
And Wonder Woman later learned she was never really her friend.
It was all just a play. And it was a bond of trust that was broken.
And the Cheetah has turned into this savage creature that wants to destroy humanity ...
as much as Wonder Woman wants to protect it.

[Michael E. Uslan, Executive Producer of The Dark Knight Rises] At this point in time ...
I think we're lucky enough to be in an era where there is a lot more equality.
And you're getting some great stories.
They can be defined by what their plot is, ...
what their motive is, what their goals are, what their methods are.
And that's great that you don't simply have to define them by gender.

[Paul Dini, Producer of Batman: The Animated Series] The female villain, you know, historically ...
goes back all the way to Greek mythology.
You look at a character like Hera, for instance, ...
who is both a heroine and a villain, depending on the story.
Other female villains throughout time have a lot of that same complexity to them.
You look at a character like Catwoman, for instance.
In her original incarnation, I believe, she was just an adventurer.
She was out there being a burglar, and a jewel robber, ...
simply because of the thrill of it.
We began learning more about her in the 80s, what her past might have been.
And that certainly made her more of a complex, and more of a sympathetic character.
And then to the present day where she is, ...
I believe, one of the members of the Justice League.
So she's gone all the way from being a villain, to anti-hero, to straight-on heroine.

[Andrea Letamendi, Ph.D., Clinical Psychology Researcher, UCLA] She's very curious to us. She has that duality of both good and evil.
And I think that that allows her to be relatable.
I think that she's the most realistic.

[Claudia Black, "Cheetah-Justice League: Doom] It was just interesting to see this strong, female character.
And she was a precursor, I think, ...
to a lot of the sort of heroines that we now see on screen.
Women really started to become more popular on the big screen, and on TV.
As a result, I think of characters like Catwoman being portrayed ...
in the early days of television and film.

[Michael E. Uslan, Executive Producer of The Dark Knight Rises] Today, happily, from what I have seen and read, ...
you have superheroes, superheroines, supervillains, supervillainesses, ...
all on a level playing field.

Statistics: Posted by admin — Fri Jul 31, 2015 11:34 am


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2015-07-31T11:33:57+00:00 2015-07-31T11:33:57+00:00 http://survivorbb.rapeutation.com/sbb-bak/viewtopic.php?p=10343#p10343 <![CDATA[Still Videos and Transcripts • Re: Necessary Evil: Super Villains of DC Comics, by DC Comic]]>
[Anti-Monitor] Behold the definition of true power.

[Marv Wolfman, Writer of "The New Teen Titans"] He's not doing it because he cares at all about life.
And that makes him frightening, because you can't reason with him.
He's not an intellect that you can talk to and say, ...
"Don't you realize you're doing something really bad?
Can't we figure out something else to do?" He's not interested. He has one need.

The tragedy in Charleston last week will no doubt lead to more discussion of several important and recurring issues in American culture—particularly racism and gun violence—but these dialogues are unlikely to bear much fruit until the nation undertakes a serious self-examination. Decrying racism and gun violence is fine, but for too long America’s social dysfunction has continued to intensify as the nation has ignored a key underlying pathology: anti-intellectualism.

America is killing itself through its embrace and exaltation of ignorance, and the evidence is all around us. Dylann Roof, the Charleston shooter who used race as a basis for hate and mass murder, is just the latest horrific example. Many will correctly blame Roof's actions on America's culture of racism and gun violence, but it's time to realize that such phenomena are directly tied to the nation's culture of ignorance.

In a country where a sitting congressman told a crowd that evolution and the Big Bang are “lies straight from the pit of hell,” where the chairman of a Senate environmental panel brought a snowball into the chamber as evidence that climate change is a hoax, where almost one in three citizens can’t name the vice president, it is beyond dispute that critical thinking has been abandoned as a cultural value. Our failure as a society to connect the dots, to see that such anti-intellectualism comes with a huge price, could eventually be our downfall.

In considering the senseless loss of nine lives in Charleston, of course racism jumps out as the main issue. But isn’t ignorance at the root of racism? And it’s true that the bloodshed is a reflection of America's violent, gun-crazed culture, but it is only our aversion to reason as a society that has allowed violence to define the culture. Rational public policy, including policies that allow reasonable restraints on gun access, simply isn't possible without an informed, engaged, and rationally thinking public.

Some will point out, correctly, that even educated people can still be racists, but this shouldn’t remove the spotlight from anti-intellectualism. Yes, even intelligent and educated individuals, often due to cultural and institutional influences, can sometimes carry racist biases. But critically thinking individuals recognize racism as wrong and undesirable, even if they aren’t yet able to eliminate every morsel of bias from their own psyches or from social institutions. An anti-intellectual society, however, will have large swaths of people who are motivated by fear, susceptible to tribalism and simplistic explanations, incapable of emotional maturity, and prone to violent solutions. Sound familiar?

And even though it may seem counter-intuitive, anti-intellectualism has little to do with intelligence. We know little about the raw intellectual abilities of Dylann Roof, but we do know that he is an ignorant racist who willfully allowed irrational hatred of an entire demographic to dictate his actions. Whatever his IQ, to some extent he is a product of a culture driven by fear and emotion, not rational thinking, and his actions reflect the paranoid mentality of one who fails to grasp basic notions of what it means to be human.

What Americans rarely acknowledge is that many of their social problems are rooted in the rejection of critical thinking or, conversely, the glorification of the emotional and irrational.

-- Anti-Intellectualism Is Killing America, by David Niose


[Len Wein, Writer of "Swamp Thing"] When I created Clayface III at the behest of the late great Julius Schwartz, ...
I came up with a character who was a monster ...
because he had screwed up.
He was someone born with acromegaly -- essentially the elephant man disease --
and in trying to fix himself, ...
became somebody who basically can draw the calcium out of your body, ...
and reduce people to little clay-like masses.
But he didn't want to. It's just how he survived.

[Andrea Romano, Voice Director of DC Animated Titles] There may also be, certainly, revenge involved.

[Andrew Kreisberg, Producer of Arrow] A lot of villains feel that they've been wronged in some way, ...
whether it's by society, or a loved one, or the police.

[Paul Dini, Producer of Batman: The Animated Series] With Mr. Freeze, when we developed the character for Batman: The Animated Series, ...
I thought, you know, "Somebody that cold has to be that cold for a reason."

[Andrea Letamendi, Ph.D., Clinical Psychology Researcher, UCLA] Essentially he had some funding to carry out his research to cure his wife, Nora.
And the man who pulled that funding, ...
he then became the focus of Mr. Freeze's evil-doing.
His mission is to go after the one man who took away the love of his life.
He actually says to Batman, ...
"This is my sole purpose, and if you get in the way, you'll pay for it."
Which kind of implies, like, "Look, if you just step aside, I won't harm you."

[Dr. Travis Langley, Author of "Batman and Psychology: A Dark and Stormy Knight"] As a villain, you can argue whether he's a villain or not.
Atrocitus, he was motivated by anger at the Guardians of the Universe.
His family got killed because the Guardians of the Universe, ...
they created these manhunters, androids, ...
which were their predecessors to the Green Lantern Corps.
Atrocitus skips over the denial stage of grief, ...
goes straight into anger, and stays there. Forget going into the later ones.
The only bargain he makes is to stay angry, ...
and avenge his family by going after the Guardians, however he can.

[CM Punk, WWE Wrestling Superstar] That's why the Joker is so interesting, because he sort of doesn't have a motive.

[Marv Wolfman, Writer of "The New Teen Titans"] He knows he's crazy.
Most of the crazy villains, most of the villains who in comics, who are insane, ...
have no idea they are.
But the Joker is aware of it, and he loves it.
He loves the concept that he is chaos to Batman's logic and order.

[CM Punk, WWE Wrestling Superstar] And, obviously, we have the most recent incarnation on the big screen.
Heath Ledger's Joker is a perfect example of that.
And he even says it. He's a dog chasing a car.
And when he catches it, he doesn't -- he doesn't know what he's doing.
He just sort of does things.

[Arthur Dent] Ow! Let go of me, you brute!
[Ford Prefect] Don't worry -- I'll think of something.
[Vogon Guard] Resistance is useless!
[Arthur Dent] What is all this, Ford? I woke up this morning, thought I'd have a nice, relaxed day, do a bit of reading, brush the dog. It's just now after 4:00 in the afternoon, and I'm already being thrown out of an alien spaceship five light years from the smoking remains of the Earth.
[Ford Prefect] Alright, just stop panicking!
[Arthur Dent] Who said anything about panicking?
This is just culture shock! Wait till I've settled down and found my bearings! Then I'll start panicking!
[Ford Prefect] Arthur, you're getting hysterical! Shut up!
[Vogon Guard] Resistance is useless!
[Ford Prefect] And you!
[Vogon Guard] Resistance is useless!
[Ford Prefect] Aw, give it a rest! Do you enjoy this sort of thing?
[Vogon Guard] What? What do you mean?
[Ford Prefect] I mean, does it give you a full, satisfying life?
[Vogon Guard] Full, satisfying life?
[Ford Prefect] Yeah, stomping around, shouting, pushing people off spaceships.
[Vogon Guard] Well, the hours are good!
[Ford Prefect] They'd have to be!
[Arthur Dent] Ford, what are you doing?
[Ford Prefect] [To Arthur] Shh! [To Vogon Guard] So, the hours are good, are they?
[Vogon Guard] Yeah. But now you come to mention it, most of the actual minutes are pretty lousy. Except some of the shouting I quite like. RESISTANCE ... !
[Ford Prefect] Sure, yes, you're good at that, I can tell. But if the rest of it is so lousy, why do you do it? The girls?
The rubber? The machismo?
[Vogon Guard] Oh, I don't know, really. I think I just sort of ... do it. You see, my aunt said that spaceship guard was a good career for a young Vogon, you know: the uniform, the low-slung stun-ray holster, mindless tedium.
[Arthur Dent] Ford, this guy's half-throttling me!
[Ford Prefect] Yeah, but try and understand his problem. Here he is, poor guy, his entire life is spent stamping around, pushing people off spaceships ...
[Vogon Guard] And shouting ...
[Ford Prefect] Yeah, and shouting! Yeah! And he doesn't even know why he's doing it.
[Arthur Dent] Oh, poignant, very poignant!
[Vogon Guard] Oh, put it like that ...
[Ford Prefect] Good lad.
[Vogon Guard] All right, but what's the alternative?
[Ford Prefect] Well, stop doing it of course! Tell them you're not going to do it any more. Stand up to them!
[Vogon Guard] Doesn't sound that great to me!
[Ford Prefect] Oh, but that's just the start. There's more to it than that, you see ...
[Vogon Guard] No, if it's all the same to you, I think I'll just get you two shoved out ...
and then get on with some other piece of shouting I've got to do. RESISTANCE IS USELESS!
[Ford Prefect] But come on now, look!
[Arthur Dent] Ow! Stop that!
[Ford Prefect] Hang on! There's music and art and things to tell you about yet!
[Vogon Guard] I think I better just stick to what I know, thanks ...
but thanks for taking an interest.
[Arthur Dent] I've got a headache! I don't want to go to heaven with a headache! I'll be all cross, and I won't enjoy it.
[Ford Prefect] Look. There's a whole world you know nothing about. Now listen. How about this ...?
(he hums Beethoven's Fifth) Doesn't that stir anything in you?
[Vogon Guard] No. Bye.
I'll tell my aunt what you said.
[CLANG!]
[Ford Prefect] Potentially bright lad, I thought.
[Vogon Guard] (He hums Beethoven's Fifth) Nah!

-- Hitchhiker's Guide to the Galaxy, directed by Douglas Adams


[Scott Porter, Actor of Hart of Dixie] With Lex Luthor, he just wants power.
But how does he attain it?
How many ways does he have to go?
Why is he jealous of Superman?
Oh, because he wants to be more powerful than Superman.

[Clancy Brown, "Lex Luthor"-Superman: The Animated Series] Those self-made men tend to feel that they have license, ...
tend to feel that they're superior to everybody else.

[Andrea Letamendi, Ph.D., Clinical Psychology Researcher, UCLA] He has these personality characteristics that one would consider narcissistic, ...
in the sense that he has this element of superiority, ...
that he is more powerful than others, thinks that he's more intelligent than others, ...
and, therefore, believes that he deserves more than what other people deserve.

[Brian Azzarello, Writer of "Wonder Woman"] He is like the pinnacle of humanity. He has made himself the best man.
And then there's this alien that's better than him.

[Marv Wolfman, Writer of "The New Teen Titans"] I did the revision of Luthor back in the 1980s.
I turned him into a character who brought jobs to Metropolis.
He provided museums, and philharmonic orchestras, ....
and did all this stuff, as long as everyone knew he was the best.
He wanted the power. He wanted the control. And he was happy.
He was delighted, because everyone honored him.

[Len Wein, Writer of "Swamp Thing"] And then Superman came along, who could fly.
It was ego.
"I am the person who looks down on everybody else."
And the first time Superman and he meet, Superman says, ...
"I'll be around. If you wanna find me, just look up."
And suddenly, there was somebody who was over Luthor. And he couldn't deal with that.

[Andrea Romano, Voice Director of DC Animated Titles] I think that's also part of the ego, is that villains love to hear themselves talk.
They love to hear their theories, as expounded upon by themselves.

When you point one finger, there are three fingers pointing back to you.


[Dr. Travis Langley, Author of "Batman and Psychology: A Dark and Stormy Knight"] The Penguin made a comment in one comic book, ...
"What's the point in committing the perfect crime, if no one knows it was you who did it?"

[Richard Donner, Director of Superman: The Movie] Lex Luthor's brain, as evil as it is, is brilliant.
Once he had him, and he was incapacitated ...
to the degree that Lex could do anything he wanted with him, ...
he could aggrandize himself in front of him: "Let me tell you how brilliant I am."

[Lex Luthor] You were great in your day, Superman, but it just stands to reason, ...
when it came time to cash in your chips, ...
this old, diseased maniac, would be your banker.
Mind over muscle.

[Dr. Travis Langley, Author of "Batman and Psychology: A Dark and Stormy Knight"] The grandiose nature of the villains figures into every one of those key aspects.
Whatever their mission is in life, the main thing they want to do, ...
the one who wants to get the money, he wants to do it in the outlandish way, ...
the creative, different way.

[Andrew Kreisberg, Producer of Arrow] When you think of some of the more flamboyant villains in the DC Universe, ...
you sort of think about like, ...
"Would they really be happy with all the money in the world?
You know, would they really be happy with running the city?
You know, it seems to be they're much happier trying to take the city, than actually having it.
That's why you don't see a lot of books about supervillains now running city hall, ...
or, "Now I'm the mayor," or, you know, ...
what are they gonna do with, you know, a billion dollars?
So I do think it's sort of more the pursuit.

[Marc Guggenheim, Executive Producer of Arrow] It's not enough for the Riddler to rob a bank, or steal a diamond.
He's got to drop clues on his way to robbing a bank, or stealing a diamond.
The Riddler's probably the most self-defeating villain in the history of comic books, ...
because he's always providing Batman with a clue to his comeuppance.

[Andrew Kreisberg, Producer of Arrow] He's obviously got some deep, dark, ...
damaged psychological reason that, you know, deep down he wants to be caught.

The team-experts like the word deep. It occurs over and over again in their writings, e.g. "the appeal of comic books is deeply rooted in our emotional nature." They use this word as an answer to any objection that is raised. The reply that things are "deep" or "deeper" or "far deeper" is supposed to answer everything. In one short paper the word occurs four times: "The motivation toward unsocial acts lies much deeper than any casual contact with ideas on a printed page"; the language habits of children "derive from deeply rooted home and school standards and not from any casual contact with any entertainment medium"; these "comic book characters are deeply human"; only if a child is "in deep emotional conflict he may be further burdened or disturbed by his comics reading." One hopes to find in these writings at least one case where a comic-book addict seemed to be adversely influenced by comics in which it was proved that not comic books but something "deep" was the real cause. But in all the writings of the experts I found not a single case like this. Instead there are again and again flat statements like this: "the roots of delinquency and crime are far deeper," or "... the roots of [the] difficulties lie in ... his life ... rather than in the storybooks that he reads." Who then has gone to the root of the problem? One expert tells us: "Superman strikes at the root of juvenile delinquency" and apparently this is "deep" enough.

-- Seduction of the Innocent, by Fredric Wertham, M.D.


He wants to be punished.
Otherwise, he wouldn't leave these ridiculous riddles to be left for Batman to solve.

EVIL IN PERSPECTIVE

[Narrator] The journey toward evil follows a long road, ...
with many possible avenues.
But for the fallen, the question remains, ...
"Were they born bad, or did they willingly turn down the dark path?
Is it the end result of a lifetime of suffering, ...
or did one horrible incident forever push them over the edge?"

[Kevin Conroy, "Bruce Wayne/Batman" - Batman: The Animated Series) Is there real evil? Does evil in itself really exist?
Or it is always a reaction to something? Is it a reaction to some childhood trauma?

[Andrea Letamendi, Ph.D., Clinical Psychology Researcher, UCLA] There are a number of different, I guess, causes, or trajectories, toward evil-doing, ...
or toward a life of villainy.

[Zack Snyder, Director of Man of Steel] The best villains probably are born bad.
You want them to be, at least.
But I think there's always, like, maybe they were born bad, and then you had those horrible incidents occur ...
that sort of kept them down that path.

[Andrea Letamendi, Ph.D., Clinical Psychology Researcher, UCLA] We have yet really to have true examples of these particular experiences ...
that the Joker, Harvey Dent, and other villains have gone through.
So I think there is a lot of room for the fictional writing, ...
and the fictional exploration of one event creating ---
completely redefining a person where it turns them to villains.

The violence that manifests itself in violent crimes is not the expression of an inborn instinct of aggression and destruction. People like to be non-violent. It is always other negative factors in personality development and in the social medium where growth of the personality takes place that lead to murderous acts of violence. The murderer can never kill without a transformation of values which may come from the innermost mind but is always derived ultimately from social prejudgments and prejudices.

-- Seduction of the Innocent, by Fredric Wertham, M.D.


[Neal Adams, Art of "Batman"] I created a character called Man-Bat.
It's this guy who is a Batman fan.
He is a genius. He is a scientist.
Works in museums. But he's just a little off.
And he thinks that if he creates a serum out of bats, ...
that he can give it as a gift to Batman, ...
and Batman will have the attributes of a bat.
Wouldn't that be great?
But somebody has to test it.
So he tests it on himself.
It's Jekyll and Hyde.
He's turned into this creature. He becomes a man-bat.
You can say, "Well, Man-Bat is a villain." No, he's not a villain.
He can be manipulated by villains, but he's a good guy.
In fact, he loves Batman.
He thinks Batman is the greatest hero on earth.
And he wants to be like Batman.
But if he's like Batman, he becomes a drug addict that becomes this monster.

[General Zod] You will bow down before me!
First you, and then one day your heirs!

[James Robinson, Writer of "Earth 2"] General Zod is a fantastic villain for Superman.
While some of his actions aren't justifiable, you completely understand why he is the man he is.

[Scott Porter, Actor of Hart of Dixie] You know, someone like the Scarecrow, ...
the fact that he was bullied into submission, ...
and picked on by way more powerful people than him, ...
and he was so scared to live his life because he had this constant air of fear around him, ...
it drove him to figure out why that fear existed within him, ...
and then, at the end of the day, how he could inflict it upon other people.

[Scott Snyder, Writer of "Batman"] You're writing it, and you see, ...
"Why can't you just go left instead of right at this seminal moment?"
And that kind of story, I think, is equally inspiring and exciting to read ...
for different reasons. But because mostly you see that making the wrong choice, ...
or falling victim to sort of difficult circumstances, and letting them turn you, ...
and twist you that way, is something that gets you nowhere but Blackgate or Arkham, ...
or, you know, the Phantom Zone, or that sort of thing. Heh, heh.

[Narrator] Consider this.
The function and role of the hero and the villain is all simply a matter of perspective.
If we reversed focus, and considered the story from the point of view of the villain, ....
wouldn't they be the hero, and the hero the villain?

[Paul Levitz, President of DC Comics (2002-2009) You have to think that pretty much everyone's a hero in their own story.
The villains who are really interesting characters, ...
have an affirmative reason for what they're doing.

[Marv Wolfman, Writer of "The New Teen Titans"] Their strength comes from ...
absolute certainty, 100 percent certainty, that they are correct.
If they're uncertain about what they're doing, then they're not interesting characters.

[Kevin Shinick, Writer/Co-Producer of Robot Chicken: DC Comics Special] Perspective of ants. You know, do ants see us as giant villains?
We're walking around. It's ruining my picnic. So I'm just stomping on these ants. And I'm not thinking about anything.
But, you know, to someone's point of view down there, ...
we are these giant gods who are villainous, and are destroying their civilization.
So it's really just about your point of view.

A common argument against relativism suggests that it inherently contradicts, refutes, or stultifies itself: the statement "all is relative" classes either as a relative statement or as an absolute one. If it is relative, then this statement does not rule out absolutes. If the statement is absolute, on the other hand, then it provides an example of an absolute statement, proving that not all truths are relative. However, this argument against relativism only applies to relativism that positions truth as relative–i.e. epistemological/truth-value relativism. More specifically, it is only extreme forms of epistemological relativism that can come in for this criticism as there are many epistemological relativists who posit that some aspects of what is regarded as factually "true" are not universal, yet still accept that other universal truths exist (e.g. gas laws or moral laws).

Another argument against relativism posits a Natural Law. Simply put, the physical universe works under basic principles: the "Laws of Nature". Some contend that a natural Moral Law may also exist, for example as argued by Richard Dawkins in The God Delusion (2006) and addressed by C. S. Lewis in "Mere Christianity" (1952). Dawkins said "I think we face an equal but much more sinister challenge from the left, in the shape of cultural relativism -- the view that scientific truth is only one kind of truth and it is not to be especially privileged". Philosopher Hilary Putnam, among others, states that some forms of relativism make it impossible to believe one is in error. If there is no truth beyond an individual's belief that something is true, then an individual cannot hold their own beliefs to be false or mistaken. A related criticism is that relativizing truth to individuals destroys the distinction between truth and belief.

-- Relativism, by Wikipedia


[Geoff Johns, Chief Creative Officer of DC Entertainment] Sinestro, he wanted to control things so much on Korugar, his home world, ...
he wanted it to be safe for everybody, that he started to instill fear like, "I'm in control."

[Peter J. Tomasi, Writer of "Batman and Robin] Sinestro is a villain who really did see himself as a hero, and couldn't believe ...
that he was being chopped off at the knees by the Guardians all the time, ...
and being perceived to be someone who wasn't looking out ...
for the better interest of the universe, and his own people.
And eventually, it pushed Sinestro into a dark place, ...
where he finally just had to use his powers ...
to bring to light what he thought was the best thing.

[Geoff Johns, Chief Creative Officer of DC Entertainment] And Hal Jordan ultimately had to stop this guy, who had gone renegade.

[Peter J. Tomasi, Writer of "Batman and Robin] So it just set them on a collision course.

[Clancy Brown, "Lex Luthor Superman: The Animated Series] Lex doesn't perceive himself as a bad person.
He doesn't perceive himself as anything ...
but the agent of order and civilization.

[Lex Luthor] You hold the future of the entire planet in your hands.
I'm here to take it back.

[Man] Lex?

[Lex Luthor] You'll never threaten the world again.

[Brian Azzarello, Writer of "Wonder Woman"] I think Luthor is correct in the way he views the world.
He's right. Superman is an alien, and we shouldn't trust him.

[Jim Lee, Co-Publisher of DC Entertainment] He has a lot of people on his side today ...
in that, I think, in the '50s, during the Eisenhower years, ...
the idea of a superman with all these incredible powers ...
that we can't stop, even if we wanted to, but he's a benign force for good, that's reassuring.
In today's day and age, I don't know if that's as reassuring.
So the idea that there's a guy who is a businessman, ...
you know, a tycoon, who's looking out for his fellow humans ...
against a threat that actually can't be contained or controlled, ...
I don't know. I think it really speaks to I think a lot of people's fears ...
about authority and power today.

[Narrator] In modern story, ...
just as it is in life, ...
the choice between right and wrong often isn't so cut and dry.
Heroes are flawed, sometimes villains justified.
But it's the villain, and sometimes society itself, ...
that further blurs the line.

[Jim Lee, Co-Publisher of DC Entertainment] The same way there's a thin line between love and hate, to me, ...
the best heroes are the ones that probably act a little villainous.
And the best villains are the ones that might have martyr complexes.

[Dan Didio, Co-Publisher of DC Entertainment] Where we are in comics right now, we probably examine the line between good and evil a lot more ...
than ever had been done before.

[Glen Murakami, Producer of Beware the Batman] Batman is always sort of trying to maintain that control within himself.
You know, "This is how my parents were killed.
I'm gonna make sure that doesn't happen to anybody else."

[Tony S. Daniel, Writer/Artist-"Detective Comics"] He is a guy who's fighting to not become a bad guy.

[Michael E. Uslan, Executive Producer of The Dark Knight Rises] Had it not been for the humanizing anchors of his humanity, Alfred, ...
and a few other key people keeping him in line, ...
young Bruce Wayne, traumatized ...
by witnessing the murder of his parents before his eyes, ...
could easily have gone to the dark side of that line.

[Batman] All I've ever wanted to do is kill him.
A day doesn't go by when I don't think about subjecting him ...
to every horrendous torture he's dealt out to others.
And then end him.
But if I do that, if I allow myself to go down into that place, ...
I'll never come back.

[Glen Murakami, Producer of Beware the Batman] There's sort of a power struggle going on with the villains too.

[Paul Dini, Producer of Batman: The Animated Series] There's the character that's sort of more of a gray nature, ...
who was originally maybe intended to be a villain, ...
who cleaned up his act a little bit, or who is just so engaging that you like him a lot.
You look at a character like Lobo, for instance.
Here's this guy who should not be called a hero by any stretch of the imagination, ...
but he's got just enough honor, I guess you'd say, ...
like, you know, he's a bounty hunter.
And if he goes after somebody, for better or for worse, he'll honor the deal.
And he'll track down the guy, and bring him in.

[Geoff Johns, Chief Creative Officer of DC Entertainment] The appeal of Lobo is just the over-the-top black comedy and violence ...
I think the character brings.

[Paul Dini, Producer of Batman: The Animated Series] You know, he's a badass biker from outer space.
Who doesn't love somebody like that?

The cultural background of millions of American children comes from the teaching of the home, the teaching of the school (and church), the teaching of the street and from crime comic books. For many children the last is the most exciting. It arouses their interest, their mental participation, their passions and their sympathies, but almost entirely in the wrong direction. The atmosphere of crime comic books is unparalleled in the history of children's literature of any time or any nation. It is a distillation of viciousness. The world of the comic book is the world of the strong, the ruthless, the bluffer, the shrewd deceiver, the torturer and the thief. All the emphasis is on exploits where somebody takes advantage of somebody else, violently, sexually or threateningly. It is no more the world of braves and squaws, but one of punks and molls. Force and violence in any conceivable form are romanticized. Constructive and creative forces in children are channeled by comic books into destructive avenues. Trust, loyalty, confidence, solidarity, sympathy, charity, compassion are ridiculed. Hostility and hate set the pace of almost every story. A natural scientist who had looked over comic books expressed this to me, tersely, "In comic books life is worth nothing; there is no dignity of a human being."

-- Seduction of the Innocent, by Fredric Wertham, M.D.


[Marc Guggenheim, Executive Producer of Arrow] Deadshot is nice, and simple, and clear.
He's like a bullet. He goes from point A to point B, and he doesn't waver.

[Ames Kirshen, VP of Production of Warner Bros. Interactive Entertainment] He's got layers to him. He's not just doing this for the sake of fun.
He's doing it because this is the thing he's good at. He's good at killing people.
And he only does it for money.

The most subtle and pervading effect of crime comics on children can be summarized in a single phrase: moral disarmament. I have studied this in children who do not commit overt acts of delinquency, who do not show any of the more conspicuous symptoms of emotional disorder and who may not have difficulty in school. The more subtle this influence is, the more detrimental it may be. It is an influence on character, on attitude, on the higher functions of social responsibility, on superego formation and on the intuitive feeling for right and wrong. To put it more concretely, it consists chiefly in a blunting of the finer feelings of conscience, of mercy, of sympathy for other people's suffering and of respect for women as women and not merely as sex objects to be bandied around or as luxury prizes to be fought over. Crime comics are such highly flavored fare that they affect children's taste for the finer influences of education, for art, for literature and for the decent and constructive relationships between human beings and especially between the sexes.

-- Seduction of the Innocent, by Fredric Wertham, M.D.


[Marv Wolfman, Writer of "The New Teen Titans"] With a character like Deathstroke, I actually did not create him to be a villain.
I created him thinking he was a character who was morally ambiguous, ...
who was doing certain things for his own reasons.
He was a hunter, he was a mercenary, he was an assassin, ...
but always on a political, for-hire basis.
And then, because his son was trapped by the H.I.V.E., he was forced into becoming a villain.
He didn't want to be, and no matter how many times he wants to get out of it, ...
he can't, because he has a certain code of ethics ...
that says he promised to complete his son's mission, ...
and he can't stop until he does, even though he knows it's not his mission, ...
and even though he knows it's wrong.

[Geoff Johns, Chief Creative Officer of DC Entertainment] Amanda Waller is one of the greatest characters in DC comics.
She is the black ops government leader of the Suicide Squad ...
... the program that recruits supervillains, and forces them to do missions for them.
And she is manipulative, super smart.

[Dan Didio, Co-Publisher of DC Entertainment] Amanda Waller can only be viewed as a bad guy, because she makes the tough choices.
That's the reason why.
And what she's doing is she is willing to sacrifice the individual for the greater good.

The Individual and Liberty.

Anti-individualistic, the Fascist conception is for the State; it is for the individual only in so far as he coincides with the State, universal consciousness and will of man in his historic existence. It is opposed to the classic Liberalism which arose out of the need of reaction against absolutism, and had accomplished its mission in history when the State itself had become transformed in the popular will and consciousness.

Liberalism denied the State in the interests of the particular individual; Fascism reaffirms the State as the only true expression of the individual.

And if liberty is to be the attribute of the real man, and not of the scarecrow invented by the individualistic Liberalism, then Fascism is for liberty. It is for the only kind of liberty that is serious—the liberty of the State and of the individual in the State. Because, for the Fascist, all is comprised in the State and nothing spiritual or human exists—much less has any value—outside the State. In this respect Fascism is a totalising concept, and the Fascist State—the unification and synthesis of every value—interprets, develops and potentiates the whole life of the people.

-- The Doctrine of Fascism, by Benito Mussolini


[Geoff Johns, Chief Creative Officer of DC Entertainment] Amanda Waller continues to be a presence in the DC universe.
She's created a Justice League called the Justice League of America, ...
that is designed to take out the real Justice League if need be.
She's prepared for the worst, because she's experienced the worst.

[Dan Didio, Co-Publisher of DC Entertainment] She has a very clear moral line. And whether you agree with it or not, it doesn't shift.
So therefore, that's why you'll have that level of discussion going back and forth, ....
of whether Amanda Waller is a hero or villain.

Racism, by its perhaps simplest definition, is prejudice and discrimination based on race. One with racist beliefs might hate certain groups of people according to their race (i.e., bigotry), or in the case of institutional racism, certain racial groups may be denied rights or benefits. Racism inherently starts with the assumption that there are taxonomic differences between different groups of people. Without this assumption, prejudices against different peoples would be categorized as being prejudices related to national or regional origin, religion, occupation, social status or some other distinction.

--Racism, by Wikipedia


[Narrator] Heroes typically have a strong moral code.
"I will not kill.
I will uphold the law."
But just because villains commit crimes ...
does not mean they are completely without principles.
There does exist honor among thieves, even if that honor is warped and twisted.

[Mike Carlin, Creative Director of Animation, DC Entertainment] I don't think you can generalize about villains ..
the same way as you can't generalize about heroes across the board.
You know, I do think that there are some villains who have a moral code, ...
or have a line that they personally will not cross.

[Jim Lee, Co-Publisher of DC Entertainment] Two-Face, where he basically lets his morality be decided by a flip of a coin.

[Geoff Johns, Chief Creative Officer of DC Entertainment] Sinestro certainly has a code of ethics he thinks he's following, ...
and in a strange way, he is following it.
He believes in the Green Lantern Corps so much, he's willing to be a villain to them.

[Ra's al Ghul] Allow me to introduce myself.
I am he who is called Ra's al Ghul.

[Alan Burnett, Co-Producer of Justice League: The Flashpoint Paradox] Ra's al Ghul knows who Batman is.
He can give it away.
And he doesn't. Because there's sort of a respect that he has for Batman.
And he has this hope that one day Batman will come to his side.
So he doesn't destroy Batman that way.

[Brian Buccellato, Writer of "The Flash"] Specifically, the Rogues, they won't kill somebody. Like that's where they draw the line.
They do have their own, you know, it may be a warped code, but they have their code.

[Geoff Johns, Chief Creative Officer of DC Entertainment] If you go to the Rogues and say, "You have a chance to kill the Flash; here's the master plan; this is how we're gonna kill the Flash; once and for all we're gonna kill the Flash ..."
Captain Cold would be like, "You're out of your mind.
If we kill the Flash, the whole Justice League's on top us.
We don't need that right now.
We have this thing going. We don't wanna kill the Flash. He's just in our way."
There's versions of the Rogues who have been more bloodthirsty.
Their versions I don't necessarily respond to, because I don't think that's who the Rogues are.
The last thing they would ever do is kill the Flash.
That doesn't mean they're uninteresting characters to watch, ...
or uninteresting characters for the Flash to go up against.
That makes them more interesting. Because they want to do different things. What are their motivations?

EVIL ON THE ATTACK

[Narrator] The best villains represent the counterpoint to the hero.
A polar opposite in many respects, ...
but also bearing subtle, or sometimes striking, similarities.
The villains often mirror the hero's dark reflection, ...
the result of a divergent path, a different road taken.

This peculiar linking-together of opposites -- knowledge with ignorance, cynicism with fanaticism -- is one of the chief distinguishing marks of Oceanic society. The official ideology abounds with contradictions even when there is no practical reason for them. Thus, the Party rejects and vilifies every principle for which the Socialist movement originally stood, and it chooses to do this in the name of Socialism. It preaches a contempt for the working class unexampled for centuries past, and it dresses its members in a uniform which was at one time peculiar to manual workers and was adopted for that reason. It systematically undermines the solidarity of the family, and it calls its leader by a name which is a direct appeal to the sentiment of family loyalty. Even the names of the four Ministries by which we are governed exhibit a sort of impudence in their deliberate reversal of the facts. The Ministry of Peace concerns itself with war, the Ministry of Truth with lies, the Ministry of Love with torture and the Ministry of Plenty with starvation. These contradictions are not accidental, nor do they result from ordinary hypocrisy; they are deliberate exercises in doublethink. For it is only by reconciling contradictions that power can be retained indefinitely. In no other way could the ancient cycle be broken. If human equality is to be for ever averted -- if the High, as we have called them, are to keep their places permanently -- then the prevailing mental condition must be controlled insanity.

-- Nineteen Eighty-Four (1984), by George Orwell


[Guillermo Del Toro, Director of Pacific Rim] I think a good nemesis for a hero needs to ...
have some of the qualities of a hero in him.
You are defined as much by the dark side of the mythology, ...
as you are defined by this light side of mythology.
So for every mythology about demons, there need to be angels, and vice versa.

[James Robinson, Writer of "Earth 2"] You need to have a degree of polar opposite.
And at the same time, there needs to be those things ...
that make them mirror images of themselves.

The fundamental principle, is the reconciliation of the opposites. We cannot choose one opposite over another. We must experience the relationship between the two, and reconcile them into a higher synthesis. This does not mean to be in the middle. For instance, the proper balance between wealth and poverty is not the mathematical average between $1,000,000 and $1, i.e. $500,000. There are people who are poor at $1,000,000, others who are rich at $1. Reconciling the opposites is not that simple.

Let us begin by identifying the pairs of opposites. They are literally beyond number, but tradition has given us 7 pairs that between them, cover the whole of human of experience.

SEED/DESOLATION
LIFE/DEATH
WEALTH/POVERTY
GRACE/UGLINESS
WISDOM/FOLLY
PEACE/WAR
DOMINANCE/SUBJUGATION

What does it mean to reconcile the pairs of opposites? Already we are struggling to find words to explain the concept, let alone the experience. And this is the point, it is an experience that we must have. That is why these pairs are processes that we must go through. If words fail, nevertheless tradition gives a clue to the meaning of these processes of transformation: Ecclesiastes ch 3 v 1-8.

SEED: To be born; To plant
DESOLATION: To die; To reap
LIFE: To heal; To build
DEATH: To kill; To destroy
WEALTH: To gather; To get
POVERTY: To cast away; To Lose
GRACE: To embrace; To safeguard
UGLINESS: To shun; To discard
WISDOM: To be silent' To sew
FOLLY: To speak; To tear
PEACE: Of peace; To love
WAR: Of war; To hate
DOMINANCE: To dance; To laugh
SUBJUGATION: To mourn; To weep

It is still difficult to understand these processes of transformation. It would be a great help if someone who has gone before us would describe the experience. What would he say of himself if he had reconciled the opposites?

1. I AM the bread of life: John 6:35
2. I AM the light of the world: John 8:12
3. I AM the door of the sheepfold: John 10:7
4. I AM the good shepherd: John 10:11
5. I AM the resurrection and the life: John 11:25
6. I AM the way the truth and the life: John 14:6
7. I AM the true vine: John 15:1

If we can recognise such a person by his signs what epitomises the nature of the experience that he has? What concept better describes the process of reconciliation of the opposites, than suffering?

1. Whipping: John 19:1-29
2. Crown of thorns: John 19:1-29
3. Humiliation: John 19:1-29
4. Beating: John 19:1-29
5. Carrying cross: John 19:1-29
6. Crucifixion: John 19:1-29
7. Vinegar : John 19:1-29

The clue to the process of reconciliation is that the opposites are not antagonistic. They are symbiotic. The best example of this concept is the Yin and the Yang in their ceaseless rhythmic dance as they manifest the Tao. In this relationship, the opposites bring healing and wholeness.

When we have experienced the processes of reconciling the opposites, we too can say "I AM". Only then will we be transformed on the level of Being known as the World of Formation.

-- Reconciliation, Orientation and Unity, by Jack Courtis


[Geoff Johns, Chief Creative Officer of DC Entertainment] You have Ocean Master, who is kind of a mirror of Aquaman.
He is an Atlantean king, like Aquaman, but he's Aquaman gone wrong.

Science speaks only of evolution. It fails to consider the lines of degeneration which are slowly but surely destroying such bodies as have crystallized beyond possibility of improvement....

As the heavy fogs of Atlantis condensed more and more, the increased quantity of water gradually inundated that continent, destroying the greater part of the population and the evidences of their civilization. Great numbers were driven from the doomed continent by the floods, and wandered across Europe. The Mongolian races are the descendants of those Atlantean refugees. The Negroes and the savage races with curly hair, are the last remnants of the Lemurians....

The sixteen Races are called the "Sixteen paths to destruction" because there is always, in each Race, a danger that the soul may become too much attached to the Race; that it may become so enmeshed in Race characteristics it cannot rise above the Race idea, and will therefore fail to advance; that it may, so to speak, crystallize into that Race and consequently be confined to the Race bodies when they start to degenerate, as happened to the Jews....

The Original Semites were the fifth and most important of the seven Atlantean Races, because in them we find the first germ of the corrective quality of Thought. Therefore the Original Semitic Race become the "seed race" for the seven races of the present Aryan Epoch....

The Original Semites regulated their desires to some extent by the mind, and instead of mere desires, came cunning and craftiness -- the means by which those people sought to attain their selfish ends. Though they were a very turbulent people, they learned to curb their passions to a great extent and accomplish their purposes by the use of cunning, as being more subtle and potent than mere brute strength. They were the first to discover that "brain" is superior to "brawn."...

Under the guidance of a great Entity, the Original Semitic Race was led eastward from the continent of Atlantis, over Europe, to the great waste in Central Asia which is known as the Gobi Desert. There it prepared them to be the seed of the seven Races of the Aryan Epoch, imbuing them potentially with the qualities to be evolved by their descendants....now his thoughts were to be turned from the visible Leaders, the Lords from Venus, whom he worshiped as messengers from the gods -- to the idea of the true God, the invisible Creator of the System. Man was to learn to worship and obey the commands of a God he could not see....

Fourfold also are the steps by which man climbs upward to God. First, through fear, he worships the God whom he begins to sense, sacrificing to propitiate Him, as do the fetish-worshipers. Next, he learns to look to God as the giver of all things, and hopes to receive from Him material benefits here and now. He sacrifices through avarice, expecting that the Lord will repay a hundredfold, or to escape swift punishment by plague, war, etc. Next, he is taught to worship God by prayer and the living of a good life; and that he must cultivate faith in a Heaven where he will be rewarded in the future; and to abstain from evil that he may escape a future punishment in Hell. At last he comes to a point where he can do right without any thought of reward, bribe, or punishment, but simply because "it is right to do right." He loves right for its own sake and seeks to govern his conduct thereby, regardless of present benefit or injury, or of painful results at some future time.

The Original Semites had reached the second of these steps. They were taught to worship an invisible God and to expect to be rewarded by material benefits, or punished by painful afflictions. Popular Christianity is at the third step. Esoteric Christians, and the pupils of all occult schools are trying to reach the highest step, which will be generally achieved in the Sixth Epoch, the new Galilee, when the unifying Christian religion will open the hearts of men, as their understanding is being opened now....

To transmute Cunning into Reason proved no easy task. The earlier changes in man's nature had been easily brought about. He could then be led without difficulty because he had no conscious desire, nor mind to guide him, but by the time of the Original Semites he had become cunning enough to resent limitations of his liberty and to circumvent repeatedly the measures taken to hold him in line. The task of guiding him was all the more difficult because it was necessary he should have some liberty of choice, that he might in time learn self-government. Therefore a law was enacted which decreed immediate rewards for obedience and instant punishment for disregard of its provisions. Thus was man taught, coaxed and coerced into reasoning in a limited manner that "the way of the transgressor is hard," and that he must "fear God," or the Leader who guided him.

Out of all who were chosen as "seed" for the new Race, few remained faithful. Most of them were rebellious and, so far as they were concerned, entirely frustrated the purpose of the Leader by intermarrying with the other Atlantean Races, thus bringing inferior blood into their descendants. That is what is meant in the Bible where the fact is recorded that the sons of God married the daughters of men. For that act of disobedience were they abandoned and "lost." Even the faithful died, according to the body, in the Desert of Gobi (the "Wilderness") in Central Asia, the cradle of our present Race. They reincarnated, as their own descendants of course, and thus inherited the "Promised Land," the Earth as it is now. They are the Aryan Races, in whom Reason is being evolved to perfection.

The rebellious ones who were abandoned are the Jews, of whom the great majority are still governed more by the Atlantean faculty of Cunning than by Reason. In them the race-feeling is so strong that they distinguish only two classes of people: Jews and Gentiles. They despise the other nations and are in turn despised by them for their cunning, selfishness and avarice....

Races are but an evanescent feature of evolution. Before the end of the Lemurian Epoch there was a "chosen people," different from the ordinary humanity of that time, who became the ancestors of the Atlantean Races. From the fifth race of those, another "chosen people" was drawn, from which the Aryan Races descended, of which there have been five and will be two more. Before a new Epoch is ushered in, however, there must be "a new Heaven and a new earth"; the physical features of the Earth will be changed and its density decreased. There will be one Race at the beginning of the next Epoch, but after that every thought and feeling of Race will disappear....

[E]xtra care must be taken that as few of the spirits as possible become enmeshed in the fetters of Race. This is exactly what happened to the spirits reborn in the Jewish Race-bodies. They attached themselves so firmly to the Race that they are drawn back into it in successive births. "Once a Jew, always a Jew" is their slogan. They have entirely forgotten their spiritual nature and glory in the material fact of being "Abraham's seed." Therefore they are neither "fish nor flesh." They have no part in the advancing Aryan Race and yet they are beyond those remnants of the Lemurian and Atlantean peoples which are still with us. They have become a people without a country, an anomaly among mankind.

Because of their bondage to the Race-idea, their one-time Leader was forced to abandon them, and they became "lost." That they might cease to regard themselves as separate from other peoples, other nations were stirred up against them at various times by the Leaders of humanity, and they were led captive from the country where they had settled, but in vain. They stubbornly refused to amalgamate with others. Again and again they returned in a body to their arid land. Prophets of their own Race were raised up who mercilessly rebuked them and predicted dire disaster, but without avail.

As a final effort to persuade them to cast off the fetters of Race, we have the seeming anomaly that the Leader of the coming Race, the Great Teacher Christ, appeared among the Jews. This still further shows the compassion and Wisdom of the great Beings who guide evolution. Among all the Races of the Earth, none other was "lost" in the same sense as the Jews; none other so sorely needed help. To send them a stranger, not one of their own Race, would have been manifestly useless. It was a foregone conclusion that they would have rejected him. As the great spirit known as Booker T. Washington incarnated among the Negroes, to be received by them as one of themselves, and thus enabled to enlighten them as no white man could, so the great Leaders hoped that the appearance of Christ among the Jews as one of their own might bring them to accept Him and His teachings and thus draw them out of the meshes of the Race-bodies. But sad it is to see how human prejudice can prevail. "He came unto His own and" they chose Barabbas.

The rejection of Christ by the Jews was the supreme proof of their thralldom to Race. Thenceforth all efforts to save them as a whole by giving them special prophets and teachers, were abandoned and, as the futility of exiling them in a body had been proven, they were, as a last expedient, scattered among all the nations of the earth. Despite all, however, the extreme tenacity of this people has prevailed even to the present day, the majority being yet orthodox. In America, however, there is now a slight falling away. The younger generation is commencing to marry outside the Race. In time, an increasing number of bodies, with fewer and fewer of the Race characteristics, will thus be provided for the incarnating spirits of the Jews of the past. In this manner will they be saved in spite of themselves. They become "lost" by marrying into inferior Races; they will be saved by amalgamating with those more advanced.

As the present Aryan Races are reasoning human beings, capable of profiting by past experience, the logical means of helping them is by telling them of past stages of growth and the fate that overtook the disobedient Jews. Those rebels had a written record of how their Leaders had dealt with them. It set forth how they had been chosen and rebelled; were punished; but were yet hopeful of ultimate redemption. That record may be profitably used by us, that we may learn how not to act....

The Original Semites were set apart and forbidden to marry into other tribes or peoples, but they were a stiff-necked and hard people, being yet led almost exclusively by desire and cunning, therefore they disobeyed the command. Their Bible records that the sons of God married the daughters of man -- the lower grades of their Atlantean compatriots. They thus frustrated the designs of Jehovah and were cast off, the fruit of such cross-breeding being useless as seed for the coming Race.

These cross-breeds were the progenitors of the present Jews, who now speak of "lost tribes." They know that some of the original number left them and went another way, but they do not know that those were the few who remained true. The story of the ten tribes being lost is a fable. Most of them perished, but the faithful ones survived, and from that faithful remnant have descended the present Aryan Races.

-- The Rosicrucian Cosmo-Conception, by Max Heindel

Statistics: Posted by admin — Fri Jul 31, 2015 11:33 am


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2015-07-16T02:29:55+00:00 2015-07-16T02:29:55+00:00 http://survivorbb.rapeutation.com/sbb-bak/viewtopic.php?p=9501#p9501 <![CDATA[Still Videos and Transcripts • Re: Resistance is Useless, by Douglas Adams]]> Screenplay:

[Narrator] Far out, in the uncharted backwaters at the unfashionable end ...
of the Western Spiral arm of the Galaxy ...
lies a small, unregarded, yellow sun.
Orbiting this at a distance of roughly 92 million miles ...
is an utterly insignificant, little, blue-green planet ...
whose ape-descended life-forms are so amazingly primitive ...
that they still think digital watches are a pretty neat idea.
This planet has -- or had -- a problem, which was this --
most of the people living on it were unhappy for pretty much of the time.
Many solutions were suggested for this problem ...
but most of these were largely concerned with the movements of small green pieces of paper, which is odd, because, on the whole ...
it wasn't the small green pieces of paper that were unhappy.
And so the problem remained, and lots of the people were mean. And most of them were miserable, even the ones with digital watches.

[HORNS BLARE]

Many were increasingly of the opinion that they'd all made a big mistake in coming down from the trees in the first place.
And some said that even the trees had been a bad move, ...
and that no one should ever have left the oceans.
And then, one day ...
nearly 2,000 years after one man had been nailed to a tree for saying how great it would be to be nice to people for a change, a girl sitting on her own in a small cafe in Rickmansworth suddenly realized what it was had been going wrong all this time, and she finally knew how the world could be made a good and happy place.
This time it was right, it would work, and no one would have to get nailed to anything.
Sadly, however, before she could get to a phone to tell anyone ...
the Earth was demolished to make way for a hyperspace by-pass ...
and so the idea was lost forever.
Meanwhile, Arthur Dent has escaped from the Earth ...
in the company of a friend of his, who has unexpectedly turned out to be from a small planet somewhere in the vicinity of Betelgeuse, and not from Guildford after all.
His name is Ford Prefect, for reasons which are unlikely to become clear again at the moment, and they are currently hiding in the storeroom of a Vogon spaceship.

[Arthur Dent] What the hell is that?

[Ford Prefect] If we're lucky, it's a Vogon guard come to throw us out into space.

[Arthur Dent] And if we're unlucky?

[Ford Prefect] The Vogon captain might want to read us some of his poetry first.

(ROARING)

[Vogon Captain] Oh, freddled gruntbuggly!
Thy micturitions are to me ...
As plurdled gabbleblotchits on a lurgid bee ...
That mordiously hath bitled out its earted jurtles.

[MOANING AND SCREAMING]

Now the jurpling slayjid agrocrustles
Are slurping hagrilly up the axlegruts ...

[Narrator] Vogon poetry is, of course, the third worst in the Universe.

[POETRY (WORST IN UNIVERSE)
3. VOGONS
(WORST IN UNIVERSE) Thy micturations are to me as plurdled gabbleblotchits on a lurgid bee. Groop I implore thee my foonting turling dromes, and hooptiously dra --]


The second worst is that of the Azgoths of Kria.
During a recitation by their poetmaster Grunthos the Flatulent of his poem:

[PUTTY PUTTY PUTTY
GREEN PUTTY GRUTTY PEEN.]


Ode to a Small Lump of Green Putty I found in my Armpit One Midsummer Morning ...

[ODE TO A SMALL LUMP OF GREEN PUTTY I FOUND IN MY ARMPIT ONE MIDSUMMER MORNING.
GRUNTHOS
(THE FLATULENT)]


four of his audience died of internal haemorrhaging, and the president of the Mid-Galactic Arts Nobbling Council only survived by gnawing one of his own legs off.
Grunthos is reported to have been disappointed by the poem's reception ...

[GRARMPITUTTY – MORNING!
PRIDSUMMER – GRORNING UTTY!
DISCOVERY OH!
PUTTY? … ARMPIT?
ARMPIT … PUTTY
NOT EVEN A PARTICULARLY
NICE SHADE OF GREEN]


and was about to embark on a reading of his 12-book epic entitled "Zen and the Art of Going to the Lavatory" ...

[ZEN AND THE ART OF GOING TO THE LAVATORY
MAJOR INTESTINE
RELAX BODY
RELAX BOWELS
RELAX]


when his own major intestine, in a desperate attempt to save life-kind, leapt straight up through his neck and throttled his brain.

[DO NOT FALL OVER
YOU ARE A CLOUD
YOU ARE RAINING
DO NOT RAIN
WHILST TRAIN
IS STANDING AT A STATION
MOVE WITH THE WIND]


[LIFEKIND
RESCUE
ATTEMPT:
INTESTINE
SUCCESS
FACTOR:
100%]


The very worst poetry of all, and its creator, Paula Nancy Millstone Jennings, of Greenbridge, Essex, England, perished in the destruction of the planet Earth. Vogon poetry is mild by comparison.

[THE DEAD SWANS LAY IN THE STAGNANT POOL
THEY LAY, THEY ROTTED. THEY TURNED
AROUND OCCASIONALLY.
BITS OF FLESH DROPPED OFF THEM FROM
TIME TO TIME.
AND SANK INTO THE POOL’S MIRE.
THEY ALSO SMELT A GREAT DEAL]


[AGONISED MOANING]

[Vogon Captain] Now the jurpling slayjid agrocrustles
Are slurping hagrilly up the axlegrurts
And living glupules frart and slipulate
Like jowling meated liverslime.
Groop I implore thee ...
My frooting turling dromes
And hooptiously drangle me with crinkly bindlewurdles ...
Or else I shall rend thee in the gobberwarts with my blurglecruncheon
See if I don't!
So, Earthlings ...

[Ford Prefect] I'm not an Earthling.

[Vogon Captain] Quiet! I present you with a simple choice. Think very carefully, for your very lives lie in your hands.
Now choose! Either die in the vacuum of spac,e or tell me how good you thought my poem was.

[Arthur Dent] I liked it.

[Ford Prefect] Huh?

[Arthur Dent] Oh, yes. I thought some of the metaphysical imagery was really particularly effective.

[Vogon Captain[ Yes?

[Arthur Dent] Oh, and interesting ... rhythmic devices ... which seemed to counterpoint the, er ...

[Ford Prefect] Counterpoint the surrealism of the underlying metaphor of the, er ...

[Arthur Dent] The Humanity ...

[Ford Prefect] Vogonity ...

[Arthur Dent] Vogonity, sorry! Of the poet's compassionate soul, which strives through the medium of the verse structure to sublimate this, transcend that, and come to terms with the fundamental dichotomies of the other ...
and one is left with a profound and vivid insight into ... into ...

[Ford Prefect[ Into whatever the poem was about. That was very good.

[Vogon Captain] So, what you are saying is that I just write poetry ...
because underneath my mean and callous, heartless exterior, I just want to be loved, is that it?

[Ford Prefect] Well, I mean, yes, don't we all, deep down, underneath, you know?

[Vogon Captain] No! You're completely wrong.
I write poetry just to throw my mean, callous, heartless exterior into sharp relief. I'm going to throw you off the ship anyway. Guard! Take the prisoners to number 3 airlock and throw them out.

[Ford Prefect] This is great! This is really terrific!

[Arthur Dent] Ow! Let go of me, you brute!

[Ford Prefect] Don't worry -- I'll think of something.

[Vogon Guard] Resistance is useless!

[Arthur Dent] What is all this, Ford? I woke up this morning, thought I'd have a nice, relaxed day, do a bit of reading, brush the dog. It's just now after 4:00 in the afternoon, and I'm already being thrown out of an alien spaceship five light years from the smoking remains of the Earth.

[Ford Prefect] Alright, just stop panicking!

[Arthur Dent] Who said anything about panicking?
This is just culture shock! Wait till I've settled down and found my bearings! Then I'll start panicking!

[Ford Prefect] Arthur, you're getting hysterical! Shut up!

[Vogon Guard] Resistance is useless!

[Ford Prefect] And you!

[Vogon Guard] Resistance is useless!

[Ford Prefect] Aw, give it a rest! Do you enjoy this sort of thing?

[Vogon Guard] What? What do you mean?

[Ford Prefect] I mean, does it give you a full, satisfying life?

[Vogon Guard] Full, satisfying life?

[Ford Prefect] Yeah, stomping around, shouting, pushing people off spaceships.

[Vogon Guard] Well, the hours are good!

[Ford Prefect] They'd have to be!

[Arthur Dent] Ford, what are you doing?

[Ford Prefect] [To Arthur] Shh! [To Vogon Guard] So, the hours are good, are they?

[Vogon Guard] Yeah. But now you come to mention it, most of the actual minutes are pretty lousy. Except some of the shouting I quite like. RESISTANCE ... !

[Ford Prefect] Sure, yes, you're good at that, I can tell. But if the rest of it is so lousy, why do you do it? The girls?
The rubber? The machismo?

[Vogon Guard] Oh, I don't know, really. I think I just sort of ... do it. You see, my aunt said that spaceship guard was a good career for a young Vogon, you know: the uniform, the low-slung stun-ray holster, mindless tedium.

[Arthur Dent] Ford, this guy's half-throttling me!

[Ford Prefect] Yeah, but try and understand his problem. Here he is, poor guy, his entire life is spent stamping around, pushing people off spaceships ...

[Vogon Guard] And shouting ...

[Ford Prefect] Yeah, and shouting! Yeah! And he doesn't even know why he's doing it.

[Arthur Dent] Oh, poignant, very poignant!

[Vogon Guard] Oh, put it like that ...

[Ford Prefect] Good lad.

[Vogon Guard] All right, but what's the alternative?

[Ford Prefect] Well, stop doing it of course! Tell them you're not going to do it any more. Stand up to them!

[Vogon Guard] Doesn't sound that great to me!

[Ford Prefect] Oh, but that's just the start. There's more to it than that, you see ...

[Vogon Guard] No, if it's all the same to you, I think I'll just get you two shoved out ...
and then get on with some other piece of shouting I've got to do. RESISTANCE IS USELESS!

[Ford Prefect] But come on now, look!

[Arthur Dent] Ow! Stop that!

[Ford Prefect] Hang on! There's music and art and things to tell you about yet!

[Vogon Guard] I think I better just stick to what I know, thanks ...
but thanks for taking an interest.

[Arthur Dent] I've got a headache! I don't want to go to heaven with a headache! I'll be all cross, and I won't enjoy it.

[Ford Prefect] Look. There's a whole world you know nothing about. Now listen. How about this ...?
(he hums Beethoven's Fifth) Doesn't that stir anything in you?

[Vogon Guard] No. Bye.
I'll tell my aunt what you said.

[CLANG!]

[Ford Prefect] Potentially bright lad, I thought.

[Vogon Guard] (He hums Beethoven's Fifth) Nah!

[Arthur Dent] We're trapped now, aren't we?

[Ford Prefect] Yeah, we're trapped.

[Arthur Dent] Well, didn't you think of anything?

[Ford Prefect] Yeah.

[Arthur Dent] What?

[Ford Prefect] Unfortunately, it involved being on the other side of this hatchway.

[Arthur Dent] So that's it? We're going to die?

[Ford Prefect] Yeah. Except ... no! Wait a minute! What's this switch?

[Arthur Dent] What? Where?

[Ford Prefect] No, I was only fooling. We're going to die after all.

[Arthur Dent] You know, it's at times like this, when I'm stuck in a Vogon airlock with a man from Betelgeuse about to die of asphyxiation in deep space, that I really wish I'd listened to what my mother told me when I was young.

[Ford Prefect] Why? What did she tell you?

[Arthur Dent] I don't know ... I didn't listen.

[Ford Prefect] Terrific.

[WHOOSH!]

[Vogon Captain] "Counterpoint the surrealism of the underlying metaphor"! Huh! Death's too good for them!

Statistics: Posted by admin — Thu Jul 16, 2015 2:29 am


]]>
2015-06-26T07:08:10+00:00 2015-06-26T07:08:10+00:00 http://survivorbb.rapeutation.com/sbb-bak/viewtopic.php?p=8945#p8945 <![CDATA[Still Videos and Transcripts • Re: Hannah Arendt, directed by Margarethe von Trotta]]>
Directed by MARGARETHE VON TROTTA

Screenplay by: PAM KATZ, MARGARETHE VON TROTTA

Produced by: BETTINA BROKEMPER, JOHANNES REXIN

Co-Producer: BADY MINCK, ALEXANDER DUMREICHER-IVANCEANU, ANTOINE DE CLERMONT-TONNERRE, SOPHIE DULAC, MICHEL ZANA, DAVID SILBER

Line Producer: SASCHA VERHEY, RUDIGER JORDAN

Director of Photography: CAROLINE CHAMPETIER, A.F.C.

Casting Director: SUSANNE RITTER

Casting: JOHN HUBBARD, ROS HUBBARD

Production Design: VOLKER SCHAEFER

Costume Design: FRAUKE FIRL

Make Up and Hair Design: ASTRID WEBER

Editor: BETTINA BOHLER

Original Music by: ANDRE MERGENTHALER

Sound Recordist: MICHAEL BUSCH

Sound Design: GREG VITTORE

Dialogue Editor: RAINER HEESCH

Re-Recording Mixer: MICHAEL KRANZ

Historical Research: MANFRED BREUERSBROCK

Dramatic Advisor: MARTIN WIEBEL

Commissioning Editors: BETTINA REITZ (ARD DEGETO), HANS-WOLFGANG JURGAN (ARD DEGETO), BIRGIT TITZE (ARD DEBETO), CORNELIA ACKERS (BR), MICHAEL ANDRE (WDR)

Cast in Order of Appearance

Hanah Arendt: BARBARA SUKOWA

Mary McCarthy: JANET MCTEER

Lotte Kohler: JULIE JENTSCH

Heinrich Blucher: AXEL MILBERG

News Speaker: TIMOTHY LONE

Frances Wells: MEGAN GAY

William Shawn: NICHOLAS WODDESON

Jonathan Schell: TOM LEICK

Hans Jonas: ULRICH NOETHEN

Student Enrico: NILTON MARTINS

Student Laureen: LEILA SCHAUS

Thomas Miller: HARVEY FRIEDMAN

Charlotte Beradt: VICTORIA TRAUTTMANSDORFF

Lore Jonas: SASCHA LEY

Young Hannah Arendt: FRIEDERIKE BECHT

Young Hans Jonas: FRIDOLIN MEINL

Kurt Blumenfeld: MICHAEL DEGEN

Jenny Blumenfeld: SHOSHANA SHANI-LAVIE

Rahel Blumenfeld: ELIANA SCHEJTER

Rafael Blumenfeld: PINI TAVGER

Franz Bruckner: PATRICK HASTERT

Jeckes: GAD KAYNAR

Freddy: CLYDE PRESCOD

Martin Heidegger: KLAUS POHL

Student Peter: PITT SIMON

Elisabeth: MARIE JUNG

Student Jerry: JEREMY MOCKRIDGE

Hotel Receptionist: FELIX MOELLER

Lionel Abel: JOEL KIRBY

Norman: MATTHIA BUNDSCHUH

Mrs. Serkin: CLAIRE JOHNSTON-CAULDWELL

Moderator: RALPH MORGENSTERN

Seigfried Moses: GERMAIN WAGNER

Professor Kahn: GILBERT K. JOHNSTON

Professor: ALEXANDER TSCHERNEK

***

Produced by
Cornelia Ackers ... commissioning editor
Michael André ... commissioning editor
Bettina Brokemper ... producer
Antoine de Clermont-Tonnerre ... co-producer
Sophie Dulac ... co-producer
Alexander Dumreicher-Ivanceanu ... co-producer
Rüdiger Jordan ... line producer
Hans-Wolfgang Jurgan ... commissioning editor
Bady Minck ... co-producer
Micki Rabinovich ... line producer: Israel (as Micky Rabinovitz)
Johannes Rexin ... producer
Sabine Schenk ... line producer: New York
David Silber ... co-producer
Birgit Titze ... commissioning editor
Sascha Verhey ... line producer
Michel Zana ... co-producer Music by
André Mergenthaler Cinematography by
Caroline Champetier ... director of photography Film Editing by
Bettina Böhler Casting By
Susanne Ritter Production Design by
Volker Schäfer ... (as Volker Schaefer) Art Direction by
Anja Fromm Set Decoration by
Petra Klimek Costume Design by
Frauke Firl Makeup Department
Bar Barak ... additional makeup artist: Israel
Antje Bockeloh ... hair stylist / makeup artist
Carmit Buzaglo ... additional makeup artist: Israel
Dorit Cohen ... additional makeup artist: Israel
Sigalit Grau ... additional makeup artist: Israel
Nadia Homri ... hair stylist / hair stylist: Crowd Supervisor / makeup artist
Carla Hovenbitzer ... additional hair stylist / additional makeup artist
Ziv Katanov ... makeup artist: Israel
Erwin H. Kupitz ... wigs
Olga Mataisan ... hair stylist: Israel
Sabine May ... additional hair stylist / additional makeup artist
Lisa Meier ... additional hair stylist / additional makeup artist
Katrin Paas ... additional hair stylist / additional makeup artist
Leila Schumacher ... additional hair stylist / additional makeup artist
Katrin Silbernagel ... additional hair stylist / additional makeup artist
Karen Ben Simhom ... additional makeup artist: Israel
Maria Torfeld ... makeup artist: New York
Caroline Torschew ... additional hair stylist / additional makeup artist
Astrid Weber ... hair designer / makeup designer Production Management
André Fetzer ... production manager
Philipp Reimer ... unit manager
Niko Remus ... post-production supervisor
Laura Einmahl ... unit manager (uncredited) Second Unit Director or Assistant Director
Diana Briant ... second assistant director
Ralph Eisenmann ... additional first assistant director (as Ralk Eisenmann)
Victoria Haen ... second second assistant director: Israel
Marcel Just ... first assistant director
Andreas Kutscher ... third assistant director
Corinne Le Hong ... additional first assistant director
Anne Esther Meyer ... assistant director trainee
Christian Musolff ... third assistant director
Eyal Oberwerger ... second assistant director: Israel Art Department
Boris Bartholomäus ... construction manager
Lkaus Bienen ... stand-by carpenter
Paul Biwer ... stand-by props
Uli Boettcher ... set dresser
Angela Castro ... painter
Hughes de Maere ... carpenter (as Hugues de Maere)
Hannes Dücker ... set dresser
Tobias Dücker ... set dresser
Jenny Echelmeyer ... set dresser
Simon Empt ... set dresser
Mary Fellows ... art department consultant: New York (as Marry Fellow)
Thomas Ferrandis ... carpenter
Joachim Grundmann ... studio rigging
Frank Halbe ... construction coordinator
Barbara Hartwich ... set dresser
Jürgen Heinen ... construction
Beatrice Jansen ... assistant set decorator
Dorit Janssen ... graphics trainee
Nele Jordan ... assistant production designer
Franziska Kettmann ... art department trainee
Oliver Koch ... set dresser
Daniel Kolarov ... property master
Frinn Lorenz ... carpenter
Delphine Marconato ... painter trainee
Royi Marcos ... assistant art department: Israel
François Mast ... carpenter (as Francois Mast)
Sacha Milutinovic ... stand-by props
Gaby Mocaer ... painter (as Gabi Mocaer)
Bernd Nagel ... painter
Itzik Nofar ... construction coordinator: Israel
Chen Ohayon ... assistant set dresser: Israel
Simone Paintner ... painter
Alessandro Palestro ... assistant set decorator
Paddy Patterson ... carpenter
Daniel Peeck ... property handler / stand-by carpenter
Kim Reding ... painter
Achim Reimann ... painter
Walter Reinhard ... construction
Julie Ridremont ... painter
Luc Ridremont ... carpenter
Marc Ridremont ... painter
Kuli Sander ... art director: Israel (as Kuly Sander)
Lorenzo Sartor ... carpenter
Dieter Schmidt ... carpenter
Manolo Schor ... on-set props: Israel (as Manuel Schor)
Iftach Shapira ... assistant set dresser: Israel
Heike Steen ... additional props design
Uli Tegetmeier ... property designer
Ulrike Veit ... graphic designer
Fabian Verdeur ... painter
Christian Weber ... construction foreman
Arie Weiss ... property master: Israel
Gabriele Winzen ... chief painter (as Gabriele Wintzen)
Dominik Wipperfürth ... construction manager
Petra Maria Wirth ... draftswoman (as Petro-Maria Wirth)
Eli Zioni ... set dresser: Israel (as Eli Zion) Sound Department
Adrian Baumeister ... dialogue editor
Michael Busch ... sound recordist
Yoav Damti ... boom operator: Israel
Dominic Fitzgerald ... foley editor (as Domenic Fitzgerald)
Günther Friedhoff ... adr recordist (as Günter Friedhoff)
Babette Fürbringer ... sound stage: Cine Postproduction Munich
Sebastian Gassner ... sound stage: Cine Postproduction Munich
Manfred Gläser ... sound stage: Cine Postproduction Munich
Rainer Heesch ... dialogue editor / supervising dialogue editor / supervising sound editor
Oliver Held ... boom operator
Andreas Hemberger ... sound stage: Cine Postproduction Munich (as Andi Hemberger)
Beatrix Hengefeld ... adr studio: FFS Synchron
Tatjana Jakob ... adr editor
Simone Jung ... additional boom operator
Jörg Kaiser ... boom operator
Michael Kranz ... sound re-recording mixer
Thomas Lüdemann ... adr supervisor
Stefan Maiss ... sound stage: Cine Postproduction Munich
Raoul Nadalet ... sound design consultant
Rudi Neuber ... sound stage: Cine Postproduction Munich
Roland Platz ... foley artist / foley editor
Laura Plock ... foley editor
Abi Schneider ... sound stage: Cine Postproduction Munich
Peter Schumann ... adr studio: FFS Synchron
Alon Shapira ... boom operator: Israel
Greg Vittore ... sound designer
Wolfi Müller ... sound stage assistant (uncredited)
Uwe Zillner ... foley recordist (uncredited) Visual Effects by
Sebastian Demuth ... visual effects artist: Scope FX Cologne
Beatrix Herling ... visual effects artist: Scope FX Cologne
David Horbach ... visual effects: Espera Productions
Samuel Jørgensen ... visual effects artist: Scope FX Cologne (as Samuel Jorgensen)
Claude Kongs ... visual effects: Espera Productions
Thomas Loeder ... visual effects supervisor: Scope FX Cologne
Katja Müller ... additional visual effects: ARRI Munich
Raoul Nadalet ... visual effects: Espera Productions
Oliver Nikelowski ... visual effects artist: Scope FX Cologne
Paul Poetsch ... additional visual effects: ARRI Munich
Roger Richards ... visual effects artist: Scope FX Cologne
Arnold Sakowski ... visual effects producer: Scope FX Cologne
Andrea Theel ... visual effects artist: Scope FX Cologne
Dominik Trimborn ... additional visual effects: ARRI Munich
Jan Herms ... special visual effects unit (uncredited) Stunts
Ernst Reimann ... stunt coordinator
Evangelos Grecos ... stunt player (uncredited) Camera and Electrical Department
Gidon Albert ... additional electrician: Israel
Frédéric André ... camera equipment: TSF
Tom Ashuach ... best boy grip: Israel (as Tom Ashauch)
Matthias Baeumer ... best boy (as Matthias Bäumer)
Henning Battenfeld ... electrician assistant
Shimon Belfer ... gaffer: Israel (as Simon Belfer)
Liad Berger ... grip: Israel
Sezar Berger ... best boy: Israel (as Ceasar Birger)
James Carman ... plates photographer: New York
Nissim Chefetz ... additional grip: Israel
Alex Cohen ... additional electrician: Israel
Thierry de Segonzac ... camera equipment: TSF
Lior Etrogy ... additional grip: Israel (as Lior Etrogi)
Malki Firer ... video assistant: Israel
Sergei Franklin ... steadicam operator: New York
Hugo 'Lata' Gouveia ... additional electrician
Stefan Grabner ... electrician
Friedhelm Frett Holstein ... additional electrician (as Frett Holstein)
Christian Hölscher ... additional electrician
Daniel Kaluzshky ... additional grip: Israel (as Daniel Kaluzhsky)
Shlomo Kiper ... electrician: Israel
Vitalijus Kiselius ... additional electrician
Tobias Klauke ... second camera operator
Véronique Kolber ... still photographer
Olivier Koos ... electrician assistant
Michael Kopietz ... video assistant
Thomas Korda ... steadicam operator
Robert Lau ... second assistant camera: New York (as Rob Lau)
Knut Maier ... light/grip equipment: Maier Bros.
Philippe Manderscheid ... video assistant
Yana Mitnik ... additional electrician: Israel (as Yana Mitnick)
Eitan Mizrahi ... additional grip: Israel
David Moreira ... electrician assistant
Patrick Muller ... still photographer
Sandrine 'Alex' Neumüller ... additional electrician
Robert Patzelt ... steadicam operator
Thierry Ramanana ... best boy grip
Bruno Raquillet ... second assistant camera
Jean-François Roqueplo ... key grip
Marco Sales ... additional electrician
Claus Scheipers ... additional electrician
Arne Schriever ... additional grip
Amiram Snir ... additional electrician: Israel
Christian Stelling ... additional electrician
Carlo Thiel ... first assistant camera
Yves Philippe Jean Vaucher Antuña De Cocañin ... additional electrician
Grube Venn ... gaffer (as Klaus 'Grube' Venn)
Sebastian Volk ... camera: second unit
Robert Will ... video assistant Casting Department
Yael Aviv ... casting: Israel
Colleen Blake ... casting: Luxembourg
John Hubbard ... casting
Ros Hubbard ... casting
Meredith Jacobson ... casting: New York (as Meredith Jacobsen)
Angi Peters ... extras casting
Diana Briant ... extras casting (uncredited)
Martin Ware ... casting assistant (uncredited) Costume and Wardrobe Department
Balti Arcadi ... additional wardrobe: Israel
Yaron Arye ... wardrobe: Israel
Ane Bremer ... wardrobe
Jennifer Bublitz ... costume trainee
Michal Dor ... wardrobe: Israel
Rona Doron ... costume designer: Israel
Nicole Duque-Hansmann ... second costume assistant
Ifat Kanfi ... additional wardrobe: Israel
Trü Kobusch ... costume assistant
Carolin Kopietz ... additional wardrobe
Anika Kranz ... additional wardrobe
Daniela Szczodrok ... costume trainee
Angela Wendt ... wardrobe consultant: New York
Sarah Wüthrich ... wardrobe Editorial Department
Linda Ellwanger ... film lab: ARRI Munich
Denis Faupel ... avid support
Erhard Giesen ... on-line rushes: Farbkult
Hans Hohenwarther ... film lab: ARRI Munich
Markus Klaff ... digital lab: ARRI Cologne
Christian Littmann ... film lab: ARRI Munich
Günther Mairiedl ... on-line editor
Dirk Meier ... digital colorgrading
Franz Rabl ... film lab: ARRI Munich (as Frans Rabi)
Angela Reedwisch ... film lab: ARRI Munich
Josef Reidinger ... film lab: ARRI Munich
Timon Relitzki ... avid support
Niko Remus ... digital rushes grading
Mark Russell ... assistant editor
Martin Schwertführer ... film lab: ARRI Munich
Undine Simmang ... edit suite: Cine Plus Cologne
Martin Sippel ... film lab: ARRI Munich
Sascha Stiller ... film lab: ARRI Munich
Beate Trathnigg ... film lab: ARRI Munich
Manfred Turek ... digital colorgrading Transportation Department
Ilan Appel ... production driver: Israel
Robert Braun ... driver: props
Ralf Christiansen ... production driver
David Friedewald ... production driver
Marian Gallo ... production driver
Andrè Haskamp ... driver: props
Bernard Heider ... production driver
Evyatar Karavani ... production driver: Israel
Dominik Leurs ... production driver
Michael Roberts ... production driver
Rubey Star ... transportation manager: Israel (as Ruby Star)
Florian Wagner ... driver: props
Günter Warnke ... production driver
Eli Zioni ... action vehicles: Israel (as Eli Zion)
Nicolai Schah ... driver: props (uncredited) Other crew
Ayala Aroyo ... production assistant: Israel
Slonim Ashkenazi ... insurance broker
Eli Aspan ... accountant: Israel
Tanja Baum ... travel agent
Maria Bevacqua ... craft service
Manfred Breuersbrock ... historical research
Andreas Brey ... financing: DZBank
Nuno Fernando De Almeida Cardoso ... set runner (as Nuno Cardoso)
Gilda Cavazza ... production coordinator
Franck Celton ... accountant
Zvika Chen ... location manager: Israel (as Zvika Haen) / location scout: Israel (as Zvika Haen)
Asli Ciyow ... production assistant
Marco Claude ... auditor: Grant Thornton Luxaudit
Christophe Clavert ... assistant to producers
Mario Filipe Cruz ... set runner (as Ma*aacute;rio Filipe Cruz)
Sandor Czirjak ... horse wrangler
Ohad Domb ... assistant location manager: Israel
Patrick Eaton ... production assistant: New York
Martin Eichhorn ... titles: PAQT
Silke Christina Engler ... script/continuity
Mirjam Erdem ... production assistant
Silke Erhan ... auditor: PWC Germany
Laura Ettel ... assistant to producers
Sara Fischer ... assistant to producers
Iftach Gabay ... camp manager: Israel (as Iftach Gabbay)
Amit Goodman ... camp worker: Israel
Franz Gossler ... insurance broker
Alain Gross ... legal advisor: Amour Fou
Spartek Hamis ... camp worker: Israel (as Spartak Hamis)
Maria Herpich ... production coordinator
Sascha Heyar ... set runner
Will Jackson ... production assistant: New York
Rüdiger Jordan ... location scout: Germany, Cinematic Places
Geraldine Jourdan ... assistant to producers (as Géraldine Jourdan-Blain)
Claudia Coreen Kaiser ... production controller
Michel Kasel ... insurance broker
Uria Kedem ... camp worker: Israel
Anya Kirzner ... water girl: Israel
Nina Kunze ... production trainee / set runner
David Armati Lechner ... production assistant
Johannes Lehmann ... tax advisor
Steve Mannes ... location assistant
Rodolfo Mantovani ... set runner (as Rodolfo Mantovani Pazini)
Andra Maria Matresu ... assistant accountant
Marc Meyers ... financing: Banque Internationale a Luxembourg
Michael Naguib ... travel agent
Denis Nikolaev ... camp worker: Israel
Alfred Noll ... legal advisor: Amour Fou (as Alfred J. Noll)
Christian Pannrucker ... location manager / location scout: Luxembourg
Heike Panzer ... craft service
Paulo Perreira ... security
Nuno Pimenta ... set runner (as Nino G. B. Pimenta)
Dirk Poppendieck ... legal advisor: Heimatfilm (as Dr. Dirk Poppendieck)
Sebastian Püttner ... assistant to producers
Oliver Rebling ... accountant
Jan Recht ... set assistant
Bob Reding ... location assistant (as Bob Luc Reding)
Nickolas Rodwell ... set runner
Sven Rosenkranz ... set manager
Karen Rudolph ... public relations: Germany
Pablo Sanchez ... tax advisor
Khalil Sarr ... security
Robert Schlungs ... assistant location manager
Sindy Schmeisser ... financing: DZ Bank
Lies Schumandl ... production controller
Evelyne Schweitzer ... production administrator
Sixt Shlomo ... car rental: Car Motion Service
Maria Sobecki-Grimm ... cook
Ute Springer ... public relations: Luxembourg
Laure Stachnik ... legal advisor: Amour Fou
Claudia Stanetty ... production controller
Nikolaj Stavenhagen ... cook
Keren Sternfeld ... script supervisor: Israel
Frank Stoltz ... financial consultant: KPMG
Isa Streppel ... production assistant
Christoph Szonn ... auditor: LFA Bayern
Carlos Miguel Talhhadas Angelos ... security
Désirée Thilgen ... accountant (as Desirée Thilges)
Jean Edmond Cédric Tinancourt ... security
Didier Vitry ... location assistant
Martin Wiebel ... dramatic advisor
Michal Wintroib ... production coordinator: Israel
Ramona Wolff ... set runner
Tali Yaakov ... assistant to producer: Israel
Christiane Zietzer ... location manager
Jim Dobson ... publicist (uncredited)

Statistics: Posted by admin — Fri Jun 26, 2015 7:08 am


]]>
2015-06-26T07:07:49+00:00 2015-06-26T07:07:49+00:00 http://survivorbb.rapeutation.com/sbb-bak/viewtopic.php?p=8944#p8944 <![CDATA[Still Videos and Transcripts • Re: Hannah Arendt, directed by Margarethe von Trotta]]>
[Lionel Abel] And did you read the book? You read it? I can't believe it. I bet she doesn't even show up.

[Professor Thomas Miller] The worst mistake was to criticize the Jews ...
while the mass murderer was sitting there in the dock.

[Lionel Abel] Yeah, and to describe this murderer as a clown.
A foolish little servant of Hitler who didn't have a mind of his own.

[Professor Thomas Miller] And yet she says he's normal.

[Norman Podhoretz] That's Hannah Arendt. All cleverness and no feeling.

[Professor Thomas Miller] I love that line in your article, Norman.
I trust you've all read Norman's incisive rebuttal.
What's it called?

[Norman Podhoretz] "The Perversity of Brilliance."

[Professor Thomas Miller] "The Perversity of Brilliance." You were more fair than she had any right to expect.
Now, of course, she's shocked.

[Norman Podhoretz] Oh, nonsense. She lives for such intellectual sensations.
And she's far too smart not to realize the scandal she would provoke ...
by attacking the Jewish leaders.

THE TITANIC SHAME OF THE ZIONIST TRANSFER AGREEMENT

[Boy] What are we doing, Mommy?

[Mother] We're just waiting, dear.
When they're finished putting the first-class people in the boats ...
they'll start with us and we'll want to be all ready, won't we?

-- Titanic, directed by James Cameron


[Professor Thomas Miller] Exactly.

[Jonathan Schell] Last time we met, you were begging her to teach at your department.

[Professor Thomas Miller] Well, won't make that mistake again.

[William Shawn (1907-1992)] You're all treating Hannah Arendt like a suspect in a police court ...
instead of a respected political thinker.

[Lionel Abel] Please, Bill, no one has attacked Hannah Eichmann's character.

[Mary McCarthy (1912-1989)] [To Lionel Abel] Your review of Hannah's work proves that you're too hysterical ...
to write a single coherent sentence.
And that charming little slip of the tongue proves that Lionel has lost his power of speech as well.

[Norman Podhoretz] You're so smitten with Arendt's European pretensions.
She could defend Himmler himself, and you'd go along.

[Mary McCarthy (1912-1989)] Oh, down, Norman. Down. Your fangs are showing.

[Jonathan Schell] Almost no one here has even read the articles.

[Mrs. Serkin] Some of us tried, but couldn't bear to go on.

[Mary McCarthy (1912-1989)] Well, of course you couldn't. Hannah doesn't write soap operas.

[Norman Podhoretz] And, of course, it would be too much to expect Ms. Arendt ...
to report on Eichmann's actual trial.
She had to come up with something more interesting than that.

[Lionel Abel] Who does she think she is? Aristotle?

[Professor Miller, Norman and Lionel Abel] [Laughing]

[Mary McCarthy (1912-1989)] Unlike all of you, Hannah was actually forced into exile.
She was held in a brutal detention camp.
Isn't it admirable that she is the only one ...
who can discuss this subject without beating her breast?

[Norman Podhoretz] And why do you think that is? Because she's smarter than people with feelings?

"Religion of the heart"

Religion mated with German nationalism in the eighteenth century and produced a fever in the people called Pietism. Schleiermacher had been visited by this fever in his youth, and although he forged his own path as a theologian and philosopher, he said his ideas remained closest to this "religion of the heart." To Schleiermacher, the highest form of religion was an "intuition" (Anschauung) of the "Whole," an immediate experience of every particular as part of a whole, of every finite thing as a representation of the infinite. This was the perfect theology for an age of nature-obsessed Romanticism, and at times Schleiermacher's rhetoric, adorned with organic metaphors of the whole derived from nature, shaded into pantheism and mysticism. By 1817, he most certainly infected Karl Jung with it, as he did that entire generation of young patriots through his sermons, his writings, and especially his revisions of the Reformed Protestant liturgy, making it more simple, festive, and Volkish. Additionally, in the decade before he met Jung, he had published translations of Plato and, by his own admission, had become quite influenced by Platonism. This, too, must be remembered when we fantasize about what the older spiritual adviser imparted to the enthusiastic young convert.

German Pietism was loosely related to contemporaneous religious movements, such as Quakerism and enthusiastic Methodism in England and America and Quietism and Jansenism in France. Pietism, however, was to play a key role in developing Volkish self-consciousness and a sense of nation in the politically fragmented German lands. In the spirit of Luther, Pietism was born of disgust with orthodoxies, dogmas, and church hierarchies in the traditional Protestant denominations, making it a form of radical Lutheranism. Pietists dared to question authority and to be suspicious of foreign interpreters of Christianity. They called it a Herzensreligion, a "religion of the heart," a spiritual movement that emphasized feeling, intuition, inwardness, and a personal experience of God. [15] The function of thinking, indeed reason itself, was disparaged and could not be trusted. To experience God, the intellect must be sacrificed. (For example, according to Count Nikolaus Ludwig von Zinzendorf, a prominent eighteenth-century Pietist who influenced Schleiermacher and twentieth-century figures Rudolph Otto and Hermann Hesse, only atheists attempted to comprehend God with their mind; the True sought revelation.)

Pietists' mystical enthusiasm is reflected in some of their favorite incendiary metaphors for their ecstatic experiences. It was the fire of the Holy Spirit that must burn within; indeed, it was often said that "the heart must burn." They emphasized the burning experience of "Christ within us" instead of the inanimate, automatic belief in the dogma of a "Christ for us." Such subtle distinctions had profound implications for German nationalism, for the belief arose in the feeling of group identity bound by common inner experience, a mystical blood-union of necessity, rather than as something external existing for an individual. Hence, the Pietist emphasis on service to others as a method of serving God.

Prussia, the most absolutist of the many German political entities, welcomed the Pietists to Berlin. Attracted to Pietism's rejection of the Lutheran clerical hierarchy -- which threatened the overriding legitimacy of the state -- the eighteenth-century rulers of Prussia adopted Pietism's religious philosophy and offered sanctuary to many of its exiled leaders. As populist movements, Pietism and pan-German nationalism were as threatening to the royal rulers of the dozens of German states as to Lutheran clerics, for they challenged the political status quo. Prussia, however, as the strongest of the German states, already presaged its manifest destiny as the unifier of Germany, and so its short-term goals coincided with those of such movements. Nicholas Boyle, one of Goethe's biographers, described the immense significance of this convergence of affinities for the next two centuries of German religious life and political history:

The particular feature of Pietism which makes it of interest to us is its natural affinity for state absolutism. A religion which concentrates to the point of anxiety, not to say hypochondria, on those inner emotions, whether of dryness or abundance, of despair or of confident love of God, from which the individual may deduce the state of his immortal soul; a religion whose members meet for preference not publicly, but privately in conventicles gathered round a charismatic personality who may well not be an ordained minister; a religion who disregards all earthly (and especially all ecclesiastical) differentiation of rank, and sees its proper role in the visible world in charitable activity as nearly as possible harmonious with the prevailing order ... such a religion was tailor-made for a state system in which all, regardless of rank, were to be equally servants of the one purpose; in which antiquated rights and differentiae were to be abolished; and in which ecclesiastical opposition was particularly unwelcome, whether it came from assertive prelates or from vociferous enthusiasts unable to keep their religious lives to themselves.

By the middle of the eighteenth century, German nationalism had become so intertwined with Pietism that the literature of the time blurs distinctions between inner and outer Fatherlands. The "internalized Kingdom of Heaven" became identical with the spiritual soil of the German ancestors, a Teutonic "Land of the Dead." In these patriotic religious tracts the sacrificial deaths of Teutonic heroes such as Arminius (Hermann the German, who defeated the Romans in the Teutoberg forest) and the mythic Siegfried are compared to the crucifixion of Christ, thus equating pagan and Christian saviors. By the early 1800s, this identity became even more explicit. To Ernst Moritz Arndt, the subjective experience of the "Christ within" was reframed in German Volkish metaphors. In his 1816 pamphlet Zur Befreiung Deutschlands ("On the Liberation of Germany"), Arndt urged Germans, "Enshrine in your hearts the German God and German virtue." They did. By the end of the nineteenth century the German God had reawakened and was moving to reclaim his throne after a thousand-year interregnum.

The primary literature of Pietism consisted of diaries and autobiographies, most driven by the psychological turn inward so valued as the path to reaching the kingdom of God. These confessional texts emphasize the spiritual evolution of the diarist. Each account peaks dramatically with the description of what Schleiermacher called the "secret moment," the tremendous subjective experience that completely changed the life course of an individual and became the central, vivid milestone of his or her faith. This experience was known as the Wiedergeburt, the "rebirth" or "regeneration." Sometimes this experience was preceded or accompanied by visions. Several of the more famous texts, such as the autobiography of Heinrich Jung-Stilling, became part of the canon read by educated nineteenth-century Germans.

Several of these spiritual autobiographies were in the library in C. G. Jung's household when he was growing up, and he cites some of them (such as the work of Jung-Stilling) in MDR and in his seminars. While MDR is highly unlike usual biographies or autobiographies, its story of Jung's spiritual journey is similar in many ways to the Wiedergeburt testimonies of the Pietists. MDR is indeed the story of Jung's rebirth, but the book diverges from the tradition in one uncanny respect: Rather than recording the renewal of Jung's faith as a "born-again Christian," MDR is a remarkable confession of Jung's pagan regeneration.

-- The Aryan Christ: The Secret Life of Carl Jung, by Richard Noll


[Mary McCarthy (1912-1989)] Well, in your case, Norman, being smarter is easy.
She's more courageous than you are.

[Moderator] Ladies and gentlemen,
there will be plenty of time for discussion after our speakers have presented.
Settle down so we can begin.

[Everybody sits down]

[Hannah Arendt] [Walking in the woods]

[Vehicle approaching]
[Veers towards her and comes to a screeching stop]

[Hannah Arendt] [Gasps]

[Siegfried Moses (1887-1974)] Ms. Arendt?

[Hannah Arendt] Siegfried!

[Siegfried Moses (1887-1974)] You remember me?

[Hannah Arendt] [In German] Of course.
You were in Kurt Blumenfeld's Zionist group in Berlin.

[Siegfried Moses (1887-1974)] [In English] It's hard to believe that you were once a Zionist.

[Hannah Arendt] The Israeli secret service didn't send you to discuss my youthful folly.

[Siegfried Moses (1887-1974)] I'm here to request that you stop the publication of your book about Adolf Eichmann.

[Hannah Arendt] The State of Israel bought four plane tickets to tell me that?
You must have money to burn
to waste it like that.

[Siegfried Moses (1887-1974)] [In German] It's incomprehensible that you, a Jew,
could tell such lies about your people.

[Hannah Arendt] You describe a book I never wrote.

[Siegfried Moses (1887-1974)] A book that will never be allowed in Israel.
And won't appear anywhere else either if you have any decency left.

[Hannah Arendt] You ban books,
and lecture me about decency!

[Siegfried Moses (1887-1974)] I'm warning you.

[Hannah Arendt] Wrong. You're threatening me.

[Secret Service Guy] We wanted to ask Kurt Blumenfeld to reason with you,
but his doctor said he's dying.
And we didn't want to be that cruel.

[Hannah Arendt] [Looking distraught]

[Siegfried Moses (1887-1974)] I thought you knew.

[Hannah Arendt] [Walking quickly away]

When the warning signs of the Nazi surge appeared in the June 1930 elections in Saxony, where they obtained 14.4 per cent of the vote, the Berlin Jewish community put pressure on the ZVfD to join a Reichstag Election Committee in conjunction with the CV and other assimilationists. But the ZVfD's adherence was strictly nominal; the assimilationists complained that the Zionists put barely any time or money into it, and it dissolved immediately after the election. A Rundschau article by Siegfried Moses, later Blumenfeld’s successor as head of the federation, demonstrated the Zionists' indifference to the construction of a strenuous defence:

We have always believed the defense against anti-Semitism to be a task which concerns all Jews and have clearly stated the methods of which we approve and those which we consider irrelevant or ineffective. But it is true that the defense against anti-Semitism is not our main task, it does not concern us to the same extent and is not of the same importance for us as is the work for Palestine and, in a somewhat different sense, the work of the Jewish communities.


-- Zionism in the Age of the Dictators: A Reappraisal, by Lenni Brenner


***

[Hannah Arendt] [On bus to Jerusalem]
[Walking up to Kurt Blumenfeld's door]

[In German] Rivka, why didn't you let me know sooner?

[Rivka Blumenfeld] Kurt didn't want that.

[Hannah Arendt] [Going to Kurt's bedside]
Kurt.
What are you doing to me, my dear!

[Kurt Blumenfeld (1884-1963)] This time you've gone too far.

[Hannah Arendt] Let's not argue today.

[Kurt Blumenfeld (1884-1963)] The cruelty ...
and ruthlessness you show.

[Hannah Arendt] You won't think that when you've read it.

[Kurt Blumenfeld (1884-1963)] [Holding up a copy of The New Yorker] I tried to.

[Hannah Arendt] Since when did you listen to others about me?

[Kurt Blumenfeld (1884-1963)] You have no love for Israel?
No love for your own people?

[Hannah Arendt] [Smiles]

[Kurt Blumenfeld (1884-1963)] I can't laugh with you anymore.

[Hannah Arendt] But Kurt, you know me. I've never loved any people.
Why should I love the Jews?
I only love my friends.
That's the only love I'm capable of.
Kurt ...
I love you.

[Kurt Blumenfeld (1884-1963)] [Turns away from her]

[Hannah Arendt] [Walking sadly in Jerusalem]

***

[Lotte Kohler (1920-2011)] [Pointing to a small pile of letters] These think your articles are terrific.
[Pointing to a big pile of letters] These think you're absolutely wrong and should have had written a word.

[Hannah Arendt] Anyone I know?

[Lotte Kohler (1920-2011)] Yes. A few friends.
[Pointing to another pile] And these want you dead.
Some of them are quite colorful.

[Doorbell rings]

[Lotte Kohler (1920-2011)] I'll get it.

[Door opens]

[Lore Jonas] Oh, Lotte ...

[Lotte Kohler (1920-2011)] Come in.

[Lore Jonas] Am I too late?

[Lotte Kohler (1920-2011)] No.

[Lore Jonas] Good.

[Seeing Hannah sitting at the table] Oh, Hannah, I didn't know ...

[Hannah Arendt] Lore, how nice to see you.

[Lore Jonas] I came to help Lotte.

[Hannah Arendt] No, no, first come and sit with me.
Here.
You were here yesterday?

[Lore Jonas] I didn't want to leave Lotte here alone.

[Hannah Arendt] Thanks.

[Lore Jonas] It goes without saying.

[Hannah Arendt] How's Hans?

[Lore Jonas] He ...

[Hannah Arendt] Why didn't he come?

[Lore Jonas] He doesn't feel well.

[Lotte Kohler (1920-2011)] Oh, God!

[Lore Jonas] What does it say?

[Lotte Kohler (1920-2011)] Oh, nothing.

[Hannah Arendt] Come here, Lotte. Read it to us.

[Lotte Kohler (1920-2011)] [In English] "Your picture is of a face hard as rock ...
and cold as ice in the North Pole.
Contempt hovers on the lips, and an iron brutality is seen in the eyes.
I felt that that page on which your picture is on ...
contaminated the whole of the review.
I put on a glove. I felt it revolting to put my bare hand on that page.
Ripped it out from the review,
and not wanting to give it the ...
dignity of burning it,
I threw it in the garbage can.
I do not carry hatred in my heart,
nor do I take delight in vengeance,
but this I know:
that the souls of our six million martyrs, whom you desecrated,
will swarm about you day and night.
They will give you no rest.
It cannot be otherwise."
[Crying]

***

[Hannah Arendt] It's sweet of you ...
to stay with me this evening.

[Lotte Kohler (1920-2011)] You had such a bad day.

[Hannah Arendt] When I was a child my father was very sick.
He died when I was seven.
After a long fight.
I only knew him as a sick man.
And in the dream where he appears
he is healthy.
He's handsome.
He looks at me and he says: I love you.
[Starts crying]

***

[Heinrich Blucher (1899-1970)] What are you doing with the letters?

[Hannah Arendt] Answering them.

[Heinrich Blucher (1899-1970)] No, you will not.
If you start, this will never end.

[Hannah Arendt] I've hurt these people badly. I have to take that seriously.
We've been here 20 years and I'm not packing my bags ever again.

[Heinrich Blucher (1899-1970)] They won't kick you out because of a few articles!

[Hannah Arendt] Are you so sure about that?

***

[Answering door]

[Freddy] The nice, old man on the 10th floor said to give you this right away.

[Elevator bell dings]

[Hannah Arendt] Thank you, Freddy.
[Closes door and locks it]

[Nice Old Man] DAMN YOU TO HELL, YOU NAZI WHORE.

***

[Students] [Chattering]

[Hannah Arendt] [Knocks on door]

[Professor Thomas Miller] [To Hannah] We've discussed it at length and arrived at a unanimous decision.

[Professor Kahn] We respectfully advise you to relinquish your teaching obligations.

[Hannah Arendt] Under no circumstances will I give up my classes.

[Professor Kahn] You may not have enough students who are willing to study with you.

[Hannah Arendt] Perhaps you have not been in communication with your own students,
but I'm entirely oversubscribed at the moment.
And because of the extraordinary support of the students,
I've decided to accept their invitation, and I will speak publicly ...
about the hysterical reactions to my report.

[Professor Thomas Miller] That's Hannah Arendt, all arrogance and no feeling.

Because of his belief that an ideology is unimportant unless it is embodied in a mass movement, Hitler's concept of the masses is of the greatest importance. He recognizes the imperative of giving status to the people, but this is secondary to the techniques necessary to "unlock their souls." The masses are swayed by emotion and feeling: they are a part of primeval nature itself, which reflects not the rational handiwork of God but instead an irrational view of man and the world. Hitler builds upon the romantic tradition. Throughout Nazi culture the parallel between man and nature will be drawn in this manner. The masses of Aryans are as "genuine" in their basic emotions as Nature herself. The task of the leader is to awaken these emotions, to bring to the surface the belief in race and blood which provide the foundations. From these presuppositions it follows that, as the people are a part of nature, their feelings are simple, direct, and partisan. Simple and direct because Nature herself is held to be such, in contrast with the artificiality of a materialist civilization; partisan because, in the last resort, the voice of the race will be heard.

-- Nazi Culture: Intellectual, Cultural and Social Life in the Third Reich, by George L. Mosse


In our civilization the chasm that stretches between mind and heart yawns deep and wide and, as the mind flies on from discovery to discovery in the realms of science, the gulf becomes ever deeper and wider and the heart is left further and further behind. The mind loudly demands and will be satisfied with nothing less than a materially demonstrable explanation of man and his fellow-creatures that make up the phenomenal world. The heart feels instinctively that there is something greater, and it yearns for that which it feels is a higher truth than can be grasped by the mind alone. The human soul would fain soar upon ethereal pinions of intuition; would fain lave in the eternal fount of spiritual light and love; but modern scientific views have shorn its wings and it sits fettered and mute, unsatisfied longings gnawing at its tendrils as the vulture of Prometheus' liver.

-- The Rosicrucian Cosmo-Conception, by Max Heindel


[Hannah Arendt] [Leaves the room and slams the door shut]

***

[Hannah Arendt] [Walking into lecture room]

[Students] [Murmuring]

[Hannah Arendt] Perhaps just for today you will allow me to smoke immediately.
When the New Yorker sent me ...
to report on the trial of Adolf Eichmann,
I assumed ...
that a courtroom had only one interest --
to fulfill the demands of justice.
This was not a simple task,
because the court that tried Eichmann was confronted with a crime ...
it could not find in the law books ...
and a criminal whose like was unknown in any court prior to the Nuremberg trials.
But still, the court ...
had to define Eichmann as a man on trial for his deeds.
There was no system on trial,
no history, no ism,
not even anti-Semitism,
but only a person.
The trouble with a Nazi criminal like Eichmann ...
was that he insisted on renouncing all personal qualities ...
as if there was nobody left to be either punished or forgiven.
He protested time and again,
contrary to the prosecution's assertions,
that he had never done anything out of his own initiative,
that he had no intentions whatsoever, good or bad,
that he had only obeyed orders.
This ... typical Nazi plea ...
makes it clear that the greatest evil in the world ...
is the evil committed by nobodies --
evil committed by men without motive,
without convictions, without wicked hearts or demonic wills.
By human beings who refuse to be persons.
And it is this phenomenon ...
that I have called the banality of evil.

The portrait is complete. If some of those who readily assert that they detest the Jews do not recognize themselves in it, it is because in actual fact they do not detest the Jews. They don't love them either. While they would not do them the least harm, they would not raise their little fingers to protect them from violence. They are not anti-Semites. They are not anything; they are not persons. Since it is necessary to appear to be something, they make themselves into an echo, a murmur, and, without thinking of evil -- without thinking of anything -- they go about repeating learned formulas which give them the right of entry to certain drawing rooms. Thus they know the delights of being nothing but an empty noise, of having their heads filled with an enormous affirmation which they find all the more respectable because they have borrowed it. Anti-Semitism is only a justification for their existence. Their futility is such that they will eagerly abandon this justification for any other, provided that the latter be more "distinguished." For anti-Semitism is distinguished, as are all the manifestations of a collective and irrational soul which seek to create an occult and conservative France. It seems to all these featherbrains that by repeating with eager emulation the statement that the Jew is harmful to the country they are performing a rite of initiation which admits them to the fireside of social warmth and energy. In this sense anti-Semitism has kept something of the nature of human sacrifice.

-- Anti-Semite and Jew: An Exploration of the Etiology of Hate, by Jean-Paul Sartre


[Professor Thomas Miller] [Standing and interrupting] Mr. Arendt.
You're avoiding the most important part of the controversy.
You claimed that less Jews would have died ...
if their leaders hadn't cooperated.

[Hannah Arendt] This issue came up in the trial. I reported on it,
and I had to clarify the role of those Jewish leaders ...
who participated directly in Eichmann's activities.

[Professor Thomas Miller] You blame the Jewish people for their own destruction.
[Sits down angrily]

[Hannah Arendt] [Shouting] I never blamed the Jewish people!
Resistance was impossible.
But perhaps ...
there is something in between resistance ...
and cooperation.
And only in that sense do I say ...
that maybe some of the Jewish leaders might have behaved differently.

[Professor Thomas Miller] [Making an ugly, disgusted face]

[Hannah Arendt] It is profoundly important ...
to ask these questions,
because the role of the Jewish leaders ...
gives the most striking insight ...
into the totality of the moral collapse ...
that the Nazis caused in respectable European society.
And not only in Germany, but in almost all countries.
Not only among the persecutors.
But also among the victims.
[Student raises her hand] [Pointing to her] Yes.

[Student Elisabeth] The persecution was aimed at the Jews.
Why do you describe Eichmann's offenses as crimes against humanity?

[Hannah Arendt] Because Jews are human,
the very status the Nazis tried to deny them.
A crime against them is by definition a crime against humanity.
I am, of course, as you know, a Jew.
And I've been attacked for being a self-hating Jew ...
who defends Nazis and scorns her own people.
This is not an argument.
Pointing to Professor Miller] That is a character assassination.
I wrote no defense of Eichmann.
But I did try to reconcile ...
the shocking mediocrity of the man ...
with his staggering deeds.
Trying to understand is not the same as forgiveness.
I see it as my responsibility to understand.
It is the responsibility of anyone who dares to put pen to paper on the subject.
Since Socrates and Plato,
we usually call thinking ...
"to be engaged in that silent dialogue between me and myself."
In refusing to be a person, Eichmann utterly surrendered ...
that single most defining human quality:
that of being able to think.
And consequently, he was no longer capable of making moral judgments.
This inability to think ...
created the possibility for many ordinary men ...
to commit evil deeds on a gigantic scale,
the like of which one had never seen before.

My name is Adolf Eichmann.
The Jews came every day
to vat they thought vould be
fun in the showers.
The mothers were quite ingenious.
They vould take the children
und hide them in bundles of clothing.
Ve found the children,
scrubbed them,
put them in the chambers
and sealed them in.

I vatched through the portholes
as they were droven und chant:
“Hey, mein Liebe, heyyy."
Ve took off their clean Jewish love rings,
removed their teeth and hair –
for strategic defense.
I made soap out of them,
I made soap out of all of them;
and they hung me,
in full view of the prison yard.

People say,
“Adolf Eichmann should have been hung!”
Nein.
Nein, if you recognize the whoredom
in all of you,
that you vould have done the same,
if you dared know yourselves.

My defense?
I vas a soldier.
People laugh,
“Ha ha! This is no defense,
that you are a soldier.”
This is trite.
I vas a soldier,
a good soldier.
I saw the end of a conscientious day’s effort.
I saw all the work that I did.
I, Adolf Eichmann,
vatched through the portholes.
I saw every Jew burned
und turned into soap.
Do you people think yourselves better
because you burned your enemies
at long distances
with missiles?
Without ever seeing what you’d done to them?
Hiroshima . . . Auf Wiedersehen . . .

-- My name is Adolf Eichmann, by Thomas Merton


It is true.
I have considered these questions in a philosophical way.
The manifestation of the wind of thought ...
is not knowledge,
but the ability to tell right from wrong,
beautiful from ugly.
And I hope ...
that thinking gives people the strength ...
to prevent catastrophes in these rare moments ...
when the chips are down.
Thank you.

[Students] [Clapping]

[Professor Thomas Miller and his professor conspirators angrily leave]

[Hannah Arendt] [Watches them leave]

[Students] [Murmuring]

[Hannah Arendt] [Smoking] [Sees Hans Jonas, with an ugly look on his face, and smiles]

[Student] Ms. Arendt. Could we please --

[Hannah Arendt] [Ignoring students and pointing to Hans] [In German]

Hans, if I'd known you were here ...

[Hans Jonas (1903-1993)] I came ...
in the insane hope you would listen to reason.
But you will never change.
Hannah, between your arrogance
and your ignorance, your hopeless ignorance about Jewish affairs,
you turn a court trial
into a philosophy lesson.

[Hannah Arendt] Hans, not now. I'm exhausted.

[Hans Jonas (1903-1993)] You behave like a superior German intellectual who looks down on us Jews.

That is why Bruno Thuring's attack on Einstein is important. Thuring (b. 1905) was a young astronomer and mathematician, active in the Heidelberg Association of Students of Science, a branch of the National Socialist student organization. It was before this body that he gave the talk (September 4, 1936) that was reprinted in the official mathematical journal, Deutsche Mathematik, from which our excerpt is taken. The year after his speech, Bruno Thuring became a lecturer at the University of Munich, working at the university's observatory. Thuring, like the others, emphasizes the so-called spiritual factors in science, but he also presents a good exposition of the National Socialist history of science. His opposition to the course of modern science is obvious, and modernity is, in typical Nazi fashion, linked to the Jew. The materialism of Einstein's space-time concept and the supposed absence of "energy" from his system are contrasted with the Nordic's instinctual understanding of the meaning of energy. The influence of Nietzsche is not to be denied in this passage.

***

Nature Presupposes a Spiritual Disposition, by BRUNO THURING

Einstein's work can be understood only as counterpart and antithesis to the intellectual tendency of a Kepler or a Newton. Whereas, still intoxicated with the tremendous successes of Kepler and Newton, their successors and spiritual heirs already became partly conscious, but increasingly less so, of the fact that the creative power of these two great men did not rest so much on their logical intellect as on their world-embracing outlook on life, with its simultaneous and equal concern for the realm of the material and the realm of the spiritual and non-material -- that is, on qualities of soul and disposition. Others of their followers turned deliberately toward what was essentially a purely materialistic conception of spiritual and material nature, in the hope of being able eventually to grasp the whole of nature in one mathematical formula. However, Kepler and Newton made their own anti-materialistic mode of thinking perfectly clear. The instinctive knowledge that nature and creation were not to be divorced from their creator and that the world of our paltry five senses, the world of matter, simply could not be the whole world, was so valuable and essential to their investigations that they expressed this knowledge not only in numerous private letters but also in their justly famous treatises. Their scientific aspirations, their drive to understand, and their inquiry into nature were in the first instance born of a deep religious feeling -- the word being used here in its true meaning -- and whenever they raised the question of the meaning and purpose of scientific inquiry, they never furnished any answer except their desire to comprehend and explain the existence and operation of God in the investigation of His plan of the world and His works. The ancient magnanimity of soul of the Germanic man, directed away from the world and all external appearance, posed the first world-encompassing question about nature and thus became the mother of natural science. If the generation from which Kepler and Newton sprang had been exclusively devoted to materialism -- if indeed it had been incapable of an inner view extending far beyond mere sensory perceptions -- Kepler's search for the divine harmony of nature would have been impossible and therefore unsuccessful. At the same time, his success did not come to him easily. Not only for years but for decades, he exerted all his genius for mathematics and creative combinations, which he knew how to subordinate to the primacy of exact. observation. No failure, no disappointment could ever shake his rocklike conviction that the world had to be in harmony, for its progenitors were perfection and beauty. "With God's help I shall certainly conclude this undertaking -- and indeed in a military manner, by issuing my orders boldly, daringly, and triumphantly today, and worrying about my funeral tomorrow," he wrote in a letter. And in another letter: "My whole being strives to penetrate form and existence, God Himself, the architect of creation -- and here is where the greatest joy beckons me." And again: "Here I throw the dice, and write a book either for my contemporaries or for posterity. Maybe it will have to wait centuries for its readers, but then God Himself waited thousands of years for someone to describe His works." Kepler wrote all this in the glowing flame of supra-terrestrial exultation over having finally succeeded in finishing his work. The drive to comprehend what can be perceived by the senses, born of a conviction and faith in what cannot be grasped by our senses, and a modest yet persevering devotion to the exact observation of nature, determined the scientific attitude which made Kepler the prototype and example of the German natural scientist. Therefore, his scientific achievements were, and remain, de spite their international reputation, the products of a thoroughly German and nationally conditioned conception of nature. The fairy tale of an international and absolute natural science that is independent of Volk, history, and race is smashed to pieces on Kepler. Conversely, a liberal theory of science could have come into being only in a period which, under the influence of persons of alien blood, increasingly fell victim to materialism and which was no longer able to see Kepler and Newton as anything more than great intellectualists and mathematicians.

But how can such a conception do justice to a man like Newton, who found it necessary in his main work, Principia Mathematica, to delve extensively into the problem of divinity and who, on the basis of his world-encompassing view of nature, could demand that divinity be evaluated as a problem of natural science? "Thoroughly similar only to itself," he describes divinity, "entirely ear, eye, brain, arm, feeling, insight, activity, and all in a manner not human, even less corporeal, but in an entirely unknown manner. We see only the structure and color of a body; we hear its sounds, we feel its exterior surface, we smell and taste it. But as regards the inner substances of matter, we can comprehend them neither through our senses nor through our intelligence. Even less do we have a conception of the substance of God." And he concluded this part of his contemplations as follows: "This I had to say about God, whose works it is the task of natural science to investigate." Is not such thinking and such knowledge of the threads that bind the realm of matter to the realm of the spirit, is not this awareness of the fact that with our limited number of senses we are able to grasp only a restricted part of the whole world, worlds apart from materialism, worlds apart from that relativistic conception according to which every description of nature may deal only with relations of matter to matter and according to which even space and time are only attributes of matter because there is, allegedly, nothing but matter? The formulation of general relativity as a principle of nature, as is done in Einstein's theory, can be nothing more than the expression of a thoroughly materialistic attitude of mind and soul. The feeling for nature and the racially determined concept of nature possessed by Nordic man, who strives to comprehend nature not only with his intellect but also with his heart and soul and with his imagination, are here opposed by a concept of nature which aims to set up the intellect alone as the cognitive principle in the investigation of nature and which consequently disregards the possibility of conceptions geared to our spirit in favor of a purely symbolical, mathematical, formalistic, and non-concrete representation of nature....

By starting out from facts alone, even though based on observation and experiment, we cannot arrive at a "decision" with respect to the "correctness" of either [the Nordic or the Einsteinian conception of nature]. Rather, the complex of facts is identical in both cases. The difference between the two concepts goes deeper; it lies on another level, namely, where natural science as an activity takes its point of departure. For that reason, the assertion of books popularizing the theory of relativity that it is a conception of nature based on experience is utterly untrue. For the substratum and essence of natural science are not to be found in this or that measurement, in this or that experiment, or in the exact reading of an instrument. All these are merely its exterior forms of expression, its results. and as such something which is objective, a datum provided by nature. But what is essential in connection with what concerns us today is to determine what lies at the base of inquiry, what it springs from, what use the investigator makes of it and what it can be utilized for. It is not the What which is the decisive factor, but the How, Whence, and Why. If that were not so, there would be no explanation for the fact that the natural sciences came into existence and blossomed among the valuable peoples and races of Europe, and among these overwhelmingly in the Germanic segments thereof. This fact cannot be ignored; it attests to the communality of an identical basic attitude of mind and spirit which coincides with the communality of racial and Volkish characteristics. Not only Kepler and Newton, but also Galileo, Guericke, Faraday, Gauss, Maxwell, Robert Mayer, and many others attest to this fact.

But a word about the space-time problem. The conceptions of space and time are thought frameworks given to us by nature, into which we order and arrange all physical and chemical phenomena, but also all manifestations of life, mind, and soul. They are forms of thinking of our innermost being, so to speak, Our "weapons" for confronting the outside world. Newton, as a true Germanic natural scientist, was fully conscious of that and he regarded space and time not as purely logical concepts, but as concepts strongly anchored in intuition. It is altogether different with the Jew Einstein. The attempt to view space and time as attributes of matter exclusively and the desire to understand them solely as matter, so that on the basis of this mental attitude it had to be claimed that the motion of matter is meaningful only in relation to other matter, are fully in keeping with the thoroughly and onesidedly materialistically oriented spirit of the theory of relativity. For the relativist, this is a self-evident concept and in return he acquiesces in all the violence done to intuition. Intuition and feeling are sacrificed to the worship of matter and pure logic....

Still another closely connected difference between the relativistic, Jewish and the Nordic-Germanic conception and representation of nature lies in their attitude toward the concept of energy. Power, strength, energy, is something immediately clear and understandable to the Nordic man; not only does he possess it himself, but it has confronted him from the primordial beginnings of his history and from the beginning of his personal life in his work as a craftsman, in the effort of physical activity. He knows from experience that through energy one can set bodies in motion or bring moving bodies to a stop. For Kepler and Newton, as Germanic men, it was immediately obvious, whenever they encountered such changes in motion, to speak of the effects of energy. Kepler was the first to give voice to the idea that the sun was the source of an energy which determines the trajectory of the planets. Newton founded his general mechanics on an exact and measurable definition of energy.

It is no coincidence that the half-Jew Heinrich Hertz [1] and the full-Jew Einstein attempted to create a structure of mechanics from which the concept of energy has wholly vanished. The Jewish philosopher Spinoza likewise was ignorant of the concept of energy. It seems to be entirely alien to the world-feeling of the Jew, and he is therefore at pains to exclude this alien phenomenon from his consideration of nature. Hertz clothed this aspiration in his demand that all anthropomorphisms, such as energy, be excluded from natural science. But in doing so he overlooked the fact that every construction of a scientific concept arises in principle from human experience, that is, from a cognitive process in which the specific nature of the cognizing subject is as essentially involved as the specific nature of the cognized object. Finally, even Hertz's attempt is anthropomorphic if in place of energy he postulates the coupling of mechanical systems, whose motions thereupon lose all freedom.

Einstein's theory of relativity, however, sets aside the concept of energy through the most radical upheaval of all space-time concepts. He postulates, in a purely mathematical, formalistic way, a curvature of space in the environment of all matter and necessarily connected with it. In this curved space the planets follow trajectories analogous to the so-called geodetic lines, that is, to the shortest possible lines between two points in curved planes. Thus, through the elimination of the concept of energy, dynamics become, with Hertz as well as with Einstein, a kind of cinematics.

We can see by this example what is involved here: Not new cognitions of natural events, not new findings of scientific research, but something relating to human inwardness, something concerning the soul, world-feeling, attitudes, and racial dispositions.

There have been repeated attempts in lectures and books to present the theory of relativity as the grand capstone of centuries of progressive scientific development, which began with Copernicus and Galileo and led, via Kepler and Newton, to Einstein. No! Copernicus, Galileo, Kepler, and Newton are not Einstein's predecessors and pathfinders, but his antipodes. Einstein is not the pupil of these men, but their determined opponent; his theory is not the keystone of a development, but a declaration of total war, waged with the purpose of destroying what lies at the basis of this development, namely, the world view of German man. Therefore, it could be so joyfully saluted and enthusiastically celebrated only by a generation that had grown up on purely materialistic modes of thought. This theory could have blossomed and flourished nowhere else but in the soil of Marxism, whose scientific expression it is, in a manner analogous to that of cubism in the plastic arts and the unmelodious and unharmonic atonality in the music of the last several years. Thus, in its consequences. the theory of relativity appears to be less a scientific than a political problem.

The flooding of the book market shortly after the war with popular and semi-popular expositions of the theory of relativity naturally could not aim to acquaint the large public interested in natural sciences with the highly difficult logical and mathematical thought-content of the theory. Such a goal cannot be attained in this way. Rather, the effect of these books was to be found mainly on the level of the inner soul and a world view. Some even ventured -- and they were not altogether wrong in this assumption -- to look upon the theory of relativity as a typical expression of our time. Colin Ross, [2] in his book Die Welt auf der Waage (The World in the Scales), declared that Einstein's theory could have been discovered only in our time, that the principle of relativity gave our time its keynote and left nothing untouched, no moral law, not even Kant's categorical imperative.

In this manner, assisted by advertising in the newspapers and lectures from the professorial chairs, this purely scientific theory, whose main ingredient was the postulate of relativity, grew into a physical world view. And since it is always impossible for several world views -- say, a physical, a philosophical, an astronomical, or a religious world view -- to exist simultaneously without affecting and influencing each other, the theory of relativity threatened to become the dominant world view altogether and in every direction. This development be. came possible only because of the general recognition accorded natural science as a scientific discipline, characterized by the highest objectivity since it supposedly deals exclusively with established facts, whose existence is in no way subject to being conditioned or determined by the cognizing subject. It was deliberately overlooked that all interest in nature in itself presupposes a certain spiritual disposition, and that the perceiving subject has his own manner and content of conception and his Own method of inquiry, all of which must depend On himself and his particular endowments. The few who were of different opinions were disregarded. Nevertheless, it remains forever true that the natural scientist in his work remains a son of the people and a representative of their feelings and yearnings, as is also true in the case of the artist and the statesman. This obvious fact could be misunderstood only because nobody took the trouble to delve deeply enough into the wellsprings of natural-scientific inquiry; everyone remained suspended at the point where facts were observed, experiments made, results recorded. To prove the dependence of natural science on racial stock requires less study of results in textbooks and more study of the original works of the great discoverers and their personalities as scientists. Kepler and Newton as Nordic men on one side, Einstein as a typical Jew on the other, are the most illuminating examples -- the former because they did not shrink from allowing the reader an insight into their own spiritual life, the latter as a contrast to them.

May the young generation of natural scientists and philosophers recognize, therefore, what is meant by the concept of German natural science! If, however, someone asks: How can we arrive at a German natural science? our answer must be: A new National Socialist science cannot create, as if by sorcery, arbitrary and amateurish world systems and conceptions -- only infinite damage could come of this. Rather, it must reverentially immerse itself in nature itself, and in the great Nordic discoverers and interpreters of nature, to find there the essence of German being in glorious abundance. As for the rest, let us keep as far away as possible anything that comes from the hands of the Jew, and let us be Germans and National Socialists in all our work and thought! Then everything will be all right. I shall close with a variation of a quotation from R. Eichenauer: "Natural science is not a root, but a blossom. Let us take care of the roots. The blossom will appear by itself." [3]

From Deutsche Mathematik, edited by Theodor Vahlen (Leipzig: Kommissionsverlag von S. Hirzel, 1936), pp. 706-711.

***

Psychotherapy and Political World View, by KURT GAUGER (Excerpt)

... The scientific materialism of Freudian psychoanalysis is closely related to the economic materialism of the Marxists. The specific National Socialist concept of feeling and disposition is alien to both of them, as is the specific National Socialist concept of community.

-- Nazi Culture: Intellectual, Cultural and Social Life in the Third Reich, by George L. Mosse


And you accuse us of being accomplices to the Shoah.
You never accepted that the Germans shamefully betrayed you.
They kicked you out and would have killed you if they could.
Your friend Eichmann was responsible for the transports from Gurs.
If you hadn't been lucky enough to escape on time ...
you'd have shared the same fate as the women who stayed.

[Hannah Arendt] Stop!

[Hans Jonas (1903-1993)] They were all deported. All deported to ...

[Hannah Arendt] Stop it, Hans.

[Hans Jonas (1903-1993)] As of today ...
I am finished with Heidegger's favorite student.

***

[Hannah Arendt] [Eating alone in Faculty Dining Room, being watched by the nasty professors]

[The Nasty Professor Troika get up and leave without eating their food, and then two other professors as well]

***

[Hannah Arendt] [To Heinrich] Everyone is trying to prove me wrong.
But no one noticed my one real mistake.
Evil cannot be both banal and radical at once.
Evil is only ever extreme.
It's never radical.
Only good can be profound and radical.

[Heinrich Blucher (1899-1970)] Would you have written about the trial if you'd know what would happen?

[Hannah Arendt] Yes.
I would have written about it.
Maybe I had to find out who my real friends were.

[Heinrich Blucher (1899-1970)] Kurt was your friend. He still would be.

[Hannah Arendt] Kurt was my family.

***

[Hannah Arendt] [Typing]

[Laying on couch, thinking]

***

The problem of evil became the fundamental subject for Hannah Arendt. She returned to it over and over again and she was still struggling with it at the time of her death.

***

Statistics: Posted by admin — Fri Jun 26, 2015 7:07 am


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2015-06-26T07:07:28+00:00 2015-06-26T07:07:28+00:00 http://survivorbb.rapeutation.com/sbb-bak/viewtopic.php?p=8943#p8943 <![CDATA[Still Videos and Transcripts • Re: Hannah Arendt, directed by Margarethe von Trotta]]>
[Laughing]
[Offers to carry Hannah's bags]

[Hannah Arendt] Hey. Kurt, no!
Think of your heart.

[Kurt Blumenfeld (1884-1963)] I know. I'm not getting any younger.
That's why I wish you wouldn't leave me so quickly.

[Hannah Arendt] I'm never very far from you.
Never.

[Kurt Blumenfeld (1884-1963)] [Pointing to trunk] What's in there?

[Hannah Arendt] Transcripts of the trial.
Six tapes of Eichmann's questioning.

[Kurt Blumenfeld (1884-1963)] I could have them shipped to New York.

[Hannah Arendt] I have to start reading at once.

[Hannah Arendt & Kurt Blumenfeld] [Big embrace]

[Kurt Blumenfeld (1884-1963)] Bring Heinrich along next time.

[Hannah Arendt & Kurt Blumenfeld] [Warmly wave goodbye to each other]

***

[Door opens]

[Hannah Arendt] [To Heinrich] You're home!
[They embrace]

[Heinrich Blucher (1899-1970)] [Chuckles]

[Hannah Arendt] Oh!
What about your classes?

[Heinrich Blucher (1899-1970)] Canceled! I said it's an emergency.

[They embrace again]

[Hannah Arendt] Thank you, Freddy.

[Heinrich Blucher (1899-1970)] [Gives Freddy a tip.]

[Freddy] Thank you.

[Hannah Arendt] [Sitting down] [Sighs] Ah!
How good to be home.

[Heinrich Blucher (1899-1970)] Four pounds.
Can't you see it?

[Hannah Arendt] [Laughs]

[Heinrich Blucher (1899-1970)] I starved myself for you.

[Hannah Arendt] Look at my homework over there.

[Heinrich Blucher (1899-1970)] You're taking a few days off.

[Hannah Arendt] Stups, I have 2000 pages to read before the semester starts.

[Heinrich Blucher (1899-1970)] Don't exaggerate, Frau Professor.

[Hannah Arendt] [Pointing to roses] From Mary?

[Heinrich Blucher (1899-1970)] No.
From me.
[Chuckles]

[They embrace]

***

[Hannah Arendt] Stups! That's the wrong pile.
Miller begged me to take over another class.
Someone's ill or getting a divorce or something typically American like that.
My head's spinning as it is.

[Heinrich Blucher (1899-1970)] You have to learn to say no. But only to others, of course.
Hannah.

[Phone rings]

[Heinrich Blucher (1899-1970)] [In English] Yes?
Ah. Here.
Hello, Mr. Shawn.

[Hannah Arendt] [Gasps] [Gestures she doesn't want to talk to him]

[Heinrich Blucher (1899-1970)] Uh, she's not in right now. She should be back soon.
Yes, certainly. I will give her the message.

[Hannah Arendt] [In German] Well?

[Heinrich Blucher (1899-1970)] That polite Mr. Shawn didn't say as much,
but I guess he's curious to know when you'll deliver the articles.

[Hannah Arendt] There's not even a verdict yet.

[Heinrich Blucher (1899-1970)] Yes...
How dare that Mr. Shawn call you at all?

[Hannah Arendt] [Laughs]

[Heinrich Blucher (1899-1970)] I don't think he can imagine
that so celebrated a writer as you
is so busy fighting her papers and hasn't written a word.

[Heinrich Blucher (1899-1970)] But Monsieur here would have finished the articles long ago.

[Heinrich Blucher (1899-1970)] Without a doubt.
[Hands her some files]

[Hannah Arendt] [Curtsies to him]
Thank you.

[Heinrich Blucher (1899-1970)] [Bows to her]
Frau Professor.

***

[Hannah Arendt] [Typing]

[Heinrich Blucher (1899-1970)] You can also use my office.

[Hannah Arendt] [In French] You are too kind, sir!

[Heinrich Blucher (1899-1970)] You just have to move my pipe-stand.

[Hannah Arendt] [In German] Your doctor will like that.

[Heinrich Blucher (1899-1970)] People in glass houses ...

[Hannah Arendt] [Typing away]

[Heinrich Blucher (1899-1970)] [Just leaving without bothering her further]

[Hannah Arendt] How can you leave me like that? No hug, no kiss?

[Heinrich Blucher (1899-1970)] Never disturb a great philosopher when they're thinking.

[Hannah Arendt] But they can't think without kisses.

[Kisses him]

***

[Lotte Kohler (1920-2011)] [To Freddy] You can put it here.

[Freddy] [Sets down the package]

[Lotte Kohler (1920-2011)] Thank you, Freddy.

[Freddy] You're welcome.

[Lotte Kohler (1920-2011)] [To Hannah] [In German] From Israel.
At least 500 new pages from the court.
I'll sort them for you later.

[Hannah Arendt] I'm so lucky to have you, Lotte.
I'd never be such good friends with my own daughter.

[Lotte Kohler (1920-2011)] My father always says God gave us family,
but thank God we can choose our friends.

[Hannah Arendt] Well ...
[In English] Interesting theory.

[In German] You think I'd have chosen Charlotte?

[Lotte Kohler (1920-2011)] Oh, I forgot. She called earlier.
She wanted Heinrich's new number at Bard.

[Hannah Arendt] Did you give it to her?

[Lotte Kohler (1920-2011)] Unfortunately, I couldn't find it.

[Hannah Arendt] [Groans]
Careful, Lotte. She's a psychoanalyst and can probably read your mind ...

[Lotte Kohler (1920-2011)] Should I take these away again?

[Hannah Arendt] Please.
Thanks.

***

[Hannah Arendt] [Reading]
[Man] They slept as if dead.
Someone came in and called out:
Quick now, the SS are coming back.
I had two friends beside me.
[Several voices overlapping]
[Man #2] Once a week the infamous Dr. Mengele selection was held.
The rumor that Dr. Mengele had arrived was enough
to spread fear and terror throughout the camp.
[Man #3] ... confess his guilt ...
If there had been more
of what I term civil courage,
then some things would have turned out differently.
[Remembering]
[PHILOSOPHY FACULTY PROF. DR. M. HEIDEGGER]

[Young Hannah Arendt] [Knocks on his door]
[Martin Heidegger (1889-1976)] Miss Arendt.
[Clock ticking]
[Martin Heidegger (1889-1976)] You say you want me to teach you how to think.
[Young Hannah Arendt] [Nods her head yes]

[Martin Heidegger (1889-1976)] Thinking
is a lonely business.
[Young Hannah Arendt] [Smiles]

***

[Mary McCarthy (1912-1989)] Every time I even write a sex scene, I have you horribly on my conscience,
as if you're tugging at my elbow saying, "Stop."

[Hannah Arendt] I have no problem with sex.

[Mary McCarthy (1912-1989)] I'm afraid you'll think I'm an exhibitionist or something.

[Hannah Arendt] Well, you are.

[Mary McCarthy (1912-1989)] [Chuckles]

[Hannah Arendt] But you've written your first book without a hint of memoir.
It's pure fiction, is it?

[Mary McCarthy (1912-1989)] Is that a left-handed compliment or just straight criticism?

[Hannah Arendt] No!
I think you've written beautifully balanced sentences
and I think at times it's hilariously funny.

[Mary McCarthy (1912-1989)] You have never been this positive. Did you hate all my other books?

[Hannah Arendt] Mary!

[Mary McCarthy (1912-1989)] Well!

[Hannah Arendt] You can't take a compliment.

[Mary McCarthy (1912-1989)] No.

[Professor Thomas Miller] [Running by] Hannah!

[In German] You are my heroine!
[In English] I thank you.
The German Department thanks you.
We all thank you.

[Mary McCarthy (1912-1989)] Oh, God. Ask him for a raise.

[Hannah Arendt] [Chuckles]

***

[Hannah Arendt] [In German] You see,
Western tradition
mistakenly assumes
that the greatest evils of mankind
arise from selfishness.
But in our century, evil has proven to be more radical
than was previously thought.
And we now know
that the truest evil,
the radical evil,
has nothing to do
with selfishness or any such understandable, sinful motives.
Instead, it is based on the following phenomenon:
making human beings superfluous as human beings.
The entire concentration camp system was designed
to convince the prisoners
they were unnecessary
before they were murdered.
In the concentration camps men were taught
that punishment was not connected to a crime,
that exploitation wouldn't profit anyone,
and that work produced no results.
The camp is a place
where every activity and human impulse
is senseless.
Where, in other words, senselessness is daily produced anew.

Fascist ideology, whatever its specific predicates, repudiates human reason and exalts irrationalism and irrationalist violence, often in the form of wanton military aggression and imperialism. A fascist mass movement is the most aggressive form of militant irrationalism. From Mussolini's Romanita through Hitler's Herrenvolk to the Great Russian master race conception of "Moscow the Third Rome," fascist ideology is based on notions of racial superiority and race hatred, extreme chauvinism, and blood and soil mysticism. Fascism is neo-pagan and ferociously hostile to Augustinian Christianity, as can be shown from Mussolini's early career and from Hitler's private conversations. This same neo-paganism is perfectly expressed in the predilection of Russian totalitarianism for the Russian Orthodox Church. In the Western world, fascism can be correctly called the politics of cultural despair.

-- Project Democracy's Program -- The Fascist Corporate State, by Webster Griffin Tarpley


So, to summarize:
If it is true
that in the final stage of totalitarianism,
an absolute evil emerges,
absolute as it no longer relates to human motives,
then it is equally true
that without it,
without totalitarianism,
we would never have known
the truly radical nature of evil.
What time is it?
Ah.
The second hour has begun. You know what that means.
[Student brings her a cigarette]
Thank you.

[Lights her cigarette]
Thank you.

[Student Enrico] May I ask you a personal question?

[Hannah Arendt] You can try.

[Student Enrico] Were you in a camp?

[Hannah Arendt] I had the opportunity
to spend some time in a French detention camp called Gurs.

[Student Elisabeth] [In English] But weren't the French on your side?

[Hannah Arendt] [In German] In the beginning. They took us in.
But when the Germans invaded France on May 10, 1940,
our French friends put us into detention camps.
We became a new kind of human being,
put into concentration camps by our enemies
and into detention camps by our friends.

[Student Enrico] How did you escape?

[Hannah Arendt] [In English] My husband and I were lucky to receive a visa to America.

[In German] A visa. Not a passport. We were stateless for 18 years.

[Student Enrico] And what was your first impression of America?

[Hannah Arendt] [In English] Paradise.

***

[Heinrich Blucher (1899-1970)] [Looking at a book]

[Grabs his head]
[Gasps, Groans]
[Falls on floor]
[tries to get up, breathing heavily]

[Falls back down]

[Mary McCarthy (1912-1989)] [Running across the campus]

[Hannah Arendt] [In German] Do you understand?

[Mary McCarthy (1912-1989)] Hannah!

[Hannah Arendt] [In English] Just a moment, please.

[Mary McCarthy (1912-1989)] [Holding Hannah's shoulders]

[Hannah Arendt] How did you find --
Who found --

[Mary McCarthy (1912-1989)] Charlotte.

[Hannah Arendt] My class. They are waiting.

[Mary McCarthy (1912-1989)] I'll take over.

[Hannah Arendt] No, but, Mary, it's --
It's advanced German class.

[Mary McCarthy (1912-1989)] They will be delighted to speak English again. Go. Go. Go.

***

[Heinrich Blucher (1899-1970)] [Breathing heavily]

[Hannah Arendt] [Sobs]

[Heinrich Blucher (1899-1970)] Dearest.
Don't cry.

[Hannah Arendt] I spoke to the doctor.
He said you only have a fifty percent chance.

[Heinrich Blucher (1899-1970)] Don't forget the other fifty percent.

[Knock on door]

[Door opens]

[Nurse comes in]

[Door closes]

[Heinrich Blucher (1899-1970)] What were you speaking to your students about?

[Hannah Arendt] About us.

***

[Heinrich Blucher (1899-1970)] [In English] I understand.
Thank you for the message.
Yes.
Hannah?

[Hannah Arendt] Yes.
[Sink water running]

[Heinrich Blucher (1899-1970)] They're hanging Eichmann.

[Hannah Arendt] And so they should.

[Heinrich Blucher (1899-1970)] They should?
But that's not justice.

[Hannah Arendt] The punishment's not enough?

[Heinrich Blucher (1899-1970)] The punishment can only give an appearance of justice.

[Hannah Arendt] There are no real punishments for his deeds.

[Heinrich Blucher (1899-1970)] That's why it'd be braver to let him live.
Now the verdict's in,
you can stop avoiding your New Yorker friends.

[Hannah Arendt] Not until you've recovered.

[Heinrich Blucher (1899-1970)] You haven't written a line since my slight collapse.

[Hannah Arendt] Wrong. I've made some notes.
A brain aneurysm isn't a "slight collapse" either.
You could have died.

[Hans Jonas (1903-1993)] But Eichmann is a monster.
And when I say monster, I don't mean Satan.
You don't need to be smart or powerful to behave like a monster.

[Hannah Arendt] You're being too simplistic.
What's new about the Eichmann phenomenon
is that there are so many just like him.
He's a terrifyingly normal human being.

[Hans Jonas (1903-1993)] Not all normal people were head of department 4B-4
at the Reich Security Office
charged with the extermination of Europe's Jews.

[Hannah Arendt] You're right there.
But he considered himself an obedient servant of Germany
who had to obey the Fuhrer's orders.
"My loyalty is my honor."
The Fuhrer's orders became the law.
He didn't feel guilty in the sense of the indictment.
He behaved according to the law.

[Hans Jonas (1903-1993)] It's been proven that Eichmann pursued the Final Solution
even after Himmler had long since forbidden it.
And why? He wanted to finish his work.

The brief discussion of eugenics in Britain which forms the first part of this chapter was necessary in order to emphasise the fact that 'eugenics' was really an umbrella term for a rich variety of ideas. It also serves the purpose of reminding us that, although we concentrate on it for good reason, the history of eugenics in Germany is by no means unique; indeed, it borrowed some of its ideas from abroad.

One of the most shocking of these ideas is that of the gas chamber. There are very few advocates of mass-murder of any sort, particularly not by gassing, to be found in the literature on eugenics. But it seems that in the British consciousness, fuelled by the hyperbole of the press, there was concern that this was exactly the end to which eugenics would lead. From the reassurances to be found in the writings of those who defended eugenics, it seems clear that the idea of the 'lethal chamber', though never set out in any detail, was a widely propagated one from which eugenicists had to distance themselves. At work here we see the defenders of traditional values fighting to ridicule the eugenicists, who in the years before 1918 were at the forefront of progressive thought.

It is unclear where the phrase comes from. Yet the fact that Arnold White felt the need to mention it in an article which later became part of his highly influential book which was cited above, Efficiency and Empire (1901), is revealing. Railing against the same sort of weak character that Ludovici later chose as his target, one which took unnecessary pity on the weak, White wrote the following:

There is no sign of a reaction against the cant that loads the dissolute poor with favours, while brave men and women who refuse to be proselytised prefer to die of hunger in a garret rather than sue for alms. In changing our present methods, however, we must carry with us public opinion. Flippant people of lazy mind talk lightly of the 'lethal chamber,' as though diseased Demos, half conscious of his own physical unfitness, but electorally omnipotent, would permit a curtailment of his pleasures or the abridgement of his liberty. [28]


When White wrote these words in 1899 this sort of defence was necessary, for his advocacy of 'efficiency' could easily be caricatured as being a call for some kind of mechanised or engineered society, inimical to the tradition of 'British liberty'. This is far from being a proposal to establish gas chambers, but a hyperbolic way of demonstrating the acceptably considered opinions of his own book. But today the passage is striking for another reason. Here, forty years before the operation of the first Nazi gas chamber, White introduces the notion of a 'lethal chamber' into his text in the apparently safe knowledge that his readers will know what he is talking about.

Some years later the phrase reappears in another book by White. In a collection of articles produced for the Referee under the pen-name Vanoc, White devoted a whole section to race-regeneration and related matters. In one article, 'Race Culture', he defended the advantages to be won from a policy of eugenics:

I admit that the word 'Eugenics' is repellent, but the thing is essential to our existence. To produce sound minds in sound bodies by impressing on all classes the dignity, the privileges, and the responsibilities of British parenthood is the race-improver's aim. Naturally we are misrepresented ... It is not a fact that Scotland Yard will be invoked to effect the union of the fit, and it is also an error to believe that the plans and specifications for County Council lethal-chambers have yet been prepared. [29]


Again the implication is that word has been spread that this is precisely what the county councils intend to do; at least, the eugenicists have been the butt of jokes accusing them of unrealistic and dangerous dreams of social engineering, what A.F. Tredgold, a member of the Eugenics Education Society's council, called 'dark mutterings regarding "lethal chambers"', mutterings that White for one felt the need to dismiss as absurd. [30]

The term 'lethal chamber' also appears in the work of Caleb Williams Saleeby, the influential member of the Eugenics Society whose books have already been discussed. Because of his position, Saleeby undoubtedly felt more vulnerable than most to the attacks of anti-eugenicists; hence he felt obliged to distance himself from the wilder accusations levelled against his new science. 'Thus,' he wrote,

we need mention, only to condemn, suggestions for 'painless extinction', lethal chambers of carbonic acid, and so forth. As I incessantly have to repeat, eugenics has nothing to do with killing; natural selection acts by death, but eugenic selection by birth ... No form of actual or constructive murder (such as the permission of infant mortality) has any place here, for all these proposals to kill miss the vital point, which involves the distinction between the right to live and the right to become a parent. [31]


Once again, it is clear that Saleeby is responding to those who have sought to besmirch the good name of eugenics by imputing to it intentions of the most abhorrent variety.

The timing of these replies from the eugenicists is no surprise: on 3 March 1910 Bernard Shaw, one of the more wayward supporters of eugenics with his notion of a 'democracy of supermen', delivered a lecture to the Eugenics Education Society. Confirming the fears of those who wished the Society to develop a reputation as a serious scientific institution, Shaw's talk resulted in the press ridiculing eugenicists as advocates of 'free love' and 'lethal chambers'.

Such an outcome was not entirely unforeseeable, given Shaw's well-known volatility. Indeed, a week before the talk, at a time when relations between the Galton Laboratory and the Eugenics Society were already strained, Karl Pearson wrote to the aged Francis Galton, with the hope 'that he will be under self-control and not be too extravagant'. [32] The hope was to be misplaced. One month before Shaw's talk a lecture by C. W. Wilson to the Birmingham Rationalist Association on the subject of eugenics gave rise to 'much wild and absurd talk about lethal chambers, the right to live, and forcible marriages'. [33] In the case of someone so famously outspoken as Shaw, the outcome was sure to be far greater negative publicity. Either the press believed Shaw to be serious, and vilified him, or recognised the tongue-in-cheek nature of his lecture, and underscored it.

Shaw (as reported by the Daily Express) spoke of revising the normative view of the sacredness of human life, abolishing marriage and 'going further in the direction of political revolution than the most extreme Socialist at present advocates in public'. The most shocking part of his speech, came, however, when he turned to the implementation of eugenic measures:

We should find ourselves committed to killing a great many people whom we now leave living, and to leave living a great many people whom we at present kill. We should have to get rid of all ideas about capital punishment.

A part of eugenic politics would finally land us in an extensive use of the lethal chamber. A great many people would have to be put out of existence simply because it wastes other people's time to look after them.


The Daily Express was outraged, apologising to its readers for printing such material, only justifying it by stating that it 'indicates the lengths to which the Socialists, of whom Mr. Bernard Shaw is a leader, will go'. [34]

Other newspapers were equally repulsed by Shaw's talk, though most reported it drily, without comment, other than that which was implied in the headline 'Lethal Chamber essential to Eugenics' as used by the Daily News and the Birmingham Daily Mail. This latter paper, though, was not unduly worried by Shaw's prognostications: 'This is all very shocking, but it is also Shavian, and as some centuries must elapse before Society has fitted itself for such a wildly "ideal" doctrine as this, no one need trouble himself seriously about it.' Among the many other papers that reported the talk, only The Globe and the Evening News also recognised it as a skit on the dreams of the eugenicists, although the Illustrated London News offered a reading that saw Shaw as driving the final nail into the coffin of eugenics, ending with the thought that 'The only daring suggestion for the improvement of the human race that Eugenics suggests to us is that the world would be a jollier place if there were fewer cranks in it.' [35]

It was because of these attacks in the press that the eugenicists sought to employ the language of the 'lethal chamber' in order to make their actual views appear more reasonable, a policy of stealing their enemies' weapons, so to speak. Hence a widely reported series of lectures at Bedford College for Women, which sought to dispel such 'wild' rumours. The Yorkshire Daily Post had this to say about a talk by Dean Inge:

Nothing has been more noticeable of recent years than the advance of the study of eugenics. Some have seized hold of this to advocate the abolition of the marriage tie, the institution of a State lethal chamber, and other equally absurd ideas. It was therefore timely that the Bedford College for Women should arrange a course of lectures to put the science in the right perspective. [36]


A few days later, the Daily Sketch reported that Dr Saleeby had 'wiped down' Shaw in his comments on Shaw's speech; and in response to J.W. Slaughter's speech of 21 March the Manchester Dispatch wrote the following:

The way of the parent must be made easy, but apart from this we must exterminate the undesirable sections of humanity. The establishment of lethal chambers and the resort to surgical measures are, however, the plans of 'wild eugenicists' in the opinion of Dr. Slaughter. These undesirables must be kept apart from the community -- kept in comfort, not treated harshly -- and with safeguards against the reproduction of the species. [37]


Unsurprisingly, the strategy of referring to the worst excesses of anti-eugenics caricaturists in order to appear reasonable was one that seems to have had limited success. Saleeby tried it once again before the war, but even after 1918, when eugenicists in Britain increasingly accepted the arguments of the progressive-minded environmentalists, eugenics largely failed to influence policy (the exception being the debate over the sterilisation of mental defectives). [38] But in 1914, just before the outbreak of war, Saleeby sought to defend the inherent moderation of eugenics in its pure form:

Since Galton's death eugenics has been used as an agent of class prejudice, an argument against love, a reason for cruel and wicked surgical operations, for defending the neglect of infancy, and for wild talk about lethal chambers and stud farms. Such prostitutions of eugenics are the very substance of irreligion, and a materialistic 'philosophy' is at the heart of them. [39]


Remarkably, Saleeby's twin nightmare of 'lethal chambers and stud farms' sum up the two aspects of Nazi eugenics policy: the 'negative' policy of genocide -- the Holocaust -- and the 'positive' policy of the Lebensborn, Himmler's nascent project to promote 'sound breeding' among SS members (although in reality there never were SS stud farms, as we have been encouraged to believe by popular literature).

The point of this is no more than to point out that in England, decades before the Nazis began gassing Jews to death by the million, the fantasy of the lethal chamber was already being mooted. In the early years of eugenics, it was not uncommon for its advocates to recommend that 'The surest, the simplest, the kindest, and most humane means for preventing reproduction among those whom we deem unworthy of this high privilege, is a gentle, painless death; and this should be administered not as a punishment, but as an expression of enlightened pity for the victims ... ' [40] In the literature cited here, the term 'lethal chamber' serves less a fantastic than a rhetorical quality: defending eugenics against its denigrators. But there is no doubt that the reason for the term's continued use is to be found in the imaginative shock which it presents to the person who hears or reads it. Why then were people so shocked during the war, when the news of the mass-murders began to seep out of the occupied eastern territories, or after the war, when the newsreels confirmed what so many had wanted to disbelieve?

The answer might be the fact that the term 'lethal chamber' passes out of common parlance in interwar Britain. I have already noted that the wilder claims for eugenics gradually fell from favour after 1918; there are few references to lethal chambers after that point. Nevertheless, the idea only died slowly. In 1919 an investigation into male prostitution elicited this comment from W.J.H. Brodrick:

The professional boys are about the most degraded being you could find. They have no talk except obscenity; no ideas except unnatural vice; they are usually diseased and a pest and a nuisance to everybody with whom they come into contact. Personally I should be glad to see them put in a lethal chamber and have done with it. [41]


Shaw returned to the theme in 1922, this time with slightly more reasoned backing for his assertions, in his preface to Sidney and Beatrice Webb's English Local Government, under the heading of 'The Lethal Chamber'. On the question of 'incorrigible villains', Shaw argued that the 'most obvious course is to kill them'. In response to the predicted objection that the state should not be setting an example of killing, Shaw argued that imprisonment already did this:

imprisonment is as irrevocable as hanging. Each is a method for taking a criminal's life; and when he prefers hanging or suicide to imprisonment for life, as he sometimes does, he says, in effect, that he had rather you took his life all at once, painlessly, than minute by minute in a long-drawn-out torture.


Although Shaw was not as outspoken here as in his infamous 1910 speech, his conclusions were probably all the more worrying for that:

The moment we face it frankly we are driven to the conclusion that the community has a right to put a price on the right to live in it ... If people are fit to live, let them live under decent human conditions. If they are not fit to live, kill them in a decent human way. Is it any wonder that some of us are driven to prescribe the lethal chamber as the solution for the hard cases which are at present made the excuse for dragging all the other cases down to their level, and the only solution that will create a sense of full social responsibility in modern populations? [42]


Probably the most public reference to the notion of the lethal chamber can be found in a book by Leonard Darwin, second youngest and longest-surviving son of Charles Darwin, and president of the Eugenics Society. In his 1926 book The Need for Eugenic Reform he devoted a whole sub-chapter to the idea of the lethal chamber as one of the possibilities for the elimination of the unfit. He objected to the lethal chamber for these reasons:

From the moral point of view, it would tend to associate the idea of murder with that of social progress, and would consequently tend to increase the number of murders. From the racial point of view, it would, as in the case of excessive punishments, be less willingly adopted than other more humane methods and, therefore, less effective. And from the individual point of view, it would cause great distress of mind to many through the fear not only that they themselves would be thus 'eliminated', but also that that might be the fate of some beloved relative ... Certainly 'scientific baby murder' cannot be tolerated, and in regard to eugenic reform generally, we must never attempt to act through the agency of the death rate, but only through that of the birth rate.


Also condemning sterilisation, Darwin favoured 'conception control' above all. [43] But it is the fact that he felt the need to devote not inconsiderable space to the lethal chamber that is so interesting; even in the interwar years, it seems that the idea still existed, at least to the extent that those who wanted eugenics to be taken seriously had to prove their distaste for it. Even a radical hereditarian like Charles Armstrong -- who believed that 'It is chiefly "humanitarian" legislation that is now deliberately destroying our fine stock' -- felt it necessary to stress in the rush to 'diminish the dangerous fertility of the unfit' that it was sterilisation rather than the other two options of segregation or the lethal chamber that was preferable. [44]

The only other reference I have found for the interwar period appears in the fringe context of an Imperial Fascist League meeting in 1937. Richard Thurlow, in his ground-breaking book Fascism in Britain, gives the details: Henry Hamilton Beamish, vice-president of the IFL (and founder of the Britons in 1918) gave a talk entitled 'National Socialism (Racial Fascism) in Practice in Germany' in which he lauded Hitler's Germany for having identified 'the enemy'. He then added, as Thurlow notes, 'with chilling prophecy', that 'it would be the task of a great leader, Hitler for preference, to march into Russia in the next five years and place one half of the population in the lethal chamber and the other half in the zoo'. [45]

The use of the phrase by an extremist like Beamish would not be so interesting were it not for the fact that it clearly has an intellectual heritage going back to the turn of the century. By the 1930s Beamish already -- in England, at any rate -- sounded like the champion of a lost cause; but in Germany the cause was of course gaining ground. Before the First World War, the work of Galton and his successor Karl Pearson had long since argued for the importance of genetic over environmental factors in determining human heredity; by the time of Beamish's lecture in 1937 or Ludovici's published plans for selective breeding programmes, such an extreme, one-sided position was, scientifically speaking, outdated. G. R. Searle is certainly correct to state that demands for the use of the lethal chamber 'were never seriously put forward by British eugenists'; [46] nevertheless, the whole language of racial deterioration, elimination of the unfit, and scientific, objective and hence unalterable descriptions of the evils of miscegenation, hybridisation and degeneration fed deftly into the programmes of racists. Besides, the idea of the lethal chamber was certainly kept alive precisely by those same eugenicists who sought to fight off any association with it, just as it was in the imaginative literature of H.G. Wells, who in 1933 fantasised about a gas attack on Berlin in 1940, describing in detail the corpses laid out on Unter den Linden, a scene whose ironic value needs no comment today, since it bears so uncanny a resemblance to descriptions of bodies in the Nazi gas chambers. [47]

These ideas ultimately penetrated rather more deeply in Germany than in Britain. George Mosse has shown the considerable success with which the Archiv fur Rassen- und Gesellschaftsbiologie (Journal for Racial and Social Biology), founded in 1904, propagated Galton's and Pearson's ideas. It followed with especial interest developments at Pearson's Francis Galton Laboratory for National Eugenics, founded at University College London in the same year. [48]

While eugenics, or at least the laws of heredity in relation to race, had become scientifically acceptable by 1914, it was to be in 1930s Germany rather than in Britain that the language of the Volkskorper became the basis for a state-sanctioned programme of 'national purification'. The reasons for this are beyond the scope of this chapter, and have anyway been discussed many times over elsewhere. Here I want only to ask, since the field of eugenics was established in Britain, and was eagerly taken on board by German scientists, might it not also be the case that the notion of the 'lethal chamber', which had existed in British literature on eugenics since the turn of the century, also fed into the fantasies which eventually led to the gas chambers? If so, and far more research would be required to prove it, can the notion of the 'unimaginableness' of the Holocaust be modified? Could it be that, in Britain especially, the Nazi project should have been recognised as akin to an earlier British concern?

***

That the idea of the 'lethal chamber' was a British concern is shown in a rather shabby example of postwar extreme-right writing. Anthony Ludovici was almost eighty when, in 1961, he published Religion for Infidels, an attack on the weak, effete ethics that had been spread by the teachings of Christianity. The book reiterated what had been Ludovici's favourite theme since the beginning of his writing career: degeneration, this time presented as one of 'the most disastrous results of Christianity's disregard for biological attributes in the estimation of human worth'. [49]

It is when Ludovici turns to his solution to this ongoing biological deterioration that the text becomes interesting in this context. It is worth citing at length:

'Then what is your remedy?' the reader asks; and, in the defiance of his tone, I sense his assumption that he knows my answer and has the appropriate retort ready. What he expects me to say is, 'A lethal chamber for the human rubbish we are salvaging at the cost of the dwindling minority of the sound and promising,' and if I hint at such a thing, he is prepared at once to retort that the decent English public would never tolerate such 'Nazi' or 'fascist sadism.'

Incidentally, it should be noted that when the average person formulates this sort of reply, he not only shows himself incapable of going further back in history than World War II -- as if thought on this question began then -- but also betrays his expectation of immediate applause from every moron in the nation, whose alleged inability to suffer the violent elimination of even selected lower-grade defectives, is compounded with the patient, not to say, cheerful, endurance of the death of thousands of quite unselected and presumably sound adults and children on our highways every year.


But Ludovici claims that he has 'no intention of proposing ... a lethal chamber', if only because this would 'confirm people in their Christian sophistries'. It is because, he says, 'the "lethal chamber" solution is the only one popularly conceived as possible for relieving society of the crushing burden consisting of its biological trash and dregs, and of cleansing the national stock and protecting it from further contamination, [that] nothing whatsoever is done about it ...' If only people would listen to his solution, a 'transvaluation of all values' which would harden spirits against the depraved and degenerate, the problem would automatically take care of itself:

Men must learn again to feel in their hearts contempt and repugnance for biological depravity; and when this lesson has been learnt and the taste displayed in mating correspondingly chastened, there will be no need to argue over the pros and cons of a lethal chamber for human rubbish, for morbidity and defect will insensibly and inevitably diminish to the extent of ceasing to be a social problem. [50]


There is a certain ambivalence here; either way, it is not attractive. Ludovici knows he cannot defend the 'lethal chamber' option, though one senses he has no particular objection to it, but his proposed solution arrives at the same end. In the year that Raul Hilberg published The Destruction of the European Jews, the major landmark in the historiography of the Holocaust, a British right-wing thinker was, in so many words, advocating the elimination of the 'unfit'. It seems that although the British never put into operation the lethal chamber they invented, leaving it to the Germans to claim that notoriety, a few among them were so impressed by the results that they could still appeal to it after the war as the benchmark by which their own projects of biological regeneration should be judged. The 'lethal chamber', though it was realised by the Germans, was, like eugenics in general, certainly also a British problem.

-- Breeding Superman: Nietzsche, Race and Eugenics in Edwardian and Interwar Britain, by Dan Stone


[Heinrich Blucher (1899-1970)] Don't you see that every law,
every commandment was turned upside down.

[Hannah Arendt] [Shakes her head affirmatively]

[Heinrich Blucher (1899-1970)] It was not "Thou shalt not kill,"
but "Thou must kill."
To do your duty, goodness was a temptation you had to resist.

[Hans Jonas (1903-1993)] Great.
So no one is responsible or guilty.
Every sane person knows murder is wrong.

[Hannah Arendt] [Laughs] Then most Europeans, including many of our friends,
went insane overnight.

[Hans Jonas (1903-1993)] Heidegger was your friend.

[Lore Jonas] Hans!

[Hannah Arendt] He wasn't our only disappointment.

[Hans Jonas (1903-1993)] You can't write like this for the New Yorker.
You cannot!

[Heinrich Blucher (1899-1970)] Hans, the glass door!

[Hans Jonas (1903-1993)] It's all too abstract. And confusing.
They don't want a philosophy lesson.
They have to know what the Nazi Eichmann did.

***

[Mary McCarthy (1912-1989)] Oh, Hemingway was just an ambulance driver, Thomas.
As a writer, he was nothing more than the premature ejaculator of the 20th century.

[Professor Thomas Miller] Oh, you just hate him because he wrote like a real man.

[Jonathan Schell] [Laughs]

***

[Hans Jonas (1903-1993)] Do you want to forgive him?

[Hannah Arendt] That's absurd.
I'm glad he'll be hanged.

***

[Charlotte Beradt (1907-1986)] So, here's to Heinrich's recovery.

[Mary McCarthy (1912-1989)] [In English] Well, come on.

[Lore Jonas] Yeah. To Heinrich.
Come over, please.

[Charlotte Beradt (1907-1986)] To his health. We drink to his health.

[Mary McCarthy (1912-1989)] A very good idea.

[Hannah Arendt] [In German] Here, Hans. To Heinrich.

[Chattering]

[Lore Jonas] Cheers.

[Lotte Kohler (1920-2011)] Cheers.

[Hannah Arendt] Stups, here's to you.
No more kissing. Except for me.

***

[Hannah Arendt] Why was Hans so furious with me?

[Heinrich Blucher (1899-1970)] He's in love with you. Has been ever since he was a student.

[Hannah Arendt] [Scoffs]
Nonsense.

[Heinrich Blucher (1899-1970)] He hates Heidegger more for stealing your heart than for joining the Party.

[Hannah Arendt] [Chuckles]
Then he should hate you even more.

[Heinrich Blucher (1899-1970)] [Chuckles]
Maybe he does.
Celebrating my health
is exhausting.

[Spanks Hannah]
I'm off to bed.

[Hannah Arendt] [Exhales deeply]

[Door closes]

[Hannah Arendt] [Sighs]
[Remembering]

[Martin Heidegger (1889-1976)] Thinking
does not bring knowledge,
as do the sciences.
Thinking
does not produce usable,
practical wisdom.
Thinking ...
does not solve the riddles of the universe.
[Young Hannah Arendt] [Listening to Heidegger]
[Young Hans Jonas] [Seeing how attentively young Hannah listens]
Thinking does not
endow us with the power to act.
We live
because we are alive.
And we think ...
because we are thinking beings.
[Young Hannah Arendt] We are so used to considering
reason and passion as opposites,
that the idea of passionate thinking,
where thinking and being alive are one and the same,
is terrifying for me.
[Clock ticking]
Excuse me.
[Martin Heidegger (1889-1976)] No. Hannah!
***
[Young Hannah Arendt] [Waiting outside her door]
[Footsteps approaching]

[Martin Heidegger (1889-1976)] [Embraces Hannah]

***

[Frances Wells] [To William Shawn] Tolstoy wrote War and Peace in less time.

[Picks up his phone and hands it to him]

[William Shawn (1907-1992)] [Looks up Hannah's number in rolodex]
[Dials her number]

[Hannah Arendt] [Laying on the couch thinking]

[Phone ringing]
[Ringing continues]

[Hannah Arendt] Hello?

[William Shawn (1907-1992)] Mrs. Arendt.
Bill Shawn here.
Is this a good time to talk? I mean, are you busy?

[Hannah Arendt] Yes. Why?

[William Shawn (1907-1992)] Can I be of any help?

[Hannah Arendt] How?

[William Shawn (1907-1992)] Perhaps if you've finished the first article, I could have a look.

[Hannah Arendt] Mr. Shawn, I don't deliver in pieces.

[William Shawn (1907-1992)] O-Of course. I do realize what an enormous task this is ...
and wanted to let you know how much we're looking forward to the results.

[Hannah Arendt] Well, then perhaps I should get back to it instead of chatting on the phone.
Or did you want to pressure me with a deadline?

[William Shawn (1907-1992)] No, of course not. Take as long as you need.

[Hannah Arendt] Thank you.
Bye.

[Frances Wells] What's the matter with you? Have you fallen in love with her, or what?

[William Shawn (1907-1992)] [Not very convincingly] Oh, God, no.

[Hannah Arendt] [Back on the couch, remembering]
[Judge] [In German] You claim you weren't a normal recipient of orders.
You thought about what you were doing.
Didn't you say that?

[Adolf Eichmann (1906-1962) I don't believe so, no.

[Judge] You didn't think about it?

[Adolf Eichmann (1906-1962) Sorry?

[Judge] You didn't think about it?
You were an imbecile?
You didn't think at all?

[Adolf Eichmann (1906-1962) Think?
Yes.
Of course I thought about what I was doing.

[Judge] You were not an imbecile?

***

[Hannah & Lotte] [Chattering in German]

[Hannah Arendt] [To Heinrich] Are you sure you can go?

[Heinrich Blucher (1899-1970)] You've got everyone so worried, they'll have a wheelchair waiting.

[Hannah Arendt] [Chuckles] I'm sure some lovely women will be very eager
to push you around.

[Heinrich Blucher (1899-1970)] No one can push me around like you.
[Kisses her]
Lotte ...
Take good care of her.

***

[Lotte Kohler (1920-2011)] [brings Hannah some tea]

[Hannah Arendt] Thanks.
Listen to this.
I've changed the paragraph.
"Evil is supposed to be something demonic.
Its incarnation is Satan.
But in the case of Eichmann,
one could find no such trace of satanic 'greatness.'
He was simply unable to think."

[Lotte Kohler (1920-2011)] That's great.

[Hannah Arendt] It's better, right?

[Lotte Kohler (1920-2011)] [Scoffs]

[Hannah Arendt] Yes ...
[Typing]
[Hands paper to Henrich]
Voila, monsieur.

***

[William Shawn (1907-1992)] "From a humdrum life without significance and consequence,
the wind had blown Adolf Eichmann into history."
Fascinating choice. It begins so poetically.

[Frances Wells] A bit over the top.
"A leaf in the whirlwind of time,
he was blown into the marching columns of the 1,000-year Reich."
Twice in a row with a wind metaphor?

[Jonathan Schell] But listen to this.
"It was sheer thoughtlessness.
Something by no means identical with stupidity ...
that predisposed him to become ...
one of the greatest criminals of the 20th century.
He was simply unable to think."

[William Shawn (1907-1992)] That's original.

[Frances Wells] This here is also quite original.
They'll have our heads for this:
"Wherever Jews lived,
there were recognized Jewish leaders,
and this leadership, almost without exception,
cooperated in one way or another, for one reason or another,
with the Nazis.
The whole truth is ...
that if the Jewish people had really been unorganized and leaderless,
there would have been chaos and plenty of misery,
but the total number of victims would hardly have been ...
between four and a half and six million people."

[Jonathan Schell] Jewish leaders testified at the trial. It had to be mentioned.

[Frances Wells] She's blaming the victims.

[William Shawn (1907-1992)] That's not true, Fran.
She clearly makes a distinction between the powerlessness of the victims ...
and the dubious choices of some of their leaders.

[Frances Wells] "Clearly"? Don't exaggerate.

[William Shawn (1907-1992)] The whole section is only 10 pages out of almost 300.

[Frances Wells] Them's fighting words, Bill.
You better make sure she's got her facts straight,
or we'll be needing bodyguards --
for her and for us.

[William Shawn (1907-1992)] She doesn't strike me as someone who's off on the facts.
But as for the grammar --

***

[William Shawn (1907-1992)] [To Hannah] What you have written is simply brilliant.
I suggest that it be broken up into five articles.

[Hannah Arendt] Five?

[William Shawn (1907-1992)] If I give it that much space,
it will entail very few changes.
I spoke with your editor, and he told me the book will come out directly afterwards.
Congratulations.

[Hannah Arendt] Thank you.

[William Shawn (1907-1992)] Shall we?

[Hannah Arendt] Sure.

[William Shawn (1907-1992)] This is Greek, right?

[Hannah Arendt] "Einai." It means "to be," in the sense of existence.

[William Shawn (1907-1992)] But, of course, you realize that most of our readers don't understand Greek.

[Hannah Arendt] They should learn.

[William Shawn (1907-1992)] [Laughs]
[Exhales deeply]
There is really only one section ...
that, um,
worries us a bit.

[Hannah Arendt] Oh, today you say "us," and not "me"?
Invoking your army, Mr. Shawn?

[William Shawn (1907-1992)] Yes.
Maybe I am.
It's this description of the Jewish leaders.

[Hannah Arendt] Their relationship with Eichmann's office was very important.
I think I made that quite clear.

Von Mildenstein rapidly became the party expert on Zionism. He was said to have read Herzl's "Der Judenstaat" and insisted his subordinates do likewise. One of these subordinates was a man named Adolf Eichmann. Von Mildenstein, and later Eichmann, developed the Jewish Section of the Reich Security Main Office, which in the late 1930s coordinated Jewish emigration policies. In the early 1940s, Eichmann's domain would change from emigration and Zionism to deportation and genocide, as he orchestrated the shuttling of millions of Jews to the gas chambers of Europe....

A showdown over the Transfer Agreement occurred in late 1935 during the Nineteenth Zionist Congress held in Lucerne, Switzerland. The German Zionists were this time allowed to attend, with Adolf Eichmann monitoring from afar the delegation's every move. Mindful of Eichmann's distant scrutiny, the German delegates were the principal opponents of any boycott attempts. After great debate, the Congress finally declared that the Zionist Organization would openly take control of the Transfer Agreement from the Anglo-Palestine Bank. The bank complied by transferring its stock in Haavara Ltd. to the Jewish Agency. Just days later, the promised Nuremberg laws were published. The place for Jews in Germany was officially dissolved. The place for Jews in Palestine was all that was left....

The Nazi hierarchy broke into two distinct schools of thought. The first wanted to expand the Haavara to concentrate as many Jews as possible in distant Palestine. The Jews would then be isolated from Germany's enemies, such as France and Great Britain. Later, when Germany was ready, perhaps it could still tackle the "Jewish menace" while Jews were concentrated and prone in one remote setting. The second school of thought, led by Eichmann, believed the Jews could and would create a state, that the Third Reich had been duped through Haavara into supplying the men and materials, and that once established, that state would become a "Jewish Vatican" devoted to Germany's destruction. Eichmann's answer was mass dispersion of utterly destitute Jews throughout the remote regions of South America and Africa, where local populations would rise up against them and wipe them out. In the fall of 1937, after several months of uncertainty, der Fuhrer finally decided in favor of Haavara; the government added its insistence that Jews be expelled not only from Germany but from all of Europe. Hitler's final attempt to prepare for war -- the so-called Four Year Plan -- was already under way. He wholly expected to begin his conquest of Europe in late 1939. Germany did not want yet another Jewish problem waiting when the Reich took over neighboring lands.

-- The Transfer Agreement: The Dramatic Story of the Pact Between the Third Reich and Jewish Palestine, by Edwin Black


[William Shawn (1907-1992)] Yes, of course,
but you do offer a kind of interpretation of your own ...
that might be -- that might disturb just a bit.

[Hannah Arendt] That is incorrect.
I purposely did not attempt to analyze ...
or to explain their behavior.

[William Shawn (1907-1992)] "To a Jew,
this role of the Jewish leaders in the destruction of their own people ...
is undoubtedly the darkest chapter of the whole dark story."
Now that could count as a kind of interpretation.

[Hannah Arendt] But it's a fact.

***

[JAMES A NEWMAN AUDITORIUM]

[People] [Chattering]

[Hans Jonas (1903-1993)] [Reading the New Yorker]

[Student Peter] Finally.

[Student Jerry] I can't wait to read it.

[Student Peter] [To Hans Jonas] How do you like it?

[Hans Jonas (1903-1993)] "How"?
"How" is an assumption. You should ask me if I like it.
[Hands student the magazine and unhappily walks off]

***

[Phone rings]

[William Shawn (1907-1992)] [Answers phone]

[Man] You have no right to bring these issues out in public.
You don't know what you're talking about. I will cancel --

[William Shawn (1907-1992)] [Hangs up phone]

[Frances Wells] [Mockingly] "Only 10 pages."
That makes a hundred phone calls per page.
So far.

[Telephone rings]

[Frances Wells] [Answers phone]

[Woman] ... is crap!

[Frances Wells] [Hangs up phone]

***

[Hannah Arendt] [Typing]

[Talking on phone] [To Lotte] Just ignore them ...
[In English] You'll drive yourself crazy.

[Lotte Kohler (1920-2011)] [In German] But Shawn's response in the New Yorker is very convincing.
Should I send it to you?

[Hannah Arendt] What response?

[Lotte Kohler (1920-2011)] To that vicious article in The New York Times.

[Hannah Arendt] Oh, you mean that!
[In English] Forget it.
[In German] Tell me how Heinrich is doing.

[Lotte Kohler (1920-2011)] Charlotte cooks for him every evening.

[Hannah Arendt] Please tell her that Henrich can only eat meat twice a week.

[Lotte Kohler (1920-2011)] Yes.

[Heinrich Blucher (1899-1970)] [Gestures Lotte to give him the phone] Hello ... My darling.
You're all the rage around here.

[Hannah Arendt] Hello, Stups.
Let's not waste time on that.

[Heinrich Blucher (1899-1970)] The Israeli prosecutor is flying here
to speak to survivors in New York.
Listen to the Daily News headline:
[In English] "Prosecutor Answers ...
Hannah Arendt's Bizarre Defense of Eichmann."
[In German] On the front page!

[Hannah Arendt] All just a tempest in a tea cup.

[Heinrich Blucher (1899-1970)] This is no tempest. It's a hurricane, Hannah.

[Hannah Arendt] Tell me what's for dinner.

[Heinrich Blucher (1899-1970)] Spinach,
whole wheat bread and water.
It's good you're not here in New York.
They are all accusing you
of having defended Eichmann, Hannah.

[Hannah Arendt] Stups, it's just a few articles in a magazine.

[Heinrich Blucher (1899-1970)] My dear,
you are really naive.

[Lotte Kohler (1920-2011)] [Quietly witnessing]

***

[Charlotte Beradt (1907-1986)] [To Heinrich] She thinks her sarcasm will protect her.

[Heinrich Blucher (1899-1970)] [Serving himself some meat]
[Pouring Charlotte some wine]

[Charlotte Beradt (1907-1986)] It only shows me her vulnerability.
She tries to detach herself from the story
but ends up bringing it closer to her.

[Heinrich Blucher (1899-1970)] Wrong, completely wrong.
It's not about her.

[Charlotte Beradt (1907-1986)] But where is she ...
when she writes about this Nazi and his crimes?
She has the right to feel pain, and to show it.

[Heinrich Blucher (1899-1970)] That would be shameless. And quite out of character.

[Charlotte Beradt (1907-1986)] You have to be aware that if she represses so much pain,
it will eventually overwhelm her.
And you too.

***

[Birds chirping]

[Jazz Piano]

[Hannah Arendt] [Remembering]
[Jazz Piano continues]

[Hotel Receptionist] Professor Heidegger is here for you.
[Hannah Arendt] Thanks.

[Martin Heidegger (1889-1976)] Time is mysterious:
it can return and transform everything.
As I saw you again and you stood there in your beautiful dress
I knew that this would be the beginning of something new for us.
Please stop a moment.
[Hannah Arendt] I wasn't sure if I should come.

[Martin Heidegger (1889-1976)] There is no greater invitation to love than to love first:
"Nulla est enim maior
ad amorem invitatio quam prevenire amando."
St. Augustine.
Your last letter grieved me.
How could you believe all that slander?

[Hannah Arendt] After I read your first rector's speech I was sick to my stomach.
I couldn't believe it.
The man who'd taught me to think was behaving like a fool.
[Martin Heidegger (1889-1976)] I know they were bitter years for you, full of misery, hardship and helplessness.
But they weren't easy for me either.
[Hannah Arendt] Martin, I came here because I want to understand.
[Martin Heidegger (1889-1976)] Hannah ...
I'm like the lad who dreams and knows not what he does.
I have no talent nor experience with politics,
but now I have learned and in the future
I want to learn even more.

[Hannah Arendt] Then why not bring this to an end and explain yourself in public?

[Car approaching]

[Horn honks]

[Mary McCarthy (1912-1989)] You're the toast of the town.
[Chuckles]

[Hannah Arendt] Mary. Hello.

[Mary McCarthy (1912-1989)] Oh, my goodness, it's good to see you. Here.
[Gives her roses]

[Hannah Arendt] Oh. Beautiful.

[Mary McCarthy (1912-1989)] They're from Jim.
He sends his love. He can't wait to meet you.

[Hannah Arendt] Well, when will I finally meet him?

[Mary McCarthy (1912-1989)] Well, we'll sort something out.

[Hannah Arendt] How was the trip?

[Mary McCarthy (1912-1989)] Oh, my goodness. It was great, but I'm starving.

***

[Jazz over the speakers]

[Crowd in poolhall chattering]

[Mary McCarthy (1912-1989)] You should come to the talk.

[Hannah Arendt] Oh -- You can't do that.
You have to follow the rules.

[Mary McCarthy (1912-1989)] Oh, why? Nobody else does.
[Inhales, exhales deeply]

[Hannah Arendt] But what do you want me to discuss?
There has not been one single critique of what I actually wrote.

[Mary McCarthy (1912-1989)] Did you really have no idea there would be such a furious reaction?

[Hannah Arendt] [Shakes her head no]

[Mary McCarthy (1912-1989)] Oh, Hannah. Not even a little?
You did take a certain tone, not the usual one.

[Hannah Arendt] Untrue. The tone is quite normal for me.

[Mary McCarthy (1912-1989)] Well, for you, yes, but no one's ever dared to be the least bit ironic about the situation.

[Hannah Arendt] You are trying to distract me.

[Mary McCarthy (1912-1989)] Never.

[Hannah Arendt] [Hits the ball and misses]

[Mary McCarthy (1912-1989)] Oh.

[Hannah Arendt] See?

[Mary McCarthy (1912-1989)] [Chuckles]

[Hannah Arendt] I'm telling you, it is useless.
I'm sure half of them haven't even read the book.

[Mary McCarthy (1912-1989)] Exactly. And that is why you should speak publicly about it.

[Hannah Arendt] No.

[Mary McCarthy (1912-1989)] Yes. Expose their hypocrisy.
Force them to a real discussion.

[Hannah Arendt] I refuse to explain myself to these dimwits.

[Mary McCarthy (1912-1989)] [Sighs]

[Hannah Arendt] [Hits ball and misses again]

[Mary McCarthy (1912-1989)] [In German] In the silent dialogue with myself ...
[In English] I am alone.

[Hannah Arendt] You have a very good memory.

[Mary McCarthy (1912-1989)] Ja.

[Hannah Arendt] Terrible accent.

[Mary McCarthy (1912-1989)] [Chuckles]
If I win, do you promise to answer me a terribly personal question?

[Hannah Arendt] You won't win --

[Mary McCarthy (1912-1989)] Mm-hmm.

[Hannah Arendt] If I can promise you anything.

[Mary McCarthy (1912-1989)] [Hits the ball into the hole and wins]
So ...
Was he the greatest love of your life?

[Hannah Arendt] Who?

[Mary McCarthy (1912-1989)] You know.

[With German accent] Your secret king of thinking.

[Hannah Arendt] No. He was not.
That is Heinrich.

[Mary McCarthy (1912-1989)] All right then. Uh, fill in the blank.
"Heidegger was the greatest __ in my entire life."
Oh, come on. I won't tell anybody.

[Hannah Arendt] There are some things ...
that are stronger than a single human being.

***

Statistics: Posted by admin — Fri Jun 26, 2015 7:07 am


]]>
2015-06-26T07:07:00+00:00 2015-06-26T07:07:00+00:00 http://survivorbb.rapeutation.com/sbb-bak/viewtopic.php?p=8942#p8942 <![CDATA[Still Videos and Transcripts • Re: Hannah Arendt, directed by Margarethe von Trotta]]>
[Adolf Eichmann (1906-1962) [In German] Yes, I read here that during the transport
15 people died.
I can only say that these records
were not the responsibility of department 4B-4.
They are from the local authorities, according to their guidelines.

[Female Translator] [In English] It says here that the order was given by the Reichsfuhrer.
But tell me, why do you have the officer -- to be the officer transferring this order?
Why Eichmann?

[Gideon Hausner (1915-1990)] [Speaking Hebrew]

[Female Translator] Does the Reichsfuhrer have no other way of contacting but Eichmann?

[Adolf Eichmann (1906-1962) [In German] The document makes it clear
that the local police, or headquarters thereof,
made the request to Section 4B-4.
Thus I received the matter for its continued processing
and dealt with it in an intermediate capacity.
As I was ordered to do. I had to follow orders.

[Gideon Hausner (1915-1990)] [Speaking Hebrew]

[Male Translator] [In German] But it was you who decided
how many people were to be put into each railway car, no?

[Adolf Eichmann (1906-1962) I had orders.
Whether people were killed or not,
orders had to be executed.
In line with administrative procedure.
I was only responsible for a small part of this.
The other parts that were necessary until one of these trains rolled out
were carried out by another department.
Mr. Chairman, I have the feeling I'm being grilled here
until the steak is done.
Because of charges ...
that are impossible to substantiate.

[Kurt Blumenfeld (1884-1963)] [To Hannah] Now you've finally heard the predator.
Are you all right?

[Hannah Arendt] Yes, I'm fine.

[Kurt Blumenfeld (1884-1963)] Good.

[Israeli Girl Soldiers] [Chattering]

[Kurt Blumenfeld (1884-1963)] Good.
Well ...

[Hannah Arendt] He's so different than I imagined.

[Kurt Blumenfeld (1884-1963)] He was with the SS. They're scary creatures.

[Hannah Arendt] But he's not.
That's precisely it.
He sits in his glass box
like a ghost ...
A ghost who happens to have a cold.
He's not spooky at all.
He's a nobody.
He speaks in this awful bureaucratic language.
He suddenly says things like:
"I feel like a rump steak that's being grilled ..."

[Kurt Blumenfeld (1884-1963)] [Laughing]

[Hannah Arendt] Incredible!

[Kurt Blumenfeld (1884-1963)] Waiter! I assume you don't want a steak now.

[Hannah Arendt] Trying to cheer me up?
"One notices the intention and is displeased."

[Kurt Blumenfeld (1884-1963)] "One feels the intention and is displeased."

[Hannah Arendt] "What pleases you is permitted ..."
Also from Tasso.

[Kurt Blumenfeld (1884-1963)] "What behooves you is permitted ..."

[Man at Restaurant] "If you would like to learn what behooves one,
you have only to ask a noble lady ..."

[Hannah Arendt and Kurt Blumenfeld] [Laughing]

[Man at Restaurant] My father was a tailor in Berlin.
He always quoted Faust as he shaved.
Mephistopheles was his favorite.

[Hannah Arendt and Kurt Blumenfeld] [Laughing]

[Kurt Blumenfeld (1884-1963)] "Blood is a very special juice."
Eichmann.

"Blood is a very special fluid."

-- The Occult Significance of Blood, by Rudolf Steiner


"Blood is a juice of rarest quality."

-- Faust, by Johann Wolfgang Von Goethe


[Hannah Arendt] Eichmann is no Mephistopheles.

Racism was now triumphant and the ZVfD ran with the winner. The talk of blut began to take hold with a statement by Blumenfeld in April 1933 that the Jews had previously been masking their natural blood-sanctioned apartness from the real Germans, but it reached Wagnerian proportions in the 4 August Rundschau with a long essay, 'Rasse als Kulturfaktor', which pondered on the intellectual implications for Jews of the Nazi victory. It argued that Jews should not merely accept silently the dictates of their new masters; they, too, had to realise that race separation was wholly to the good:

We who live here as a 'foreign race' have to respect racial consciousness and the racial interest of the German people absolutely. This however does not preclude a peaceful living together of people of different racial membership. The smaller the possibility of an undesirable mixture, so much less is there need for 'racial protection'… There are differentiations that in the last analysis have their root in ancestry. Only rationalist newspapers who have lost feeling for the deeper reasons and profundities of the soul, and for the origins of communal consciousness, could put aside ancestry as simply in the realm of 'natural history'.

In the past, the paper continued, it had been hard to get Jews to have an objective evaluation of racism. But now was the time, indeed past time, for a bit of 'quiet evaluation': 'Race is undoubtedly a very important, yes, decisive momentum. Out of "blood and soil" really is determined the being of a people and their achievements.' Jews would have to make good for 'the last generations when Jewish racial consciousness was largely neglected. The article warned against 'bagatellised' race, and also against the CV, who were beginning to abandon their traditional assimilationist ideology in the wake of the disaster, but 'without changing basically'.

Challenging the racist bona fides of their rivals was not enough. To prove that the 'Jewish Renaissance Movement' had always been racist, the Rundschau reprinted two pre-1914 articles under the title 'Voices of the Blood'. 'Das singende Blut' by Stefan Zweig and ‘Lied des Blutes' by Hugo Salus rhapsodised about how 'the modern Jew… recognizes his Jewishness… through an inner experience which teaches him the special language of his blood in a mystical manner'.

-- Zionism in the Age of the Dictators: A Reappraisal, by Lenni Brenner


***

[Man] [In English] My father was 58. My mother -- she was 43.
My brother, who was 22. I was 21.
My sister was 19.
My brother was 16.
My other brother was 14.
Sister was 8. And the little brother was 5.
We trying to keep together and go along on the road,
what have been told by this brave SS.

[Judge)] [In Hebrew] And who remains of your family members?

[Man] [In English] Only myself.

[Male Translator] [Speaking Hebrew]

[Man] [In German] When we were counted later on,
200 or 210 of us remained
of the 1200 who'd been transported.
The next ones were all gassed.
Those who arrived just after us,
they were all gassed.
It was ...
[Covers his face with his hands]
[Breaking down and crying]
Excuse me ...

[Judge] Please try ...

[Adolf Eichmann (1906-1962)] [With his never-ending smirk, like George Bush, Jr.]

[Mr. De-Nur] [Speaking Hebrew]

[Female Translator] [In English] And this was power --
the unnatural power above nature,
which sustained me.

[Mr. De-Nur] [Hebrew continues]

[Female Translator] So that after the period of Auschwitz --
two years in Auschwitz -- when I was a Muslim,
to withstand --

[Mr. De-Nur] [Breaking down]

[Judge] Mr. De-Nur. Please. Please listen to Mr. Hausner.

[Mr. De-Nur] [Falls down in an emotional attack]

[Crowd] [Gasps, murmurs]

[Judge] Be calm, please.
Please remain where you are.

[Police] [Carry prostrate Mr. De-Nur out]

[Judge] Everyone remain where they are.

***

[People] [Chattering]

[Hebrew continues on radio]

[People] [Chattering]

[Concierge] Madam, your phone call to America has gone through.

[Hannah Arendt] Oh, thank you.
[In German] [To Heinrich] If you could see how they try to stay calm while testifying ...
Most of the stories have nothing to do with Eichmann as an individual.

[Heinrich Blucher (1899-1970)] But we both knew from the start
that the trial would be more about history than the deeds of one man.

[Hannah Arendt] But it's still dreadful.

[Heinrich Blucher (1899-1970)] Oh, my little girl from far away.

[Female Operator] Three minutes are over.

[Hannah Arendt] [Groans] Three minutes already.
This is costing a fortune!
I've got to go.
Yes. See you soon.
[Line clicks]

***

[Rabbi] Oh, they wanted a central organization
which would be the spokesman of Hungarian Jewry.

[Gideon Hausner (1915-1990)] Well, it doesn't matter at what meeting this was,
but did they say how many members such a committee should have,
which would be responsible to the Germans?

[Rabbi] [Speaking Hebrew]

[Male Translator] They told us ...
that about four or five persons should constitute that representative body.
They didn't call it Judenrat.
And, uh, this also calmed us down,
because we knew already ...
what was the purpose of the Judenrat.

[Female Translator] To what extent ...
did you report about the situation to the communities and the provinces,
those who were deported?

[Male Translator] There was no such possibility,
because by the time I obtained this information,
and by the time we realized what Auschwitz was,
uh, the eastern part of Hungary ...
and the northeastern part --
this comprised these 300,000 people --
they had received news from us.
They had known the fate, but what could we have done?
What could we have done?

During the first months of the Hitler regime, leaders of the Zionist movement concluded a controversial pact with the Third Reich which, in its various forms, transferred some 60,000 Jews and $100 million -- almost $1.7 billion in 2009 dollars -- to Jewish Palestine. In return, Zionists would halt the worldwide Jewish-led anti-Nazi boycott that threatened to topple the Hitler regime in its first year....

The Nazis had promised that upon assuming power they would rebuild Germany's economy, dismantle its democracy, destroy German Jewry, and establish Aryans as the master race -- in that order. Yet many Western leaders saw only the economic value of Nazism. Hitler seemed the only alternative to a Communist state, a man who might rebuild the German economy and pay Germany's debts. That would be good for all Western economies. As for the threat to Germany's Jews, that was a domestic German affair. [1]

Therefore, if the world's governments would not act, it would fall to the influential Jews of America to save their brethren in Germany. With the ability to be heard, the Jews of America, especially in New York, could mobilize economic and political pressure against Germany that would make war against the Jews a campaign of national suicide.

American Jewish muscle was not a sudden imagined power. For nearly a century, American Jews had been using economic pressure and protest to beat back anti-Semitic outrages throughout the world. But this time the American Jewish community would fail. That failure was tied to the so-called Big Three defense groups: the American Jewish Committee, B'nai B'rith, and the American Jewish Congress.

Both the American Jewish Committee and B'nai B'rith were founded by well-to-do German Jews with a special outlook. Like other European Jews, the Germans immigrated en masse following the political upheavals of the mid-nineteenth century. But unlike their East European counterparts, the Germans clung to their original national identity, and were economically more established. Moreover, many German Jews believed they were so-called Hofjuden, or courtly Jews, and that coreligionists from Poland and Russia were "uncivilized" and embarrassing. The bias was best summarized in a June 1894 German-American Jewish newspaper, the Hebrew Standard, which declared that the totally acclimated American Jew is closer to "Christian sentiment around him than to the Judaism of these miserable darkened Hebrews." [2]

The Original Semites were the fifth and most important of the seven Atlantean Races, because in them we find the first germ of the corrective quality of Thought. Therefore the Original Semitic Race become the "seed race" for the seven races of the present Aryan Epoch ....

Under the guidance of a great Entity, the Original Semitic Race was led eastward from the continent of Atlantis, over Europe, to the great waste in Central Asia which is known as the Gobi Desert. There it prepared them to be the seed of the seven Races of the Aryan Epoch, imbuing them potentially with the qualities to be evolved by their descendants....now his thoughts were to be turned from the visible Leaders, the Lords from Venus, whom he worshiped as messengers from the gods -- to the idea of the true God, the invisible Creator of the System. Man was to learn to worship and obey the commands of a God he could not see....

Out of all who were chosen as "seed" for the new Race, few remained faithful. Most of them were rebellious and, so far as they were concerned, entirely frustrated the purpose of the Leader by intermarrying with the other Atlantean Races, thus bringing inferior blood into their descendants. That is what is meant in the Bible where the fact is recorded that the sons of God married the daughters of men. For that act of disobedience were they abandoned and "lost." Even the faithful died, according to the body, in the Desert of Gobi (the "Wilderness") in Central Asia, the cradle of our present Race. They reincarnated, as their own descendants of course, and thus inherited the "Promised Land," the Earth as it is now. They are the Aryan Races, in whom Reason is being evolved to perfection....

Races are but an evanescent feature of evolution. Before the end of the Lemurian Epoch there was a "chosen people," different from the ordinary humanity of that time, who became the ancestors of the Atlantean Races. From the fifth race of those, another "chosen people" was drawn, from which the Aryan Races descended, of which there have been five and will be two more. Before a new Epoch is ushered in, however, there must be "a new Heaven and a new earth"; the physical features of the Earth will be changed and its density decreased. There will be one Race at the beginning of the next Epoch, but after that every thought and feeling of Race will disappear.

-- The Rosicrucian Cosmo-Conception, by Max Heindel


Having achieved a secure standing in America, the German Jews organized essentially to protect their position from any "Jewish problems" that might appear. In 1843, in a small cafe on New York's Lower East Side, twelve German Jewish leaders founded B'nai B'rith as a benevolent fraternal organization. By aiding the Jewish poor, they hoped to remove any Jewish welfare burden that could arouse Christian anti-Semitism. In the 1880s, after hordes of impoverished East European Jews flooded America, B'nai B'rith accepted these newcomers as lodge members, but largely to "manage" the East European Jewish presence in the United States. [3]

In 1906, as Czar Nicholas continued his anti-Semitic pogroms, men like Jacob Schiff, Louis Marshall, and Cyrus Adler went beyond philanthropy and constituted the American Jewish Committee. These powerful men would now function as a special lobby concerned with political problems important to Jews. The Committee initially limited its membership to roughly sixty prominent men, led by about a dozen central personalities from the realms of publishing, finance, diplomacy, and the law. [4] As individuals, they had already proven themselves combating hotels and other institutions that discriminated against Jews. Once united as the American Jewish Committee, they waged effective private economic war against the Russian monarchy. Their motives were not based on concern for East European Jews, but rather on a solid opposition to organized Jew hatred anywhere in the world.

But in 1933 things would be different. Quick as they were to oppose anti-Semitism in foreign lands, Germany held a special place in the hearts of Committee leaders. A foreshadowing of just how emotionally paralyzed the Committee would become in a crisis involving their ancestral home was amply displayed during the early years of World War I. Committee stalwarts were torn between their loyalties to the German Fatherland and America's popular allegiance to France and Britain. In 1915, Committee cofounder Jacob Schiff articulated his conflict in a note to German banker Max Warburg: "I still cherish the feeling of filial devotion for the country in which my fathers and forefathers lived, and in which my own cradle stood -- a devotion which imbues me with the hope that Germany shall not be defeated in this fearful struggle." [5] Committee members' open support for Germany against Russia did not alter until the United States actually entered the war.

Popular Jewish disenchantment over Committee policies and the known Hofjuden prejudice against the Jewish multitudes had long alienated America's East European Jewish community. Increasingly, the Jewish majority saw the gentlemen of the American Jewish Committee as benevolent despots, not entitled to speak for them. [6] In response, a number of national and regional Jewish organizations gathered in Philadelphia in June 1917 and affiliated into the American Jewish Congress. Proving their democratic character, 335,000 Jewish ballots from across the nation were cast. Three hundred delegates were elected and an additional one hundred appointed, representing thirty national Jewish organizations. [7]

After the war, the question of who would represent Jewish interests at the Peace Conference was bitterly contested. A delegation cutting across Committee and Congress lines finally did assemble at Versailles. But the Committee split off from other American Jewish groups negotiating Jewish rights when -- in the Committee view -- the proposed rights went "too far." Specifically, when Versailles mapmakers were redrawing boundaries based on religious, linguistic, and other ethnic affinities, popular Jewish sentiment demanded to be counted among the minority groups targeted for self-determination. That meant a Jewish homeland in Palestine -- Zionism. [8]

Committee leaders were repulsed by Zionism. In their view, a refuge in Palestine would promote Jewish expulsions from countries where Jews lived and enjoyed roots. Anti-Semitic regimes could point to Palestine and claim, "You belong there in your own nation." [9] However, majority Jewish sentiments won out at Versailles, assuring a Jewish homeland in Palestine, with stipulations preserving Jewish rights in other countries.

American Jewish Congress leaders returned from Versailles in triumph. They had helped create a Jewish homeland, as well as secure international guarantees for minorities in Europe. In the early 1920s, the Congress solidified its popular Jewish support, thereby becoming the third of the so-called Big Three.

By 1933, the Congress stood as the most representative and outspoken Jewish defense organization. In contrast, B'nai B'rith functioned as little more than a fraternal order (except for its autonomous Anti-Defamation League). And the Committee, in 1933, basically represented the interests of about three hundred and fifty prominent Jewish members. Nonetheless, the Committee and B'nai B'rith -- which often acted as a binary lobby -- were respected, influential, and adequately financed, with access to the most powerful circles of American government and business. By comparison, the Congress, despite its vast membership, constantly struggled for funds and for recognition. While the Committee and B'nai B'rith generally chose quiet, behind-the-scenes methods, Congress people -- predominantly East Europeans -- were accustomed to attention-getting protests. [10]

Yet, all were Jews, drawn from a common heritage. And as of January 30, 1933, there arose a clear need to unify to combat the greatest single anti-Jewish threat ever posed. Hitler promised not only to rid Germany of its Jews, but to cleanse the world as well. Action by America's Jews was required -- fast action....

REACTIONS to Nazi anti-Semitism were immediate, especially in America, reflecting the cross-sectional anger of ordinary people. Naturally, Jewish Americans were at the vanguard. That was a problem for many in Jewish leadership who considered Jewish protest their private province.

On February 22, 1933, B'nai B'rith president Alfred Cohen convened a special conference of fifteen Jewish leaders, five from each of the Big Three. Meeting in New York, the leaders reviewed the situation. [1] Thus far, Hitler was nothing more than an interim chancellor appointed until the next general elections scheduled for March 5. By March 5, Hitler might be gone. But if the election increased Hitler's voter support from a minority 33 percent to an actual majority, he would control the entire German government.

The conference was divided. Two of the American Jewish Congress representatives had discussed a series of public protests, here and abroad, to show the German people that the world was indeed watching and that Brownshirt violence against Jews must stop. The men of B'nai B'rith and the American Jewish Committee rejected this. B'nai B'rith didn't want to endanger its 13,000-member German organization or its 103 fraternal lodges in Germany by publicly antagonizing Hitler and the Nazis. The Committee leadership had close friends and relatives in Germany who had advised that public protest would surely provoke a far stronger Nazi counterreaction. Finally, the leaders agreed to establish a "Joint Conference Committee" merely to "watch developments in Germany very carefully" and hope for the best. [2]

But as the gathering broke up with an apparent trilateral agreement to keep mum, the Congress people planned otherwise. They hadn't told the B'nai B'rith or the Committee representatives, but two weeks earlier the Congress had secretly decided to pursue the path of protest. [3]

On February 27, 1933, the Hitler takeover began. Hitler himself was attending a party at Propaganda Minister Paul Joseph Goebbels' Berlin apartment. A frantic telephone call to Goebbels relayed the news: "The Reichstag is burning!" The Nazis snapped into action. During that night Hitler and Goebbels prepared a propaganda campaign. By the next morning, the German public was convinced that the fire -- which Hitler's own people probably ignited -- was in fact the beginning of a Jewish-backed Communist uprising. Hitler demanded and received temporary powers suspending all constitutional liberties.

The Nazis were riding a wave of anti-Jewish, anti-Communist hysteria. In the name of defending the nation from a Communist revolution, Hitler's private militia -- the Storm Troopers, or SA, together with rank-and-file party Brownshirts -- destroyed editorial offices, brutalized political opponents, and increased atrocities against Jews. Through it all, Nazi-dominated local police forces looked the other way. The apparatus of law and order in Germany had been suddenly switched off.

One week before the Reichstag fire, Hitler had met with over a dozen leading industrialists to assure them that nothing was as important to the Nazis as rebuilding the German economy. This was to be the foundation of a strong, rearmed Germany, which, under Hitler, would prepare for war and racial domination. All Hitler wanted from the gathered industrialists was their financial support in the days preceding the March 5 general election. Before the meeting was over, roughly $1 million was pledged to establish an unparalleled propaganda war chest, all to be spent over the next two weeks. With that prodigious sum, the Nazis were able to saturate every newspaper and radio station, dispatch pamphleteers to every city, and flood the streets of Germany with sound trucks blaring election propaganda. Under Hitler's emergency powers, only Nazis were permitted to rally voter support.

Yet when the March 5 votes were counted, the Nazis were still unable to muster a majority. Despite the biggest campaign blitz in history, Hitler polled only 43.9 percent of the vote. Only after sealing alliances with other rightwing parties did Hitler achieve a slim majority. Nevertheless, he called it a "mandate" and promised to quickly eradicate the enemies of Germany: Communism, democracy, and the Jews.

As the polls were opening March 5, the largest Jewish organization in Germany, the Central Verein in Berlin, issued a statement: "In meetings and certain newspapers, violence against Jews is propagated .... The spirit of hatred now directed against the Jews will not halt there. It will spread and poison the soul of the German people." When local Nazi party activists learned of the statement, Storm Troopers vandalized the Central Verein office. Worried about the impact of such news among anti-Nazi circles in New York, Nazi leader Hermann Goering summoned Central Verein leaders to his office for a formal apology and assurances that the incident would be the last. [4]

But within days, Germany's dark future became clear. On March 8 and 9, Hitler's Storm Troopers smashed into the provinces and towns. Within forty-eight hours, provincial authority was virtually disassembled and replaced with Hitler's hand-chosen people. At the same time, the Nazis began attaching party observers or kommissars to all major newspapers, companies, and organizations. Carefully orchestrated anti-Jewish actions in Essen, Magdeburg, and Berlin accompanied the takeover. In some cases, Nazi flags were merely raised over Jewish store entrances as owners "voluntarily" closed. In other cases, windows were shattered, stench bombs rolled in, customers escorted out, and proprietors manhandled. [5]

The Nazis now controlled not only the federal government, but state and local governments as well. Virtually every institution was now subject to Nazi party dicta and brought into readiness for the achievement of Nazi social, political, and economic aspirations -- including the elimination of German Jewry. On March 9, Central Verein leaders returned to Goering's Berlin office. He again used reassuring words to downplay the anti-Jewish incidents. [6] And the Central Verein wanted to believe.

In New York City, however, the Jews were more realistic. On March 12, the American Jewish Congress leadership convened a three-hour session and voted to commence a national program of highly visible protests, parades, and demonstrations. The centerpiece of the protest would be a giant anti-Nazi rally March 27, at Madison Square Garden. An emergency meeting of regional and national Jewish organizations was set for March 19 to work out the details. [7]

Before the group adjourned, Dr. Joseph Tenenbaum, a Congress vice-president, spoke a few words of warning to Germany for the newsmen present. Threatening a bitter boycott, Tenenbaum said, "Germany is not a speck on Mars. It is a civilized country, located in the heart of Europe, relying on friendly cooperation and commercial intercourse with the nations of the world .... A bellum judaicum -- war against the Jews -- means boycott, ruin, disaster, the end of German resources, and the end of all hope for the rehabilitation of Germany, whose friends we have not ceased to be." Measuring his final words carefully, Tenenbaum spoke sternly, "May God save Germany from such a national calamity." [8] The protest would begin -- American Jewish Committee or no American Jewish Committee.

The next day, March 13, American Jewish Committee leaders were startled to learn of the Congress' protest decision. The Committee called an urgent meeting of the Big Three for the following day under the aegis of the "Joint Conference Committee." The top leadership of the Congress attended, led by Rabbi Stephen S. Wise, the Congress' founder, currently serving as its honorary president. The hierarchy of the Committee and B'nai B'rith were at the meeting as well. The Committee's intent was to abort any Congress protest and forestall Congress attempts to contact "Washington circles." [9]

As the conference began, the Congress people defended their decision to rally at Madison Square Garden. They saw Hitler's bold provincial takeover and the accompanying violence against Jews as a threat that could no longer be ignored. Nazi rhetoric was turning into action at a frightening rate. And the Congress' national affiliates were demanding an immediate response, including a comprehensive boycott of all German goods and services. [10]

Wise added that he had been in touch with Supreme Court Justice Louis Brandeis, a leading American Zionist and one of Wise's close personal friends. The advice was to delay a direct appeal to newly sworn-in President Franklin Delano Roosevelt, who was preoccupied with America's Depression and a calamitous banking crisis. But Brandeis did feel that ultimately the matter should be brought to the ear of FDR personally. [11]

Those Congress leaders most favoring the path of protest and even boycott pleaded that only economic retaliation frightened the Nazis. Even Nazi party leaders had admitted Hitler's strength rested on the German public's expectation of economic improvement. [12]

Committee leader David Bressler scorned all protest ideas, insisting that any such moves would only instigate more harm than help for the German Jews. The Committee's reluctance was based upon urgent communications from prominent Jewish families to kill any anti-German protest or boycott. German Jewish leaders were convinced that the German public would abandon the Nazis once the economy improved. And even if Hitler remained in power, German Jewish leaders felt some compromise would be struck to provide Jewish cooperation for economic convalescence. Hitler might then quietly modify, or set aside, his anti-Semitic campaign. [13]

Wise was also reluctant to move on a boycott, but insisted that a joint protest statement be issued and efforts commence with the new administration in Washington. There could be no more delay. Bressler rejected this and castigated the Congress for even releasing its March 12 protest decision to the press. A conservative Congress leader, Nathan Perlman, tried to assure the Committee people that the protest policy would be overruled or delayed at a meeting of the Congress' Administrative Committee later that night. But Wise advised against second-guessing the Administrative Committee, suggesting instead that for now, the three major organizations agree on a joint statement and a Washington plan. American Jewish Committee Secretary Morris Waldman interrupted and declared that any trilateral action would hinge on the Congress's protest decision. Wise accepted that proviso. [14]

The Committee delegates were cautiously reassured. Immediately following the meeting they dispatched a telegram to B'nai B'rith president Alfred Cohen, in Cincinnati: "CONFERENCE THREE ORGANIZATIONS GERMAN SITUATION ... DISCOURAGING INDEPENDENT ACTION JEWISH GROUPS THROUGHOUT COUNTRY." [15]

But within hours, the Committee learned that its efforts had failed. The Congress' Administrative Committee had rejected the conservative position and by a vast majority opted for visible, vocal protest highlighted by the March 27 Madison Square Garden rally. The next morning, March 15, American Jewish Committee secretary Morris Waldman telephoned Congress vice-president W. W. Cohen to inform him that the Committee-B'nai B'rith binary would disassociate itself from the Congress -- indeed from any anti-Nazi protest. Waldman then sent a telegram to Alfred Cohen in Cincinnati telling him to fly to New York to help plan countermoves to any organized Jewish protest against Hitler. [16] In that moment, the "Joint Conference Committee" was dissolved.

While the Big Three were arguing over whether to protest Hitlerism, smaller Jewish organizations were already committed to action. For these smaller organizations, closer to the Jewish masses, the debate was whether or not the Jews should unleash a comprehensive boycott against Germany as the best means of protest. In pursuit of that answer, the militant Jewish War Veterans held a fiery session in New York the evening of March 18. [17]

Shouts for and against a boycott bounced back and forth as the delegates debated how far the protest against Hitler should actually go. Speeches, interruptions, calls to order, and sporadic applause stretched the meeting well past midnight with no decision. Unable to make their deadlines, the press went home. Finally, to break the deadlock, Benjamin Sperling of Brooklyn, formally moved that the Jewish War Veterans organize a vigorous national boycott of all German goods, services, and shipping lines. The yells in favor were abundant, but the presiding officer insisted on a formal vote, and with a flurry of excitement the boycott was unanimously adopted. [18] It was done so in accordance with the JWV's charter: "To combat the sources of bigotry and darkness; wherever originating and whatever their target; to uphold the fair name of the Jew and fight his battle wherever unjustly assailed."

History thus records that in an era distinguished by appeasement, the Jewish War Veterans were the very first, anywhere in the world, to declare openly their organized resistance to the Nazi regime. They had fought Germany once and would fight again. This small association of ex-warriors, mostly men of little finesse and even less pretense, would no longer be bound by the Jewish hierarchy.

appeasement: Foreign policy of pacifying an aggrieved nation through negotiation in order to prevent war. The prime example is Britain's policy toward Fascist Italy and Nazi Germany in the 1930s. Neville Chamberlain sought to accommodate Italy's invasion of Ethiopia in 1935 and took no action when Germany absorbed Austria in 1938. When Adolf Hitler prepared to annex ethnically German portions of Czechoslovakia, Chamberlain negotiated the notorious Munich Agreement.

Munich agreement: (1938) Settlement reached by Germany, France, Britain, and Italy permitting German annexation of Czechoslovakia's Sudetenland. Adolf Hitler's threats to occupy the German-populated part of Czechoslovakia stemmed from his avowed broader goal of reuniting Europe's German-populated areas. Though Czechoslovakia had defense treaties with France and the Soviet Union, both countries agreed that areas in the Sudetenland with majority German populations should be returned. Hitler demanded that all Czechoslovaks in those areas depart; when Czechoslovakia refused, Britain's Neville Chamberlain negotiated an agreement permitting Germany to occupy the areas but promising that all future differences would be resolved through consultation. The agreement, which became synonymous with appeasement, was abrogated when Hitler annexed the rest of Czechoslovakia the next year.

-- Merriam-webster.com


The gentlemen of the JWV felt especially obligated to persevere that night. They wanted to present their boycott movement as a "fact" that would inspire the other 1,500 representatives of Jewish organizations meeting the following day to consider the dimensions of the American Jewish Congress' call to protest. Indeed, a JWV protest march was already planned, as was a boycott office, a publicity campaign, and a fund-raising effort. [19] The Veterans wanted to be sure that when the March 19 emergency conference convened, the word boycott would be an established term in the language of confrontation with the Nazis.

But that same day, Nazi, Jewish, and Zionist interests were anxious to stillbirth the protest movement before it could breathe life. A Paris conference, called by a group of European Jewish organizations analogous to the American Jewish Committee and B'nai B'rith, tried to stifle the growing protest movement on the Continent inspired by the American Jewish Congress. The Committee was unable to attend the sudden conference, but did telephone their concerns to the meeting. The Parisian conference unanimously decided that public protest by Jews was "not only premature but likely to be useless and even harmful." [20] Committee people in New York could now tell the Congress that Jewish organizations closest to the trouble in Europe agreed that there should be no public agitation against Hitler.

March 19, 1933, was also the day that the swastika was unfurled over German consulates in Jerusalem and Jaffa. Germany maintained the two consulates in Palestine as part of its normal diplomatic relations with Great Britain. Angry Tel Aviv Jews prepared to storm the consulates and burn the new German flag. But Zionist leaders were afraid to provoke the Nazis, lest Berlin suddenly clamp down on Zionist organizing and fund-raising activities in Germany. In Jerusalem, Jewish Agency Executive Committee member Dr. Werner Senator dispatched a letter about the flag-raising to the Zionist Organization in London. Senator explained that Zionist leaders were working with British Mandatory authorities to defuse the problem "to avoid hostile encounters, which would cause unpleasant repercussions for our people in Germany." [21]

In Berlin, the Hitler regime was clearly worried. Atrocity reports covered the front pages of newspapers on both sides of the Atlantic. Der Forverts correspondent Jacob Leschinsky's report from Berlin was typical: "One can find no words to describe the fear and despair, the tragedy that envelops the German Jews. They are being beaten, terrorized, murdered, and ... compelled to keep quiet. The Hitler regime flames up with anger because it has been forced through fear of foreign public opinion to forego a mass slaughter. . . . It threatens, however, to execute big pogroms if Jews in other countries make too much fuss about the pogroms it has hitherto indulged in." The dispatch was carried by The New York Times and many other newspapers. Leschinsky, immediately after the dispatch, was arrested and expelled. [22]

Atrocity scandals were complicating almost every attempt at the German economic and diplomatic recovery Hitler desperately needed to stay in power. The Jews of New York would have to be stopped. Within a few days, the reconvened Reichstag was scheduled to approve sweeping dictatorial powers enabling Hitler to circumvent the legislature and rule by decree. But this talk of an international Jewish-led boycott was frightening Germany's legislators. Such a boycott could disable German export industries, affecting every German family. Goebbels expressed the Nazi fear in his diary: "The horrors propaganda abroad gives us much trouble. The many Jews who have left Germany have set all foreign countries against us.... We are defenselessly exposed to the attacks of our adversaries." [23] But as Nazi newspapers castigated German Jewry for the protests of their landsmen overseas, German Jews themselves responded with letters, transatlantic calls, and cables to stifle American Jewish objections to Hitler.

When the Congress' emergency protest planning conference convened on March 19 at New York's Astor Hotel, Committee representatives arrived with a prepared statement. It read: "It is only natural for decent and liberal-minded men and women to feel outraged at these occurrences and ... to give public expression to their indignation and abhorrence, [but] the American Jewish Committee and the B'nai B'rith are convinced that the wisest and the most effective policy for the Jews of America to pursue is to exercise the same fine patience, fortitude and exemplary conduct that have been shown by the Jews of Germany. This is not a time further to inflame already overwrought feelings, but to act wisely, judiciously and deliberately." [24]

These words of caution were emphatically rejected by the delegates who well knew that the Committee had become a megaphone -- via friends and family relations -- for Nazi pressure on the American anti-German protest movement. Bernard S. Deutsch, Congress president, set the meeting's defiant tone: "The offices of the American Jewish Congress are being flooded with messages from all over the country demanding protest. ... We are met here to translate this popular mandate into responsible, vigorous, orderly and effective action." Cries of approval bellowed from the crowd. The protest motion was formally introduced: "This tragic hour in Jewish history calls imperatively for the solidarity of the Jewish people. And we American Jews are resolved to stand shoulder to shoulder with our brother Jews in Germany in defense of their rights, which are being grievously violated, and of their lives, which are imperiled." [25]

The audience cheered. But from among the cheering delegates stood up J. George Fredman, commander in chief of the Jewish War Veterans, who proudly announced his organization had already -- on its own initiative -- commenced the national anti-Nazi boycott. He urged fellow Jewish organizations to join and formally called for a boycott amendment to the protest resolution. [26]

Judge Joseph M. Proskauer, the American Jewish Committee's representative at the rally, became livid. He stood up and insisted that marches and meetings were improper and unproductive. He advised quiet, behind-the-scenes diplomacy -- as the Committee had always done. The crowd booed and hissed. Undaunted, Proskauer turned toward Fredman and condemned his boycott amendment as "causing more trouble for the Jews in Germany by unintelligent action." Over waving hands and hostile jeering, he insisted on placing into the record a message from another Committee stalwart, Judge Irving Lehman, the brother of the governor of New York. In a voice struggling to be heard, Proskauer read Lehman's letter: "I feel that the [Madison Square Garden protest] meeting may add to the dangers of the Jews in Germany .... I implore you in the name of humanity, don't let anger pass a resolution which will kill Jews in Germany." At this the crowd stormed their disapproval in English, Yiddish, and Russian. The hotel meeting room became so unruly that police had to be called to restore order. [27]

Stephen Wise stepped in to avoid total humiliation for the Committee, which he still hoped would use its influence in Washington. He offered to redraft the protest resolution, but the final wording was virtually the same and still anathema to the Committee. The date March 27 was approved, and Madison Square Garden was ratified as the epicenter of a day of global anti-German protest that would signal the beginning of mass Jewish resistance to Hitler. But through Wise's counsel, the Congress did not declare a boycott. He felt the big inter-organizational boycott the Congress could mount would be indeed the final nonviolent weapon. The time had not yet come. [28]

Fredman and his Veterans had other plans. Even if they could not persuade a single other group to join them, the JWV would organize the national boycott. Many in the Congress leadership supported the Veterans' decision, but in deference to the Committee, withheld official endorsement. They were waiting for the influential German Jewish families of New York to use their connections, waiting for Committee "methods" to deliver. And waiting for proof that the German Jewish leaders of the Committee were not merely unwitting tools of the Third Reich....

unwitting
: not aware of what is really happening
: not intended or planned
-- Merriam-webster.com


An unwitting alliance of groups now saw their mission as obstructing anti-Nazi protest in America and Europe, especially an economic boycott. The members of this alliance included B'nai B'rith, the American Jewish Committee, and even the Jewish Agency for Palestine, each preoccupied with its own vested interests, each driven by its own ideological imperatives, and each wishing that conditions for German Jews would improve in the quieter climate they hoped to establish.

wish
: to want (something) to be true or to happen
: to want or ask to do (something)
: to want (someone) to be in a particular state

wishing
archaic : wishful
: regarded as having the power to grant wishes <threw a coin in the wishing well>

-- Merriam-webster.com


-- The Transfer Agreement: The Dramatic Story of the Pact Between the Third Reich and Jewish Palestine, by Edwin Black


[Man] [Shouting angrily]
[Shouting continues]

[Judge] [In Hebrew] Remove him from the courtroom. Quickly!

[Man] [To Rabbi] You are a cowardly dog. A dog!

[Rabbi] [Looking as bored and inwardly smirky as Eichmann, or Condoleezza]

[Michael Moore] As Bush sat in that Florida classroom, was he wondering if maybe he should have shown up to work more often? Should he have held at least one meeting since taking office to discuss the threat of terrorism with his head of counterterrorism? Or maybe Mr. Bush wondered why he had cut terrorism funding from the FBI. Or perhaps he just should have read the security briefing that was given to him on August 6th, 2001, which said that Osama bin Laden was planning to attack America by hijacking airplanes. But maybe he wasn't worried about the terrorist threat, because the title of the report was too vague.

[Condoleezza Rice, National Security Advisor] I believe the title was, "Bin Laden Determined to Attack Inside the United States" ...

I don't think anybody could have predicted that these people would take an airplane and slam it into the World Trade Center, take another one and slam it into the Pentagon; that they would try to use an airplane as a missile, a hijacked airplane as a missile. All of this reporting about hijacking was about traditional hijacking.

-- Fahrenheit 9/11, directed by Michael Moore


[Judge] Remain seated if you want to stay here.



***

[Crowd] [Chattering]

[Adolf Eichmann (1906-1962) [In German] An officer swears an oath of allegiance.
If he breaks this oath,
then he is a rogue.
I still hold this view.
I have taken an oath here to tell the truth.
That was how I viewed things then, too:
An oath is an oath.

[Gideon Hausner (1915-1990)] Do you believe that anyone who swore allegiance would,
after Hitler's death,
be released from his oath of allegiance?

[Adolf Eichmann (1906-1962)] After Hitler's death?
Of course. Everyone would automatically be released.

[Hannah Arendt] [Laughing]

[Gideon Hausner (1915-1990)] When interrogated by the police you said
that if the Fuhrer had told you your father was a traitor,
you would have shot him yourself.

[Adolf Eichmann (1906-1962)] If he had been a traitor, yes ...

[Judge] No, if the Fuhrer had told you so.

[Man] [Speaking Hebrew]

[Judge] Would you have shot your own father?

[Adolf Eichmann (1906-1962)] Assuming he had proven this.
Had he proven it,
I'd have been obliged by my oath.

[Judge] Was it proven to you that the Jews had to be exterminated?

[Adolf Eichmann (1906-1962)] I didn't exterminate them.

[Judge] Did you never feel any conflict
between your duty and your conscience?

[Adolf Eichmann (1906-1962)] One could call it a state of being split.

[Judge] Split?

[Adolf Eichmann (1906-1962)] Yes ...
A conscious split state
where one could flee from one side to the other.

[Catwoman] The law doesn't apply to people like him, or us.

[Batman] Wrong on both counts. Why are you doing this? Let's just take him to the police. Then we can go home, together. Selina, don't you see? We're the same. We're the same. Split, like at the center.

-- Batman Returns, directed by Tim Burton


Here too NLP offers solace: it is the "right and duty" of your unconscious mind, he and John Grinder once wrote," to keep from your conscious mind anything that is unpleasant."

-- The Bandler Method, by Frank Clancy and Heidi Yorkshire


On Scientology's secret initiations, the individual is told (while under the suggestibility of hypnotic trance and stress) that he or she is really not one individual but a composite of hundreds, possibly thousands, or even tens of thousands of alien beings (called "body thetans" or "BTs.") These beings are trapped in his or her body as the result of a galactic war that occurred 76 million years ago (OT 3, and OT 5.) Individuals subjected to these initiation techniques are told (while vulnerable) that these alien beings are fighting for control of the individual's body and identity, that these alien beings can make them act insane or become terminally ill, and that only Scientology has the technology to safely "remove" these alien beings from their bodies.

Members spend sometimes hundreds of hours of exposure to these secret levels, talking to their various body parts, trying to get these alien beings out of their bodies. They are repeatedly told that they could go insane and die if they do anything procedurally wrong while trying to remove these other beings.

In these secret initiation levels, to more effectively attack the person's core concepts of self, Hubbard's methods trick the person in trance into believing he is not who he always thought he was. To fragment the individual's personality and integrity on order to facilitate better initiate control, Hubbard induces a hypnotic state of multiple personality similar to an artificial schizophrenia. Many observers report Scientologists switching "personalities" dramatically and abruptly.

-- The Fable -- Hollywood, Satanism, Scientology & Suicide, by F.A.C.T.Net, Inc.


Jung recognized that he was two persons. When a friend's father lost his temper with him for behaving irresponsibly in a boat, he felt enraged that this fat, ignorant boor dared to insult him, yet at the same time, could see that the man's anger was justified; it was the schoolboy who was being told off, and the 'man of authority' who was enraged.

In fact, Jung had already become convinced that this 'man of authority' was an old man who lived in the eighteenth century and wore buckled shoes and a white wig. This conviction had come upon him one day when an antique green carriage drove past their house, and he had experienced an odd feeling: 'That comes from my times.' And in the house of his aunts -- to which he had been carried when he fainted -- there was a statuette of a well-known character from eighteenth-century Basle, a Dr. Stuckelberger, who wore buckled shoes; again, Jung had the curious certainty that these shoes were his own. Possibly he was acquainted with the story that his grandfather was Goethe's illegitimate son, and was identifying with Goethe. Whatever the cause, he began to experience himself as a dual personality, living in two ages simultaneously.

-- C.G. Jung: Lord of the Underworld, by Colin Wilson


We can see from the example of Leviathan how the great "fish" gradually split into its opposite, after having itself been the opposite of the highest God and hence his shadow, the embodiment of his evil side. [8]

With this splitting of the monster into a new opposite, its original opposition to God takes a back seat, and the monster is now in conflict either with itself or with an equivalent monster (e.g., Leviathan and Behemoth). This relieves God of his own inner conflict, which now appears outside him in the form of a hostile pair of brother monsters. In later Jewish tradition the Leviathan that Yahweh fought with in Isaiah develops a tendency, on the evidence cited by Scheftelowitz, to become "pure" and be eaten as "eucharistic" food, with the result that, if one wanted to derive the Ichthys symbol from this source, Christ as a fish would appear in place of Leviathan, the monstrous animals of tradition having meanwhile faded into mere attributes of death and the devil.

This split corresponds to the doubling of the shadow often met with in dreams, where the two halves appear as different or even as antagonistic figures. This happens when the conscious ego-personality does not contain all the contents and components that it could contain. Part of the personality then remains split off and mixes with the normally unconscious shadow, the two together forming a double -- and often antagonistic -- personality. If we apply this experience from the domain of practical psychology to the mythological material under discussion, we find that God's monstrous antagonist produces a double because the God-image is incomplete and does not contain everything it logically ought to contain. Whereas Leviathan is a fishlike creature, primitive and cold-blooded, dwelling in the depths of the ocean, Behemoth is a warm-blooded quadruped, presumably something like a bull, who roams the mountains (at least in later tradition). Hence he is related to Leviathan as a higher, superior creature to a lower, inferior one, rather like the winged and the wingless dragon in alchemy. All winged beings are "volatile," i.e., vapours and gases, in other words pneuma. Just as in Augustine Christ the fish is "drawn from the deep," [9] so in II Esdras 13: 2ff. the "man" came out of the sea like a wind. His appearance was heralded by an eagle and a lion, theriomorphic symbols which greatly affrighted the prophet in the same way that Behemoth inspired chiefly terror in Job. The fish drawn from the deep has a secret connection with Leviathan: he is the bait with which Leviathan is lured and caught. This fish is probably a duplication of the great fish and stands for its pneumatic aspect. It is evident that Leviathan has such an aspect, because he, like the Ichthys, is eucharistic food. [10] That this doubling represents an act of conscious realization is clear from Job 26: 12, where we are told that Yahweh smote Rahab "by his understanding" (tebuna). Rahab, the sea monster, is cousin german to Tiamat, whom Marduk split asunder by filling her up with Inihullu, the north wind. [11] The word tebuna comes from bin, 'to separate, split, part asunder' -- in other words, to discriminate, which is the essence of conscious realization. [12] In this sense Leviathan and Behemoth represent stages in the development of consciousness whereby they become assimilated and humanized. The fish changes, via the warm-blooded quadruped, into a human being, and in so far as the Messiah became, in Christianity, the second Person of the Trinity, the human figure split off from the fish hints at God's incarnation. [13] What was previously missing in the God-image, therefore, was the human element.

-- Aion, by Carl Jung


HARRY: Who are you?

GOETHE: I'm not anybody. I'm a chess player. Do you want instruction in building up your personality?

HARRY: Yes, please.

GOETHE: May I see your pieces, please?

HARRY: Pieces?

GOETHE: Of your personality. I can't play without the pieces. Which one is you?
Wrong. You are the whole game.

HARRY: But all these personalities in one man, that's schizophrenia.

GOETHE: It don't matter, honey. Watch.

HARRY: What is it called, this game?

GOETHE: Life. Your life. Complicate it or enrich it as you please. Your soul has fallen to bits and pieces. Good. Rearrange them to suit yourself.
[Goethe laughing]

-- Steppenwolf, directed by Fred Haines


MKULTRA: PROGRAMMABLE ASSASSINS: As later reported by the Church Committee, in addition to murder, assassination, torture, and terrorism, the CIA had been engaging in Nazi-like experiments, often on unwitting human subjects, exposing them to diseases and mind altering drugs, such as LSD. The objectives of CIA projects, such as "BLUEBIRD," "ARTICHOKE," and "MKULTRA" included using drugs, hypnosis, and terror, to create alternate "split" personalities. One objective was to create artificial personalities which could be programmed to assassinate specified targets, such as labor leaders or politicians, and which could be used to engage in other high risk assignments that might normally be avoided. Related to this was the goal of defeating interrogation. That is, once the altered, secondary personality carried out its mission, the main personality would return to the forefront of consciousness, but would have no memory of being programmed as those memories would be locked away in the split-off portion of the alternate personality.

-- America Betrayed, by Rhawn Joseph, Ph.D.


[Judge] One's conscience was to be abandoned?

[Adolf Eichmann (1906-1962)] Sorry?

[Judge] One's personal conscience was to be abandoned?

[Adolf Eichmann (1906-1962)] You could say that.

[Judge] If there had been more civil courage,
things could have been different.
Am I right? Answer ...

[Adolf Eichmann (1906-1962)] If civil courage ...
had been hierarchically organized, then yes, absolutely.

[Judge] So this was not destiny.

[Hannah Arendt] [Rolling her eyes]

[Judge] It was not inevitable.
It was a question of human behavior.

[Adolf Eichmann (1906-1962)] A question of human behavior.
And of course it was ...
It was wartime, upheaval ...
Everyone thought, "It's useless to resist ..."

[Judge] Yes.

[Adolf Eichmann (1906-1962)] A drop on a hot stone that evaporates
without purpose or success or ...
or failure or anything.
to the times, I think.
To the times, how children were raised,
with ideological education,
rigid discipline, that sort of thing.

***

[Kurt Blumenfeld (1884-1963)] Eichmann not an anti-Semite? That's nonsense!

[Hannah Arendt] You heard him. He was obeying the law. He'd have obeyed any law.

[Franz Bruckner] Oh, please! Anyone in the Party,
let alone the SS, was a committed and vicious anti-Semite.

[Hannah Arendt] He swears he never personally harmed a Jew.

[Kurt Blumenfeld (1884-1963)] So he claims!

[Hannah Arendt] Isn't it interesting
that a man who did everything a murderous system asked of him,
who even seems eager
to give precise details of his fine work,
that this man insists
he personally has nothing against Jews?

[Jeckes] He's lying!

[Hannah Arendt] False. He is not.

[Kurt Blumenfeld (1884-1963)] You're falling for this?

[Franz Bruckner] He claims he didn't know where the trains were going.
You believe that too?

[Hannah Arendt] Knowing that was irrelevant for him.
He transported people to their deaths,
but didn't feel responsible for it.
Once the trains were in motion his work was done.

[Kurt Blumenfeld (1884-1963)] So he can say he's free of guilt
despite what happened to the people he transported?

[Hannah Arendt] Yes. That's how he sees it. He's a bureaucrat.

[Kurt Blumenfeld (1884-1963)] Your quest for truth is admirable, but this time you've gone too far!

[Hannah Arendt] But Kurt, you can't deny the huge difference
between the unspeakable horror of the deeds
and the mediocrity of the man.

[Kurt Blumenfeld (1884-1963)] Don't worry, Rahel.
Hannah and I always argued like this.

[Rahel Blumenfeld] I'm just afraid she'll make a lot of people angry.

[Kurt Blumenfeld (1884-1963)] That's her nature.

[Hannah Arendt] [Laughing]
But after finishing our bloody duels ...

[Kurt Blumenfeld (1884-1963)] We always found a way to make up.

Statistics: Posted by admin — Fri Jun 26, 2015 7:07 am


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2015-06-26T07:06:36+00:00 2015-06-26T07:06:36+00:00 http://survivorbb.rapeutation.com/sbb-bak/viewtopic.php?p=8941#p8941 <![CDATA[Still Videos and Transcripts • Re: Hannah Arendt, directed by Margarethe von Trotta]]>
Screenplay:

[Transcribed from the movie by Tara Carreon]

HANNAH ARENDT, A FILM BY MARGARETHE VON TROTTA

HANNAH ARENDT

CAST:
Hannah Arendt: Barbara Sukowa
Heinrich Blucher: Axel Milberg
Mary McCarthy: Janet McTeer
Lotte Kohler: Julia Jentsch
Hans Jonas: Ulrich Noethen
Kurt Blumenfeld: Michael Degen
William Shawn: Nicholas Woodeson
Lore Jonas: Sascha Ley
Charlotte Beradt: Victoria Trauttmansdorff
Martin Heidegger: Klaus Pohl
Frances Wells: Megan Gay
Siegfried Moses: Germain Wagner

CREDITS:

Directed by: Margarethe von Trotta
Screenplay by: Pamela Katz & Margarethe von Trotta
Produced by: Bettina Brokemper & Johannes Rexin
Co-Producers: Bady Minck, Alexander Dumreicher-Ivanceanu, Antoine De Clemont-Tonerre, Sophie Dulac, Michel Zana and David Silber
Cinematographer: Caroline Campetier
Make-Up & Hair: Astrid Weber
Costume Design: Frauke Firl
Production Design: Volker Schaefer
Sound Design: Greg Vittore
Original Music: Andre Mergenthaler
Editor: Bettina Bohler

This supplementary booklet for Zeitgeist Films' DVD and Blu-Ray editions of Margarethe von Trotta's Hannah Arendt was produced with support from the Irving and Gloria Schlossberg Family Fund of the Community Foundations of the Hudson Valley, New York. Biographies and timeline compiled with the assistance of the Hannah Arendt Center for Politics and Humanities at Bard College.

***

MARGARETHE VON TROTTA ON HANNAH ARENDT

"The light that comes from a person's works enters directly into the world and remains after the person dies. Whether it is large or small, transitory or enduring depends upon the world and its ways. Posterity will judge. The light that comes from a person's life -- spoken words, gestures, friendships -- survives only in memories. If it is to enter into the world, it must find a new form. A story must be made from many memories and stories." -- Elisabeth Young-Bruehl, author of Hannah Arendt: For Love of the World

The light that Hannah Arendt's work brought into the world still shines. And because her work is invoked by an ever-increasing number of people, it becomes brighter every day. In a time when most felt obligated to adhere to a specific ideology, Arendt was a shining example of someone who remained true to her unique perspective on the world.

In 1983 I wanted to make a film about Rosa Luxemburg, because I was convinced that she was the most important woman and thinker of the last century. I was eager to understand the woman behind this fighter and revolutionary. But as we begin the 21st century, Arendt is an even more important figure. Her foresight and wisdom are only just beginning to be fully understood and addressed. When she first formulated the concept of the "banality of evil" -- a term she coined in her report on the Eichmann trial -- she was sharply criticized and attacked as if she were an enemy of the Jewish people. Today, this concept has become an essential component of any discussion that seeks to judge the crimes of the Nazis.

Once again, I was interested in finding the woman behind this great and independent thinker. She was born in Germany and died in New York. What brought her there?

As a Jew, she certainly hadn't left Germany voluntarily, and for this reason, her story raises a question I have asked in many of my other films: How does a person behave in the face of historical and social events that he or she cannot influence or change? Like many other Jews, Arendt could have been a victim of National Socialism. But she was quick to recognize the danger and fled from Germany to Paris. When France was invaded, she left Marseilles and made her way through Spain and Portugal, and finally to New York. As she fled, she thought bitterly of the many friends who had chosen to remain behind and support the Nazis. She was deeply disappointed to see how quickly they adapted to the "new era," and described this phenomenon in an interview as "zu Hitler fiel ihnen was ein." This means that in order to justify their decision, "they made up ideas about Hitler."

Exile was her "second awakening." The first transformation in her life came when she studied philosophy with Martin Heidegger. At that time, she was certain that her life's vocation would be the pursuit of pure thought. But after her forced exile, she had no choice but to engage with the vents of the real world. By 1960, when she finally settled in America, she was ready to take on one of the most tragic chapters of the 20th century. She would look directly into the face of the man whose name evoked the murder of millions of Jews: Adolf Eichmann.

Our film concentrates on the four turbulent years when the lives of Arendt and Eichmann crossed. This focus offered the opportunity to tell a story that would lead to a profound understanding of both the historical and highly emotional impact of this explosive confrontation. When the uncompromising and unconventional thinker faced the submissive and dutiful bureaucrat, both Arendt and the discourse on the Holocaust changed forever. In Eichmann, she saw a man whose fatal mixture of obedience and an inability to think for himself (Gedankenlosigkeit) was what enabled him to transport millions of people to the gas chambers.

Portraying Arendt almost exclusively during the period which begins with Eichmann's capture and ends shortly after the publication of her book, Eichmann in Jerusalem: A Report on the Banality of Evil, made it possible not only to investigate her groundbreaking work, but also to reveal her character and personality. We get to know her as a woman, as a lover -- and most important to her character -- as a friend. There are only few flashbacks that take us back to the 1920s and then the 1950s -- showing the youthful Hannah's passionate love affair with Heidegger, as well as their reunion years after the war ended. She never managed to let go of her connection to Heidegger, despite the fact that he joined the National Socialist Party in 1933. These flashbacks are important to understanding Arendt's past, but the film is primarily concerned with her life and relationships in New York: with her husband Heinrich Blucher (who she had met in exile in Paris); with her German and American friends, especially the author Mary McCarthy; and with her oldest friend, the German-Jewish philosopher Hans Jonas.

This is a film that shows Arendt as a person caught between her thoughts and her emotions -- one who often has to disentangle her intellect from her feelings. We see her as a passionate thinker and professor; as a woman capable of lifelong friendship -- she was hailed as a woman who was a "genius at friendship" -- but also as a fighter who courageously defended her ideas and never shied away from any confrontation. But her goal was always to understand. Her signature declaration, "I want to understand," is the phrase that best describes her.

It is precisely in her quest to understand people and the world that made me feel overwhelmingly drawn to her. Like Arendt, I never want to judge, but only to understand. In this film, for example, I want to understand what she thought about totalitarianism and moral collapse in the last century; about self-determination and freedom of choice; and finally, what she managed to illuminate about evil and about love. And I hope that the audience will come to comprehend, just as I did, why it is important to remember this great thinker.

The key to understanding her life is in Arendt's wish to sustain what she called amor mundi, or the "love of eh world." Although her forced exile caused her to experience both vulnerability and dire alienation, she continued to believe in the power of the individual to withstand the cruel force of history. Her refusal to be overwhelmed by despair and hopelessness makes her, in my eyes, an extraordinary woman whose "light still shines today." A woman who can love and be loved. And a woman who can, as she put it, "think without banisters." That is, to be an independent thinker.

In order to offer an authentic vision of Arendt as a human being, we ultimately had to move beyond the mountain of written and archival audiovisual sources. Therefore, after a long period of traditional research, we conducted extensive interviews with contemporaries who had been a part of Hannah Arendt's life and work for many years.

***

Born in Berlin, Margarethe von Trotta is one of the leaders of the New German Cinema movement, as well as one of the world's most prominent feminist filmmakers. In the early 1960s she pursued acting, working closely with both R.W. Fassbinder and former husband Volker Schlondorff. With Schlondorff she co-directed The Lost Honor of Katharina Blum (1975) before going solo with The Second Awakening of Christa Klages (1978). She has since directed many acclaimed films -- often starring Barbara Sukowa -- including Sisters, or the Balance of Happiness (1979); Marianne and Juliane (1981); Rosa Luxemburg (1986); Rosenstrasse (2003); Vision: From the Life of Hildegard von Bingen (2010); and Hannah Arendt. Von Trotta is also a Professor of Film at the European Graduate School in Saas-Fee, Switzerland.

HANNAH ARENDT: A BRIEF BIOGRAPHY

Hannah Arendt was a philosopher who warned against the political dangers of philosophy. She fiercely defended the importance of the public sphere, but she was intensely private. Embraced by liberals and conservatives, she also enraged and engaged interlocutors from all political persuasions. She fearlessly raised unpopular questions about the thoughtless embrace of science, insisted that human rights were counterproductive, and courageously questioned the forced integration of schools even as she strongly defended the rights to interracial marriage and civil disobedience. In the pantheon of great thinkers, Arendt articulated the richest and most compelling vision of the human need for a public and political life. For all these reasons she has arguably become one of the most influential and studied political thinkers of the 20th century.

Arendt was born in Hanover, Germany, in 1906. Her father died when she was seven; her mother, Martha Cohn Arendt, raised her. At the University of Marburg, she studied philosophy with Martin Heidegger, with whom she also had a youthful affair; she later completed her doctoral dissertation "Love and Saint Augustine" at the University of Heidelberg under the supervision of Karl Jaspers.

In 1929 she published her dissertation and married Gunther Stern, who wrote under the name of Gunther Anders. They divorced in 1937. In 1933, Arendt was working for the German Federation of Zionists, led by Kurt Blumenfeld, when the political police arrested her. She fled to Paris, where she completed her biography of the brilliant 18th-century German-Jewish socialite Rahel Varnhagen, which remained unpublished until 1958.

While in France, she worked for the Youth Aliyah organization, which rescued Jewish youth. There she met the man who would become her second husband, Heinrich Blucher. Arendt was imprisoned in a detention camp in Gurs in southwest France. After escaping, she and Blucher fled Nazi Europe, coming to New York in 1941. Through the 1940s, Arendt wrote essays on anti-Semitism, refugees, and the need for a Jewish army for Aufbau and other German emigre journals. She worked as an editor for Schocken Books and served as Executive Director of The Jewish Cultural Reconstruction organization. She and Blucher lived on Riverside Drive in New York, and in Kingsotn, New York, near Bard College, where Blucher taught for 17 years.

The 1950s saw the publication of Arendt's major works: The Origins of Totalitarianism (1951), her insightful study of the intellectual and historical foundations of the Nazi and Stalinist regimes; and The Human Condition (1958), her account of the retreat of public life in the modern age. On Revolution (1963), her third major book, explored the genius of the American tradition of constitutional democracy and political freedom. Arendt wrote intellectual history not as a historian but as a thinker, building upon events and exemplary actions to reach original and pregnant insights about the modern predisposition to totalitarianism and threats to human freedom posed by both scientific abstraction and bourgeois morality.

Fiercely independent, Arendt never accepted a tenure-track teaching job. She was nevertheless the first woman to be named a full professor at Princeton, and also taught at the University of Chicago, University of California Berkeley, Wesleyan University, and The New School for Social Research. Living as a public intellectual, Arendt was a frequent contributor to The New York Review of Books, Commonweal, Dissent, and The New Yorker. She published three major anthologies in her lifetime: Between Past and Future, Men in Dark Times, and Crises of the Republic. Her unfinished last book (completed by her great friend Mary McCarthy) was posthumously published as Life of the Mind, and her numerous posthumous collections include Responsibility and Judgment, The Jewish Writings, and The Promise of Politics. Arendt died in 1975 in New York, and is buried alongside Blucher in the Bard College Cemetery.

In 1961, Arendt jumped at the chance to cover the trial of Adolf Eichmann, responsible for the detention and transportation of Jews to concentration camps. It would be her last opportunity, she wrote, to see a Nazi official in the flesh. Her essays on the trial appeared in The New Yorker and became the book Eichmann in Jerusalem. Widely misread, Arendt's writings on the subject unleashed a storm of controversy.

Arendt argues that Eichmann was not a monster. She was struck both by the immensity of Eichmann's crimes and the ordinariness of the man. It is one thing to kill out of malice. But how could a man responsible for transporting millions of Jews to their deaths insist he was a Zionist and seek understanding from his Jewish interrogators in Israel? Arendt saw that Eichmann became a mass murderer not simply from hatred -- he initially resisted the physical killing of Jews -- but from his fervent dedication to the Nazi movement. He was a joiner. In his own words, Eichmann feared "to live a leaderless and difficult individual life," in which "I would receive no directives from anybody." A bourgeois salesman down on his luck, Eichmann found in the Nazi movement a sense of importance. That desire to prove himself meaningful, combined with his use of cliches and bureaucratic role morality, rendered him unable to think clearly about what he was doing. This is what Arendt means by her famous and famously misunderstood dictum of the "fearsome, word-and-thought-defying banality of evil."

On 2 October 1937, the liner Romania arrived in Haifa with two German journalists aboard. Herbert Hagen and his junior colleague, Eichmann, disembarked. They met their agent, Reichert, and later that day Feivel Polkes, who showed them Haifa from Mount Carmel and took them to visit a kibbutz. Years later, when he was in hiding in Argentina, Eichmann taped the story of his experiences and looked back at his brief stay in Palestine with fond nostalgia:

I did see enough to be very impressed by the way the Jewish colonists were building up their land. I admired their desperate will to live, the more so since I was myself an idealist. In the years that followed I often said to Jews with whom I had dealings that, had I been a Jew, I would have been a fanatical Zionist. I could not imagine being anything else. In fact, I would have been the most ardent Zionist imaginable.

-- Zionism in the Age of the Dictators: A Reappraisal, by Lenni Brenner


Arendt neither defends Eichmann nor denies he is evil. She recognizes he was an anti-Semite and she insists that he be hung for his evil deeds. But she also sees that his overriding motivations were neither monstrous nor sadistic. Eichmann participated in the greatest act of evil in world history because of his inability to think critically about his fidelity to a Nazi ideology that he clung to as a source of significance in a lonely and alienating world. Such thoughtless ideological zealotry is, Arendt concludes, the face of evil in the modern world.

The other part of Arendt's report on the Eichmann trial that provoked ire is her argument that the cooperation of Jewish leaders with the Nazis was a moral catastrophe. That the leaders did cooperate was true and had been reported by others before her. But her critics were livid that Arendt would judge the leaders for what they did. Arendt's point is not to condemn the Jewish leaders for the Holocaust -- she does not blame the victim. But she does force herself and others to confront the way in which the Jewish leaders sacrificed what she understood to be the first principle of morality -- the imperative that it is better to suffer wrong than to do wrong. For her, cooperation with the Nazis meant the disintegration of Jewish morality. Thus she wrote: "To a Jew this role of the Jewish leaders in the destruction of their own people is undoubtedly the darkest chapter of the whole dark story." Here Arendt does not blame Jews for their physical destruction; but she does mourn the fact that horrific events led them to compromise their morality.

Arendt never developed a coherent theory of politics, but sought instead to think, to understand the world as it is. As bad as things were, she took solace from the fact that no government could extinguish human freedom. And yet she saw clearly that modern society fears the disorderly life of democratic freedoms and embraces the comfortable security of administrative bureaucracy. In the face of such threats to public freedom, Arendt calls us to act in ways that surprise and to inaugurate new paths in history. Arendt's lasting gift is the vital power of her defense of freedom in an increasingly un-free age.

-- Roger Berkowitz

'Seeking its own National Idealism in the Nazi Spirit'

The Jewish public knew nothing about von Mildenstein's journey to Palestine in the company of a member of the Zionist Executive, nor about Rosenbluth and Lichtheim’s trip to London; nor did they know about the memorandum, nor the request to call off the Zionist Congress. However, they could not miss what was appearing in the Rundschau, where assimilationalist German Jewry was roundly attacked. The CV complained bitterly of Zionist 'siegesfanfaren' as the Rundschau rushed to condemn the guilty Jews. The editor, Robert Weltsch, took the occasion of the 1 April boycott to assail the Jews of Germany in an editorial: 'Wear the Yellow Badge with Pride’:

At times of crisis throughout its history, the Jewish people has faced the question of its own guilt. Our most important prayer says, 'We were expelled from our country because of our sins'… Jewry bears a great guilt because it failed to heed Theodor Herzl's call… Because the Jews did not display their Jewishness with pride, because they wanted to shirk the Jewish question, they must share the blame for the degradation of Jewry.

-- Zionism in the Age of the Dictators: A Reappraisal, by Lenni Brenner


***

Roger Berkowitz is associate professor of political studies and human rights, and academic director of the Hannah Arendt Center for Politics and Humanities at Bard College,

WHO'S WHO IN HANNAH ARENDT

FRIENDS AND COLLEAGUES


HEINRICH BLUCHER (1899-1970) was Hannah Arendt's second husband, and one of her most consistent interlocutors. Born in Berlin, Blucher was in his youth an active member of Rosa Luxemburg's Spartacus League and the German Communist Party. He later left the party, but his communist ties compelled him to flee Nazi Germany in 1933 for Paris, where he met Arendt in 1936. Shortly after their marriage in 1940, they were interned in separate French detention camps, and were reunited for safe passage to the U.S. in 1941. He was a lecturer at the New School, and in 1952 began teaching at Bard College as a professor of philosophy. He is buried on the campus, with Arendt. In one of his last lectures he anonymously invokes his relationship with her: "What counts now is the mutual insight of two personalities who recognize and respect each other as such; who in effect can say to each other, 'I guarantee you the development of your personality and you guarantee me the development of mine.' This is the basis of all real community thinking."

MARY McCARTHY (1912-1989) was a prominent writer, editor, critic, and Arendt's closest American friend. She published a total of 28 books, the most famous of which is the novel The Group (1963). McCarthy helped revive the literary journal Partisan Review, in which Arendt published essays including 1944's "Franz Kafka: A Re-evaluation." The two met in 1944, but did not get along until Arendt offered a truce on a New York subway platform in 1950 -- which began a close friendship that lasted until Arendt's death. Always one of Arendt's fiercest advocates, McCarthy showed particularly vocal support for Eichmann in Jerusalem during the controversy it incited. A volume of their letters, Between Friends: The Correspondence 1949-1975, achieved worldwide acclaim upon publication.

MARTIN HEIDEGGER (1889-1976) became, before age 30, one of Germany's most eminent philosophers. Arendt met Heidegger in 1924 at the University of Marburg, where he became her mentor and, briefly, lover. In 1933, Heidegger was elected rector of Freiburg and formally joined the Nazi Party. He quit the rectorship nine months later, but he never left the Party. Arendt was highly critical of Heidegger in the 1940s, and though they reconciled in 1950, she never forgave him. Heidegger was both an inspiration for Arendt's insistence on the political importance of thinking and an example of the perils of philosophy, in which an excessive faith in abstract thinking allows the rationalization of unethical or even evil deeds.

HANS JONAS (1903-1993) was an influential German-Jewish philosopher. He became close friends with Arendt while they were studying under Martin Heidegger, whom Jonas later repudiated. After they both fled Nazi Europe, they resumed their friendship in New York, where he taught at the New School from 1955-1976. Eichmann in Jerusalem angered him greatly; the two did not speak for two years. They reconciled, with the help of his wife Lore, on the condition never to discuss the topic. Jonas gave one of three eulogies at Arendt's memorial service.

LOTTE KOHLER (1920-2011) was a German scholar and writer who moved to New York in 1955, where she taught at Brooklyn College. Kohler was initially Arendt's assistant during the publication of Rahel Varnhagen (1958), and became one of her closest friends. A co-executor of Arendt's literary estate with Mary McCarthy, Kohler became sole executor after McCarthy's death, helping to preserve Arendt's most important documents and works during the 1990s.

CHARLOTTE BERADT (1907-1986) was a German-Jewish writer and longtime friend of Arendt and her husband Heinrich Blucher. It was known, including by Arendt, that Blucher and Beradt were lovers during their marriage. In the 1950's, she translated five of Arendt's English-language essays into German.

WILLIAM SHAWN (1907-1992) was editor-in-chief of The New Yorker from 1951-1985, succeeding the magazine's found editor Harold Ross. He was known for his shy manner, meticulousness and strong will. In 1964, he led the publication of Arendt's report on the Eichmann trial in the magazine, and defended her work throughout the intense public debate it provoked.

ISRAEL AND THE EICHMANN TRIAL

KURT BLUMENFELD (1884-1963) was a prominent Zionist leader in Germany. He met Arendt in 1926, and their friendship lasted nearly forty years. He served as Arendt's host, guide and intellectual aide when she came to Jerusalem to cover the Eichmann trial. Her report, however, outraged him beyond reconciliation; Blumenfeld did not forgive her even when she made an emergency visit to Jerusalem to see him on his deathbed.

GERSHOM SCHOLEM (1897-1982) was a leading European Zionist whose scholarship -- particularly his seminal work Major Trends in Jewish Mysticism (1941) -- greatly advanced Jewish studies. He and Arendt were close friends, corresponding for decades. Scholem decried Eichmann in Jerusalem, accusing her of having no love for the Jewish people. She replied that "I have never in my life 'loved' any people or collective -- neither the German people, nor the French, nor the American, nor the working class or anything of that sort. I indeed love 'only' my friends," an exchange that in the film takes place between Arendt and Blumenfeld.

SIEGFRIED MOSES (1887-1974) was a leading German Zionist and an early emigre to Israel, where he was the spokesman for the Council of Jews from Germany. He and Arendt worked together on Zionist campaigns in Europe in the 1920s and '30s along with Blumenfeld, and remained friends. In early 1963, Moses met Arendt in Switzerland and asked her to halt publication of the Eichmann report as a book, but she refused to do so.

GIDEON HAUSNER (1915-1990) was a Hungarian-born Israeli jurist and lawyer who served as chief prosecutor for the Eichmann trial; he was also Israel's Attorney General from 1960-1963. His strategy intentionally situated Eichmann's individual acts within the broader horror of the Holocaust, in part by presenting testimonies of Nazi acts other than those Eichmann was directly responsible for. Arendt criticized Hausner's approach as favoring demagogy over justice.

ADOLF EICHMANN (1906-1962) was born into the German Empire's growing business class. He dropped out of high school and became a mechanic, then a white-collar worker. He joined the Nazi Party at age 26, and rose quickly through the ranks of its paramilitary arm, the SS. Eichmann was eventually assigned to the SS's "Central Office for Jewish Emigration" division, where he was first a sergeant (and then a captain) in charge of the deportation of Jews. In 1941, he was promoted to lieutenant colonel and appointed head of the Section IV B4 of the SS, responsible for the forced expulsion of Jews from the German Reich. In 1942, he played an integral role in the notorious Wannsee Conference, in which Hitler's pursuit of genocide and the Final Solution was formally organized. Eichmann was made transportation administrator, tasked with determining transit logistics for the Holocaust -- a position he held until the war's end. After escaping Allied custody, Eichmann eventually fled to Argentina, where he lived and worked until his capture by Israeli Mossad agents in 1960. His trial drew worldwide attention, and Arendt's writing on it became one of her most controversial and important works. Eichmann was executed by hanging on May 31, 1962. To avoid burying his remains on Israeli soil, he was cremated and his ashes were scattered in the Mediterranean.

[Transcribed from the movie by Tara Carreon]

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THE JERUSALEM FILM & TELEVISION FUND

[Hannah Arendt] [Remembering]
[Man] [Gets off bus and walks along road a few steps]
[Another truck pulls up and someone jumps out and kidnaps him]
[Man screaming]

BARBARA SUKOWA

AXEL MILBERG

JANET McTEER

JULIA JENTSCH

ULRICH NOETHEN

MICHAEL DEGEN

NICHOLAS WOODESON

SASCHA LEY

VICTORIA TRAUTTMANSDORFF

KLAUS POHL

FRIEDERIKE BECHT

MEGAN GAY

TOM LEICK

HARVEY FRIEDMAN

HANNAH ARENDT

***

[Mary McCarthy (1912-1989)] But, Hannah, how can you defend him?

[Hannah Arendt] [German Accent] But I'm not defending him.
You can hardly forget that your husband is my friend because of you.
And I don't throw my friends away so quickly.

[Mary McCarthy (1912-1989)] No matter what happens, even if Jim were killed in an airplane crash,
I would never, ever go back to Bowden.

[Hannah Arendt] That's clear.
And poor Bowden knows absolutely that he cannot prevent you from loving another man.
He is not stupid.

[Phone ringing]

[Mary McCarthy (1912-1989)] Then why is he trying to prevent our divorce?

[Hannah Arendt] Because, under such circumstances, it's only natural ...
that people imagine -- or at least hope --
to have some possibility of power.

[Lotte Kohler (1920-2011)] [In German] Hans Jonas is on the phone.

[Hannah Arendt] [In German] Not now, later. I'll call him back.
Oh, Mary, they are beautiful. Thank you.

[Mary McCarthy (1912-1989)] [Slapping irritatedly at the flowers] [Sighs]
I don't know how you can believe anything he says these days.

[Phone rings]

[Hannah Arendt] Well, you trusted him enough to be married with him for 15 years.

[Mary McCarthy (1912-1989)] I never trusted him.

[Lotte Kohler (1920-2011)] It's Professor Miller calling from Connecticut. He said it's urgent.
He has some questions about your syllabus.

[Hannah Arendt] Phone appointment --
tomorrow, please.

[Mary McCarthy (1912-1989)] [To Lotte Kohler] And unplug that phone.

[Hannah Arendt] Look, Mary, either you are willing to take men as they are, or you must live alone.
You won't change Jim either.

[Mary McCarthy (1912-1989)] I don't want to change Jim. He's perfect.

[Hannah Arendt] Perfect? [German] Liar.
The men in your novels are not perfect.
Why do you expect the real ones to be any better?

[Lotte Kohler (1920-2011)] That was Heinrich.

[Hannah Arendt] [Gasps] Oh, no.
That's the one phone call I would have taken.

[Lotte Kohler (1920-2011)] He said not to disturb you when your darling Mary is here.

[Hannah Arendt] When will he be home?

[Lotte Kohler (1920-2011)] He's spending the night up there.
He has to meet a student early in the morning.

[Hannah Arendt] [Sighs]
[In German] Thanks, Lotte.

[Mary McCarthy (1912-1989)] No student meets early in the morning.

[Hannah Arendt] Mary, don't start.

[Mary McCarthy (1912-1989)] I would be far too jealous for your charming Heinrich.

[Hannah Arendt] It's fine.

[Mary McCarthy (1912-1989)] Well, I suppose we can't all be wild Berliners like you.

[Hannah Arendt] [Laughs]

[Phone rings]

[Hannah Arendt] Wild because we don't marry all our lovers?

[Mary McCarthy (1912-1989)] Oh, I didn't marry all of them.

[Hannah Arendt] [Laughs]
But almost.

[Mary McCarthy (1912-1989)] [Chuckles]

[Hannah Arendt] [Chuckles]

***

[Dog barking]

[Siren wailing in distance]

[THE NEW YORK TIMES: ISRAEL SEIZES NAZI CHIEF: Secret Agents Seized Killer Nazi Abroad and Took Him to Israel]

[Door opens]

[Hannah Arendt] [In German] I couldn't sleep at all last night.

[Heinrich Blucher (1899-1970)] We don't have to talk about it right away.

[Hannah Arendt] Haven't you read the newspaper?

[Heinrich Blucher (1899-1970)] From beginning to end, Frau Professor.

[Hannah Arendt] They want his trial to be in Jerusalem!

[Heinrich Blucher (1899-1970)] Why else would the Mossad have kidnapped him?

[Hannah Arendt] You think that's right?

[Heinrich Blucher (1899-1970)] They should have shot him on the spot in Buenos Aires.

[Hannah Arendt] But then of course ...

[Heinrich Blucher (1899-1970)] [In English] You forgot to say hello.
[Kisses Hannah]

[Hannah Arendt] Hello.

***

[News Speaker] The investigation has revealed ...
that Adolf Eichmann's escape from Germany to South America ...
was made possible with a Red Cross passport that the Vatican helped him obtain.

[Lotte Kohler (1920-2011)] No! The pope would never help a Nazi escape.

[Hannah Arendt] [Chuckles]
No, he helped him because he was such a good Catholic.

[Lotte Kohler (1920-2011)] But God didn't let him get away.

[Hannah Arendt] God didn't. But the Germans did.
You'll see. They won't try to extradite him.

[News Speaker] The former SS officer ...
followed what was secretly known in espionage circles as the ratline.
Eichmann received his forged identification and passport in Genoa,
and then he boarded an Italian ship to Buenos Aires.

***

[Hannah Arendt] [Reading to Lotte Kohler] "You will perhaps understand why I want to attend Eichmann's trial.
I left Germany in 1933, and I missed Nuremberg.
I never saw a Nazi" --
Um -- Oh, wait.
"I never these 'these people' in the flesh"?

[Lotte Kohler (1920-2011)] "People in the flesh."
[In German] I think that's better.

[Hannah Arendt] Better, yes.

***

[Jonathan Schell] Isn't it incredible that the Hannah Arendt is offering to report for us?

[William Shawn (1907-1992)] It would be a privilege to have a German-Jewish emigre of such high standing cover the trial.
There's no doubt about that.

[Frances Wells] Who is she to be offering?
She should be begging to write for the New Yorker, like everyone else.

[Jonathan Schell] Frances, she wrote The Origins of Totalitarianism.

[Frances Wells] [Harrumph] Catchy title.

[William Shawn (1907-1992)] One of the most important books of the 20th century.
Read it.

[Frances Wells] Uh-oh.
She's not one of those European philosophers, is she?

[Jonathan Schell] She was the first person to write about the Third Reich in the context of Western civilization.

[William Shawn (1907-1992)] It was brilliant, but abstract.
I understand why she wants to go.

[Frances Wells] Philosophers don't make deadlines.

[Jonathan Schell] Call now.
Do it.

***

[Heinrich Blucher (1899-1970)] [In German] Do you really have to do this?
You remember how shocked we were
when we heard the awful news from Europe ...
How destroyed you were?

[Knife clinks]

[Hannah Arendt] I'd never forgive myself if I didn't take this opportunity.
You told everyone how smart and brave I was to escape from Gurs.

[Heinrich Blucher (1899-1970)] And so you were, my love.

[Hannah Arendt] Many women stayed for fear their husbands wouldn't find them
if they left the camp.

[Heinrich Blucher (1899-1970)] I'd have found you anywhere.

[Hannah Arendt] Maybe not.
While it was still summer and warm ...
we hoped it would soon be over.
But then ...
The waiting ...
More and more women let themselves go, stopped combing their hair ...
Stopped washing themselves.
Just lay there on their straw sacks.
I tried to encourage them.
Sometimes I was strict, sometimes friendly.
But then, one evening ...
it had rained all day and the straw sacks were falling apart.
I suddenly lost my courage.
I was so tired.
So tired ...
that I wanted to leave
the world
that I so loved.
And in that instant ...
I saw you in front of me.
How you'd look for me, and ...
not find me.

[Heinrich Blucher (1899-1970)] Now do you understand why I don't want you to go?

***

[Hans Jonas (1903-1993)] Summis cum gratulationibus.

[In German] Hannah ... great! You asked them?
And they just said yes?

[Hannah Arendt] Yes. Simple as that.

[Hans Jonas (1903-1993)] Everything's simple for a genius.

[Hannah Arendt] Don't exaggerate.

[Student Enrico] [In English] I hope you're still teaching next term.

[Hannah Arendt] You will hear all about that when the tribe comes over.
[To Hans Jonas] [In German] You know,
I almost dread this trip.

[Hans Jonas (1903-1993)] I wish I could accompany you.

[Hannah Arendt] Oh Hans, that would be so nice.

***

[Students] [Chattering outside THE NEW SCHOOL]

[Student] Need a light, Mrs. Arendt?

[Hannah Arendt] Oh. Thank you.

[Student] You're very welcome]

[Students] [Chattering]

[Siren wailing in distance]

***

[Partygoers] [Chattering]

[Mary McCarthy (1912-1989)] Nixon's usually an unrepentant bulldog, but he's lost his nerve.
He's like a frightened schoolboy wanting to be liked.
He's even trying to get Kennedy's approval.

[Heinrich Blucher (1899-1970)] Nixon is a liar. It's a strategy. He only cares about his career.

[Professor Thomas Miller] That's why he's going to win.

[Hannah Arendt] No. Nixon calculates.
But Kennedy is young and handsome and inspiring,
and that is what matters when the ships are down.

[Mary McCarthy (1912-1989)] "Chips." Hannah, "chips," not "ships."

[Doorbell rings]

[Hannah Arendt] Oh, that must be Hans and Lore.
[In German] All right then: "chips."

[Mary McCarthy (1912-1989)] [Chuckles]

[Heinrich Blucher (1899-1970)] English can only be a second-rate fiddle for us.
If you want to hear Hannah play her Stradivarius, you should learn German.

[Mary McCarthy (1912-1989)] She asked me to correct her.

[Hannah Arendt] Ah, at last!

[Heinrich Blucher (1899-1970)] Impossible. Must have been someone else.

[Lore Jonas] [In German] Our train was late.

[Hannah Arendt] Of course.
We know that excuse.
Coasts off. Everyone's here.
Great that you made it.

[Mary McCarthy (1912-1989)] [Making eyes at Hannah about Charlotte's sitting next to Heinrich]

[Hannah Arendt] Meet the latest member of the tribe. Professor Miller, Hans and Lore Jonas.

[Professor Thomas Miller] Such a pleasure to finally meet you.

[Hans Jonas (1903-1993)] Professor Miller, it's an honor.

[Professor Thomas Miller] Hannah tells me you're her oldest and dearest friend.

[Heinrich Blucher (1899-1970)] The oldest for sure, but not the dearest.

[Hans Jonas (1903-1993)] Oh, Heinrich is much older than me.

[Heinrich Blucher (1899-1970)] And much better looking.

[Professor Thomas Miller] Did you already know each other back in Germany?

[Hannah Arendt] Thomas, I said "old friend." In Europe that means we met more than 10 minutes ago.

[Heinrich Blucher (1899-1970)] They met in the '20s as students of Heidegger, the Hosenmatz philosopher.

[Hans Jonas (1903-1993)] [In German] Don't say my name in the same breath as that Nazi.

[Lore Jonas] Not here, Hans!

[Professor Thomas Miller] So, you were all students of the confounding Martin Heidegger.

[Heinrich Blucher (1899-1970)] Oh, I didn't even finish high school.

[Professor Thomas Miller] But aren't you a professor at Bard?

[Hannah Arendt] Original thinkers don't need degrees, Professor Miller.

[Professor Thomas Miller] [Chuckles]

[Hans Jonas (1903-1993)] To Hannah,
in honor of her trip to Jerusalem.

[Hannah Arendt] Oh, thank you, Hans.

[Heinrich Blucher (1899-1970)] [In German] It's not a vacation, Hans.

[Hannah Arendt] Lotte, champagne.

[Professor Thomas Miller] [To somebody] So I heard so much about you.

***

[Professor Thomas Miller] I am honored that a colleague from my university ...
has this great opportunity to be an eyewitness to history.

[Student Laureen] We'll miss you.

[Hannah Arendt] Oh, thank you.

[Boy Student] Yes, really.

[Hannah Arendt] Thank you.

[Hans Jonas (1903-1993)] It is just wonderful, Hannah, that you,
one of us, will be present for this great trial.

[Heinrich Blucher (1899-1970)] This is not a grand trial. It's illegal.
The kidnapping by the Israeli secret service was illegal!

[Hans Jonas (1903-1993)] Israel has a sacred right to try a Nazi for crimes against the Jewish people.

[Heinrich Blucher (1899-1970)] Sacred right? Hans, you're meshugga.

[Hannah Arendt] But most of the survivors live there.

[Hans Jonas (1903-1993)] Precisely.
And they want to see this criminal face to face.

[Heinrich Blucher (1899-1970)] Face to face!

[Mary McCarthy (1912-1989)] [Shakes her head and throws up her hand]
[To Hannah Arendt] Excuse me.

Face to face -- my lovely foe
Mouth to mouth -- raining heavens' blows

Hand on heart -- tic tac toe
Under the stars -- naked as we flow

Cheek to cheek -- the bitter sweet
Commit your crime in your deadly time
It's too divine -- I want to bend
I want this bliss but something says I must resist

Another life -- another time
We're Siamese twins writhing intertwined
Face to face -- no telling lies
The masks they slide -- to reveal a new disguise
You never can win -- it's the state I'm in
This danger thrills and my conflict kills
They say follow your heart -- follow it through
But how can you -- when you're split in two?

And you'll never know
You'll never know

One more kiss -- before we die
Face to face -- and dream of flying
Who are you? -- who am I?
Wind in wings -- two angels falling
To die like this -- with a last kiss
It's falsehood's flame -- it's a crying shame
Face to face -- the passions breathe
I hate to stay but then I hate to leave

And you'll never know
You'll never know

-- Face To Face, by Danny Elfman and Siouxsie & the Banshees


[Hans Jonas (1903-1993)] They'll all be dragged into court!
They'll be witnesses.

[Heinrich Blucher (1899-1970)] It'll take years.

[Hans Jonas (1903-1993)] This trial ...

[Mary McCarthy (1912-1989)] [Waving her hands around] So much smoke! [Groans]

[Professor Thomas Miller] Do you understand anything?

[Mary McCarthy (1912-1989)] I thought you were the German speaker.

[Professor Thomas Miller] Well, I can read it perfectly, but they're speaking so fast.

[Heinrich Blucher (1899-1970)] The State of Israel didn't even exist back then.

[Hans Jonas (1903-1993)] Unfortunately.
Or they'd have declared war on Hitler like England and France.
But nevertheless, we were there!
We did our duty and volunteered for the British Army to fight the Nazis.
We were in the Jewish Brigade in '44.
Me and many brave men from Israel.

[Lore Jonas] They know that.

[Hans Jonas (1903-1993)] Heinrich doesn't know what it means
to take up arms to defend his convictions.

[Charlotte Beradt] He had to emigrate because of them!

[Hans Jonas (1903-1993)] So did many others. Doesn't mean much.

[Heinrich Blucher (1899-1970)] No one doubts your bravery, Hans.
Hannah always says she admired you as a soldier.

[Hannah Arendt] Not just as a soldier.

[Mary McCarthy (1912-1989)] Lotte! [Gestures her to come here]

[Hannah Arendt] Eichmann should have been tried in Nuremberg, but he escaped.
That makes him an outlaw, a pirate.

[Mary McCarthy (1912-1989)] [To Lotte] Tell us what they're saying.

[Lotte Kohler (1920-2011)] I'm sure you'd prefer to hear it from Hannah.

[German continues]

[Hannah Arendt] So he should be tried by an international court.

[Heinrich Blucher (1899-1970)] No such thing.

[Hans Jonas (1903-1993)] Precisely!

[Heinrich Blucher (1899-1970)] If the case proceeds as you predict ...

[Mary McCarthy (1912-1989)] [To Professor Miller] He's just one of those passionate ex-communists from Berlin.

[Professor Thomas Miller] Jewish?

[Mary McCarthy (1912-1989)] No.
But he followed Rosa Luxemburg to the end.

[Professor Thomas Miller] Oh, so of course that's better than a Ph.D.

[Mary McCarthy (1912-1989)] [Chuckles]

[Heinrich Blucher (1899-1970)] You can't put history on trial. You can only try one man.

[Hans Jonas (1903-1993)] Indeed. One man on trial. For murder.

[Professor Thomas Miller] [To Mary] Strange pair.

[Heinrich Blucher (1899-1970)] Yes. For murder.

[Mary McCarthy (1912-1989)] [To Prof. Miller] They're fantastic. The happiest married couple in the world.

[Heinrich Blucher (1899-1970)] And that has to be proven ...

[Mary McCarthy (1912-1989)] Whatever you're saying, I agree with all of you.

[Hannah Arendt] Everybody, English now. Please.

[Heinrich Blucher (1899-1970)] Sorry, Mary.

[Mary McCarthy (1912-1989)] [Raises her glass in a toast]
[Chuckling] Good health.

[Charlotte Beradt (1907-1986)] [Kissing Heinrich] [In German] See you soon.

[Mary McCarthy (1912-1989)] [Gestures to Hannah with a "what's up with that?"]

[Hannah Arendt] Adieu, Charlotte.

[Charlotte Beradt (1907-1986)] Adieu.

[Lore Jonas] Thank you, dear.

[Hannah Arendt] See you soon.
We were too hard on Hans.
Tell him I'm sorry.

[Lore Jonas] You say that every time.

[Hannah Arendt] I know.

[Professor Thomas Miller] See you on campus.

[Hannah Arendt] Oh, it was great having you, Thomas. Bye.

[Hans Jonas (1903-1993)] Bye.

[Hannah Arendt] Take care now in that awful storm.
It's terrible.

[Heinrich Blucher (1899-1970)] [Closes the door]

[Hannah Arendt] [Gestures to Heinrich with a "what was all that about?"]

[Heinrich Blucher (1899-1970)] [Laughing] It's so much fun
to light a fire under Hans' sacred little behind.
Especially as he's so happy to send you to hell!

[Hannah Arendt] [Laughing]
Oh ... you.

***

[Hannah Arendt] [Remembering]
[Footsteps marching]

[Looking at a picture of Kurt Blumenfeld on her mantle]

[Marching continues]

[Young Hans Jonas] [Whispers] Hannah!
Here:
In his inaugural speech, he thanked the Fuhrer.

[PARTY MEMBER HEIDEGGER]

[Young Hans Jonas] Then they sang the Horst-Wessel-Lied.

[Young Hannah Arendt] [Looks at him worriedly]

[Heinrich Blucher (1899-1970)] Hello, "Klaps."

[Hannah Arendt] Hello, "Stups."
[Kisses Heinrich]
[Laughing]

[Heinrich Blucher (1899-1970)] [In French] Are you coming with me?

[Hannah Arendt] [Turns off light and leaves with Heinrich]

***

[JERUSALEM]

[Taxi Driver] [Hebrew] [Opening door for Hannah Arendt]

[Kurt Blumenfeld (1884-1963)] Hannah! My Hannah!

[Hannah Arendt] Oh!
[Gives Kurt a good long hug]

[In Hebrew] Jerusalem ...
your love.

[Kurt Blumenfeld (1884-1963)] Yes.
[In German] And how's my Heinrich?
Is he good to you?

[Hannah Arendt] Yes.
Sometimes too good.

[Kurt Blumenfeld (1884-1963)] I miss arguing with him.
I can no longer see my way through the maze of modern life.

[Hannah Arendt] He argued with me about this trip.
He's afraid it will send me back
to the "dark times."

[Kurt Blumenfeld (1884-1963)] This trial is very important for us.
And you're strong, my Hannah. You always were.
And brave.
Very brave.

[Kurt Blumenfeld (1884-1963)] Tell me how you are.
How's your heart?

[Kurt Blumenfeld (1884-1963)] Not too good.
It's never gotten used to the world we live in.
Israel has aged faster than you, my little Hannah.
[Touches her face fondly]

5. GERMAN ZIONISM OFFERS TO COLLABORATE WITH NAZISM

Werner Senator, a leading German Zionist, once remarked that Zionism, for all its world Jewish nationalism, always politically assimilates to the countries within which it operates. No better proof of his remark exists than the political adaptation of the ZVfD to the theories and policies of the new Nazi regime. Believing that the ideological similarities between the two movements -- their contempt for liberalism, their common volkish racism and, of course, their mutual conviction that Germany could never be the homeland of its Jews -- could induce the Nazis to support them, the ZVfD solicited the patronage of Adolf Hitler, not once but repeatedly, after 1933.

The goal of the ZVfD became an 'orderly retreat', that is, Nazi backing for emigration of at least the younger generation of Jews to Palestine, and they immediately sought contact with elements in the Nazi apparatus whom they thought would be interested in such an arrangement on the basis of a volkish appreciation of Zionism. Kurt Tuchler, a member of the ZVfD Executive, persuaded Baron Leopold Itz Edler von Mildenstein of the SS to write a pro-Zionist piece for the Nazi press. The Baron agreed on the condition that he visited Palestine first, and two months after Hitler came to power the two men and their wives went to Palestine; von Mildenstein stayed there for six months before he returned to write his articles.

Contact with a central figure in the new government came in March 1933, when Hermann Goering summoned the leaders of the major Jewish organisations. In early March, Julius Streicher, the editor of Der Steurmer, had declared that, as of 1 April, all Jewish stores and professionals would be boycotted; however, this campaign ran into an immediate snag. Hitler's capitalist backers were extremely worried by the announcement by rabbi Wise of a planned counter-demonstration to be held in New York on 27 March, if the Nazis went ahead with their boycott. Jews were prominent throughout the retail trade both in American and Europe and, fearing retaliation against their own companies, Hitler's wealthy patrons urged him to call off the action. But the Nazis could hardly do that without losing face, and they decided to use German Jewry to head off Wise; thus Hermann Goering called in the Jewish leaders.

German Zionism's influence in Weimar did not merit its leaders’ participation, but because they conceived themselves as the only natural negotiating partner with the Nazis, they secured a late invitation. Martin Rosenbluth, a leading Zionist, later told of the incident in his post-war autobiography, Go Forth and Serve. Four Jews saw Goering: Julius Brodnitz for the CV, Heinrich Stahl for the Berlin Jewish community, Max Naumann, a pro-Nazi fanatic from the Verband nationaldeutscher Juden (VnJ), and Blumenfeld for the Zionists. Goering launched into a tirade: the foreign press was lying about atrocities against Jews; unless the lies stopped, he could not vouch for the safety of German Jewry. Most important, the New York rally had to be called off: 'Dr Wise is one of our most dangerous and unscrupulous enemies.' A delegation was to go to London to contact world Jewry.

The assimilationists declined, claiming that as Germans they had no influence with foreign Jews. This was false, but they hardly wanted to assist in their own destruction. Only Blumenfeld volunteered, but insisted he be allowed to speak truthfully about the Nazi treatment of Jews. Goering did not care what was said to get the rally called off; perhaps a description of the grim situation might make foreign Jews halt for fear of provoking worse. He did not care who went or what arguments were used as long as the deputation agreed to 'report regularly to the German embassy'.

The ZVfD finally sent Martin Rosenbluth and Richard Lichtheim. Fearing exclusive responsibility for the outcome of their strange mission, they prevailed upon the CV to let them take along Dr Ludwig Tietz. Although not a Zionist personally, the wealthy businessman was 'a good friend of ours'. [89] The trio arrived in London on 27 March and immediately met forty Jewish leaders at a meeting chaired by Nahum Sokolow, then President of the WZO. They later met a battery of British officials. The delegates saw two tasks before them: to use the severity of the situation to promote Palestine as 'the logical place of refuge', and to head off all anti-Nazi efforts abroad. They called Wise in New York. Rosenbluth described the incident thus in his memoirs:

Mindful of Goering's charges… we conveyed the message… Getting the cryptic rest of our message across to him was somewhat more difficult, since it was necessary to speak in obscure terms in order to confound any possible monitors. Subsequent events proved we had made clear our hidden plea, and that Dr Wise had understood we wanted him to stand firm and under no circumstances cancel the meeting.

There is no evidence that any effort was made to signal Wise to this effect. Through the research of an Israeli scholar, Shaul Esh, it is now known that the deputation tried to head off demonstrations in New York and Palestine. According to Esh, later that evening they sent cables:

not in their own name, but in the name of the Zionist Executive in London. The telegrams requested that the recipients immediately dispatch to the Chancellery of the Third Reich declarations to the effect that they do not condone an organised anti-German boycott… the Zionist Executive in London learned of this several hours later, they sent another cable to Jerusalem to delay the dispatch of an official declaration to Hitler.

Later, in his own autobiography, Challenging Years, Stephen Wise mentioned receiving their cable, but he did not record any cryptic message from the delegation. It is reasonable to assume that he would have recorded it, if he had thought any such attempt was made. In reality, Wise repeatedly raged at the ZVfD in the following years for persistently opposing every attempt by foreign Jews to struggle against the Hitler regime.

The London proceedings were typical of all further ZVfD behaviour. In 1937, after leaving Berlin for America, rabbi Joachim Prinz wrote of his experiences in Germany and alluded to a memorandum which, it is now known, was sent to the Nazi Party by the ZVfD on 21 June 1933. Prinz's article candidly describes the Zionist mood in the first months of 1933:

Everyone in Germany knew that only the Zionists could responsibly represent the Jews in dealings with the Nazi government. We all felt sure that one day the government would arrange a round table conference with the Jews, at which -- after the riots and atrocities of the revolution had passed -- the new status of German Jewry could be considered. The government announced very solemnly that there was no country in the world which tried to solve the Jewish problem as seriously as did Germany. Solution of the Jewish question? It was our Zionist dream! We never denied the existence of the Jewish question! Dissimilation? It was our own appeal!… In a statement notable for its pride and dignity, we called for a conference.

-- Zionism in the Age of the Dictators: A Reappraisal, by Lenni Brenner


***

[Jenny Blumenfeld] I always thought you'd have many children.

[Hannah Arendt] Oh, Jenny. At first we were too poor,
and when we had the money,
we were too old.

[Rahel Blumenfeld] Many people here are poor but they still have children.

[Rafael Blumenfeld] Children are important for such a young country.

[Jenny Blumenfeld] It was about time you visited us.

[Kurt Blumenfeld (1884-1963)] She's not visiting.

[Hannah Arendt] [Mischievously] You see?
He's throwing me out already!

[Kurt Blumenfeld (1884-1963)] I'm only sorry that your visit is thanks to this wild predator.

[Rafael Blumenfeld] That's why he's being displayed in a cage.

[Hannah Arendt] A cage?

[Rafael Blumenfeld] Made of glass.

[Rahel Blumenfeld] To protect him from us.

***

[Crowd Murmuring]

[Adolf Eichmann (1906-1962) [Walks in the room and takes a seat. Three policemen behind him.]

[Man] The high court!

[Everyone rises, including Eichmann]

[Three judges enter and sit]

[Adolf Eichmann (1906-1962) [Puts on his head phones]

[Gideon Hausner (1915-1990)] [In Hebrew] When I stand before you here, judges of Israel,
to bring charges against Adolf Eichmann,
I am not standing alone.
With me are six million accusers.
But they cannot rise
or point towards him in the dock.
They cannot cry, "I accuse him!"
For their ashes have been scattered over the hills of Auschwitz
and in the fields of Treblinka,
and thrown into the rivers of Poland.
Their graves are to be found
throughout Europe.
Their blood cries to heaven,
but we cannot hear their voices.

***

[Hannah Arendt] [To Kurt Blumenfeld] And Hausner parades around
as if he's competing with Eichmann for the leading role in a play.

[Kurt Blumenfeld (1884-1963)] His opening speech was bound to be dramatic.

[Hannah Arendt] In the spirit of Ben-Gurion?
He's behind all this, isn't he?

[Kurt Blumenfeld (1884-1963)] [Shakes his head yes]

[Hannah Arendt] Israel has to be very careful that this doesn't become a show trial.

[Kurt Blumenfeld (1884-1963)] That's my Hannah! Just wait a bit.
And try to understand Ben-Gurion.
Our young people refuse to confront what you call the "dark times."
Either they're ashamed of their parents who didn't fight or protect themselves,
or they accuse them of having behaved dishonorably.
They think only criminals or whores could have survived the camps.

[Hannah Arendt] And you believe Hausner can make them understand
what their parents have suffered?

[Kurt Blumenfeld (1884-1963)] Be a little patient with us.

'It is Right, therefore, that They should Fight against Us'

If the SPD and the KPD must bear their full measure of guilt for Hitler's triumph, so too must the Zionistische Vereinigung fur Deutschland (the Zionist Federation of Germany). Although conventional wisdom has always assumed that the Zionists, with their dire view of anti-Semitism, warned the Jews of the Nazi menace, this is in fact not true. In 1969, Joachim Prinz, the former President of the American Jewish Congress—in his youth a fire-eating Zionist rabbi in Berlin —still insisted that:

Since the assassination of Walther Rathenau in 1922, there was no doubt in our minds that the German development would be toward an anti-Semitic totalitarian regime. When Hitler began to arouse, and as he put it 'awaken' the German nation to racial consciousness and racial superiority, we had no doubt that this man would sooner or later become the leader of the German nation.

Yet a diligent search of the pages of the Judische Rundschau, the weekly organ of the ZVfD, will not reveal such prophecies. When a Jew was killed and several hundred Jewish stores looted in a November 1923 hunger riot in Berlin, Kurt Blumenfeld, the Secretary (later President) of the ZVfD, consciously played down the incident:

There would be a very cheap and effective kind of reaction, and we... decisively reject it. One could incite deep anxiety among German Jewry. One could use the excitement to enlist the vacillating. One could represent Palestine and Zionism as a refuge for the homeless. We do not wish to do that. We do not wish to carry off by demagoguery those who have stood apart from Jewish life out of indifference. But we wish to make clear to them through [our] sincere conviction where the basic error of Jewish galuth [exile] existence lies. We wish to awaken their national self-awareness. We wish ... through patient and earnest educational work [to] prepare them to participate in the upbuilding of Palestine....

German Zionism was distinctive in the WZO, in that the ZVfD leaders opposed taking any part in local politics. To Blumenfeld, grenzuberschreitung (overstepping the borders) was the dreaded sin. Blumenfeld completely accepted the anti-Semitic line that Germany belonged to the Aryan race and that for a Jew to hold an office in the land of his birth was nothing more than an intrusion into the affairs of another volk.

-- Zionism in the Age of the Dictators: A Reappraisal, by Lenni Brenner


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2015-06-26T07:06:20+00:00 2015-06-26T07:06:20+00:00 http://survivorbb.rapeutation.com/sbb-bak/viewtopic.php?p=8940#p8940 <![CDATA[Still Videos and Transcripts • Hannah Arendt, directed by Margarethe von Trotta]]> HANNAH ARENDT -- ILLUSTRATED SCREENPLAY
directed by Margarethe von Trotta
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And I hope that thinking gives people the strength to prevent catastrophes in these rare moments when the chips are down.
-- Hannah Arendt, directed by Margarethe von Trotta

Statistics: Posted by admin — Fri Jun 26, 2015 7:06 am


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